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Seven Chances (1925)

Not Rated | | Comedy, Romance | 11 March 1925 (USA)
A man learns he will inherit a fortune if he marries. By 7 p.m. Today.

Director:

Writers:

(adapted from David Belasco's famous comedy by), (screen version) | 2 more credits »
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Cast

Complete credited cast:
...
...
Snitz Edwards ...
James' Lawyer
Ruth Dwyer ...
Mary Jones - James' Girl
Frances Raymond ...
Mrs. Jones - Mary's Mother (as Frankie Raymond)
Erwin Connelly ...
The Clergyman
Jules Cowles ...
The Hired Hand
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Storyline

Financial broker Jimmie Shannon is nearly bankrupt when an attorney presents grandfather's will leaving him seven million dollars. In order to inherit the money Jimmie must marry before 7 pm on his 27th birthday - today! Written by Ed Stephan <stephan@cc.wwu.edu>

Plot Summary | Add Synopsis

Genres:

Comedy | Romance

Certificate:

Not Rated | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

Release Date:

11 March 1925 (USA)  »

Also Known As:

As Sete Ocasiões de Pamplinas  »

Company Credits

Production Co:

 »
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Technical Specs

Runtime:

Sound Mix:

Color:

| (2-strip Technicolor) (opening sequence)

Aspect Ratio:

1.33 : 1
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Did You Know?

Trivia

The original Broadway production of "Seven Chances" by Roi Cooper Megrue opened at George M. Cohan's Theater on August 8, 1916 and ran for 151 performances. See more »

Goofs

The stage doorman clearly vest-pockets his bribe as Buster enters to go backstage--yet then has the money in his hand again when Buster emerges to reclaim it. See more »

Quotes

Jimmie Shannon: Would you marry me?
See more »

Connections

Featured in The Comic Kino-Eye (2013) See more »

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User Reviews

Hilarious & Inventive
18 July 2001 | by (Ohio) – See all my reviews

Buster Keaton's comic genius makes "Seven Chances" a wildly entertaining film. The first half of it is quite good, if imperfect, but the second half is a tour-de-force of sustained humor and creativity. Keaton plays Jimmie Shannon, a young man who learns that he stands to inherit a fortune, but only if he marries by 7 PM that very day. It's the kind of goofy premise that in lesser hands could be a complete flop, but Keaton gets all kinds of possibilities out of it.

For most of the first half of the film, Jimmie is busy racing around proposing to every woman he can find. His true love, Mary, tries to find Jimmie herself, but he is already off on his frantic search for someone to accompany him to the altar. The search is always funny, at times extremely so. This first half has a handful of things that don't quite work, such as the black-faced servant (who was, though, probably intended as a sympathetic character), but if it were not for that and a couple other small details, this would be a nearly perfect film.

In the second half, all of the complications set up a frantic chase sequence, with literally hundreds (at least) of angry women pursuing Jimmie through the city, while he tries to get to Mary. This might be the best comic chase sequence ever filmed. It is hilarious and incredibly inventive, with careful choreography, a great variety of backgrounds, and a huge collection of gags both obvious and subtle. No description could do it justice - it has to be seen at least once to appreciate it.

If you are a fan of Keaton or of silent films in general, make sure to see this one.


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