| Lionel Barrymore | ... | Mathias | |
| Caroline Frances Cooke | ... | Catharine | |
| Gustav von Seyffertitz | ... | Jerome Frantz | |
| Lorimer Johnston | ... | Hans | |
| Eddie Phillips | ... | Christian (as Edward Phillips) | |
| Lola Todd | ... | Annette | |
| Laura La Varnie | ... | Fortune teller (as Laura Lavarnie) | |
| Boris Karloff | ... | The Mesmerist | |
| E. Alyn Warren | ... | Jethro Koweski / Baruch Koweski | |
| rest of cast listed alphabetically: | |||
| George Austin | ... | Old man at inn with glasses (uncredited) | |
| John George | ... | Mesmerist Announcer (uncredited) | |
| Otto Lederer | ... | Clothing peddler (uncredited) | |
Directed by | |||
| James Young | |||
Writing credits(in alphabetical order) | ||
| Alexandre Chatrian | play "Le Juif Polonais" | |
| Emile Erckmann | play "Le Juif Polonais" | |
| Leopold Lewis | stage adaptation | |
| James Young | ||
Produced by | |||
| I.E. Chadwick | .... | producer | |
Cinematography by | |||
| L. William O'Connell | |||
Second Unit Director or Assistant Director | |||
| Cliff Saum | .... | assistant director | |
Camera and Electrical Department | |||
| Perry Harris | .... | lighting effects | |
Other crew | |||
| Earl Sibley | .... | technical director | |
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| The Bells | The House of Fear | The Dark Hour | The Bat Whispers | Ransom |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Crime section | IMDb USA section |
Fits more properly into the category of gothic melodrama than of horror, but lately it has been distributed as horror (perhaps owing to the presence in the supporting cast of the great horror actor Boris Karloff, and to the film's gothic style). It claims to be from an Edgar Allen Poe story, but this concoction of suspicious wives and somnambulists is really little more than a rip-off of Germany's "Cabinet of Dr. Caligari" (which was perhaps itself a take-off on the venerable, much-abused Poe). Barrymore serves admirably as the film's central character, though he hasn't really learned good film technique yet, making his performance one in the "high theatrical" mode.