The scene opens with an assembly of citizens who are harangued by one of their number, whose words have great weight with the crowd, and their attitude of approval shows that Roman misrule ... See full summary »
The first part tells the story of Moses leading the Jews from Egypt to the Promised Land, his receipt of the tablets and the worship of the golden calf. The second part shows the efficacy ... See full summary »
Cecil B. DeMille
Charles de Rochefort,
Erstwhile childhood friends, Judah Ben-Hur and Messala meet again as adults, this time with Roman officer Messala as conqueror and Judah as a wealthy, though conquered, Israelite. A slip of a brick during a Roman parade causes Judah to be sent off as a galley slave, his property confiscated and his mother and sister imprisoned. Years later, as a result of his determination to stay alive and his willingness to aid his Roman master, Judah returns to his homeland an exalted and wealthy Roman athlete. Unable to find his mother and sister, and believing them dead, he can think of nothing else than revenge against Messala. Written by
Doug Sederberg <firstname.lastname@example.org>
According to The Guinness Book of World Records (2002), the movie contains the most edited scene in cinema history. Editor Lloyd Nosler compressed 200,000 feet (60,960 meters) of film into a mere 750 feet (228.6 meters) for the chariot race scene - a ratio of 267:1 (film shot to film shown). See more »
At one point in the chariot race a man in modern clothing - light-colored shirt, long pants, dark shoes - can be seen running out of the crowd onto the track and waving his arms at the camera. That was assistant director William Wyler, who saw that one of the chariots - out of camera range - was approaching the curve of the track too fast and Wyler was signaling the director to have the crew cleaning up a crashed chariot to get out of the way. See more »
The great race is on tomorrow and I am without a driver. You must drive my Arabs for me!
See more »
The 1925 version of Ben-Hur is an outstanding example of silent film making at it's best. With the proverbial cast of thousands, it compares favorably with it's more expensive and lavish 1959 remake. Had the Academy Awards been given out at this time, Ben-Hur would undoubtedly have won it's share.
The video version that I saw was restored to it's original splendor complete with tints and two color technicolor sequences, They are quite spectacular and hold up quite well today. The birth of Christ sequence is most memorable.
The flagship sequences, the sea battle and the chariot race, are expertly staged and remain the most exciting parts of the picture. They are as good as those in the 1959 version.
The casting is, for the most part, excellent. Ramon Navarro as Judah and Francis X. Bushman as Messala stand out. The only problem is the casting of May McEvoy as Esther. With her blond hair, blue eyes and riglets, she looks more like a Mary Pickford want to be than a Jewish slave girl.
Despite all of it's well documented production problems, Ben-Hur still is one of the best movies of all time, silent or sound.
26 of 28 people found this review helpful.
Was this review helpful to you?