Michael "Beau" Geste leaves England in disgrace and joins the infamous French Foreign Legion. He is reunited with his two brothers in North Africa, where they face greater danger from their... See full summary »

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Cast

Cast overview, first billed only:
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George Regas ...
Bernard Siegel ...
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Donald Stuart ...
Paul McAllister ...
Redmond Finlay ...
Cordere
Bhogwan Singh ...
Prince Ram Singh (as Ram Singh)
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Storyline

Michael "Beau" Geste leaves England in disgrace and joins the infamous French Foreign Legion. He is reunited with his two brothers in North Africa, where they face greater danger from their own sadistic commander than from the rebellious Arabs. Written by Marg Baskin <marg@asd.raytheon.ca>

Plot Summary | Plot Synopsis

Taglines:

Hard lives, quick deaths, undying love!

Genres:

Action | Adventure | Drama | War

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Details

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Release Date:

25 August 1926 (USA)  »

Also Known As:

Blutsbrüderschaft  »

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Aspect Ratio:

1.33 : 1
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Did You Know?

Trivia

Contrary to reference books on the subject, the film did not have Technicolor inserts according to Technicolor's records. See more »

Connections

Followed by Beau Ideal (1931) See more »

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User Reviews

 
Quite an experience
7 August 2003 | by (California) – See all my reviews

Not a dull moment awaits the viewer in Beau Geste. Quite honestly, it's never boring. The great action scenes, great story telling, superb acting, fabulous art direction and amazing camerawork hold it up just as well today as in 1926.

Now, I'm not a fan of sweeping epics. I, for one, hate David Lean's work with a passion. But in the silent days, many a great epic film was made, and this in one of them.

Probably the most incredible thing is the sheer size of this movie. The opening scenes of the french troops advancing toward the fort, or later with the arabs doing the same thing, are astounding. Unlike in Lean's work, where crowds of chattering background players rush about in every direction, director Herbert Brennon skillfully weaves his literal army of extras over the sand dunes, obviously going to great lengths to ensure that he gets a breathtaking shot. And cinematographer Roy Hunt captures it impeccably, only as an artist would. I'd like to see more of his.

I saw this movie last night in a restored silent movie theater with live organ accompaniment. The organist, the incredible Dennis James, mentioned that some audience members might feel that they had seen this film before, only that they thought that it was with Gar Cooper. I haven't seen that version, but apparently it's almost a shot-for-shot remake. I'd love to see it if it's even half as good as this one.


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