The fairies of Oz gather in the forest of Burzee one evening and weave a magic cloak that gives the wearer one wish, so long as it has not been stolen. The man in the moon tells them that ... See full summary »
J. Farrell MacDonald
Ojo and Unc Nunkie are out of food, so they decide to journey to the Emerald City where they will never starve. Along the way, they meet Mewel, a waif and stray (mule) who leads them to Dr.... See full summary »
J. Farrell MacDonald
A storybook opens to depict little Dorothy on the grey Kansas prairies, when suddenly a cyclone comes up, turns her world to color, and she lands on a Scarecrow, who promptly gets up and ... See full summary »
This 150-episode series of shorts chronicles Dorothy's long stay in the land of Oz. The Munchkins are portrayed as tiny globs; the Scarecrow is a fool named Socrates; the Tin Woodman is a ... See full summary »
Rather than adapt a later or create a new Oz story, this production has Dorothy still in posession of the shoes, and she clings to an apple tree during a tornado which takes her back to Oz.... See full summary »
A Toymaker tells a bizarre story about how the Land of Oz was ruled by Prince Kynd, but he was overthrown by Prime Minister Kruel. Dorothy learns from Aunt Em that fat, cruel Uncle Henry is not her uncle, and gives her a note due on her eighteenth birthday, which reveals she is actually Princess Dorothea of Oz, and is supposed to marry Prince Kynd. She, Uncle Henry , and two farmhands are swept to Oz by a tornado. Snowball, a black farmhand soon joins them after a lightning bolt chases him into the sky. They land in Oz, where the farmhands try to avoid capture. Semon becomes a scarecrow, Hardy briefly disguises himself as a Tin Woodman, and Snowball is given a Lion suit by the Wizard, which he uses to scare the Pumperdink guards. Written by
Scott Hutchins <firstname.lastname@example.org>
This is a strange, sometimes misogynistic, and sometimes racially stereotypical film, reflective of the time in which it was made. It fascinates on a historical level, and on a foundational comedic level. You can see the trademark Oliver Hardy gestures in development, and his interaction with Larry Semon foretells his film relationship with Stan Laurel. Some cute little animation effects (a bee enters one of Semon's ears only to exit from the other), reflective of Disney's contemporaneous mix of live action and animation.
The "digital" score and the use of a "narrator" (who horribly reads the subtitles...where did she learn to read???) is annoying.
All in all, cute, and worthy of 90 minutes.
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