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The Salvation Hunters (1925)

 -  Drama  -  15 February 1925 (USA)
6.9
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Ratings: 6.9/10 from 137 users  
Reviews: 5 user | 3 critic

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Title: The Salvation Hunters (1925)

The Salvation Hunters (1925) on IMDb 6.9/10

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Cast

Cast overview:
George K. Arthur ...
The Boy
Georgia Hale ...
The Girl
Bruce Guerin ...
The Child
Otto Matieson ...
The Man
Nellie Bly Baker ...
The Woman
Olaf Hytten ...
Stuart Holmes ...
The Gentleman
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Storyline

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Genres:

Drama

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Details

Country:

Release Date:

15 February 1925 (USA)  »

Also Known As:

Cacciatori di salvezza  »

Box Office

Budget:

$20,000 (estimated)
 »

Company Credits

Production Co:

 »
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Technical Specs

Runtime:

Sound Mix:

Aspect Ratio:

1.33 : 1
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Did You Know?

Trivia

Although it cost only $5000 to make, half coming from a silent partner, von Sternberg bought out his partner, giving him 100% profit on his 50% investment and sold 50% of the rights of "The Salvation Hunters" to Joseph M. Schenck of United Artists for $20,000. See more »

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User Reviews

 
To the Sun
16 August 2010 | by (United States) – See all my reviews

Just watched this film and I'm not sure what to think. There was a sliver of biography preceding the film that talked about George K. Arthur approaching Josef von Sternberg with $6,000 to make a film. They assembled a cast of "unknowns" that included Georgia Hale, Otto Matieson, Bruce Guerin, Nellie Bly Baker.

Von Sternberg fashioned a story about life with the harbor dredge acting as a symbol of life's futility as it gouges up harbor mud even as the shore crumbles back into the sea.

The Boy, The Girl and The Child leave the harbor and go to the city where they are immediately set upon by The Man who tries to press The Girl into prostitution. He already has The Woman in another room, seemingly a prisoner.

After a failed tryst, The Man thinks that maybe a trip to the country will make The Girl more pliable but he has to take everyone along. They stop at a development site that boasts something like DREAMS ARE MADE HERE. When The Child gets in the way of The Man's advances, he starts beating the kid so that The Boy comes to his rescue, finds his own manhood, and trounces the cad. The three walk away into the sunset and "to the sun."

So the whole films acts as a metaphor of man coming out of the primordial ooze with the ultimate goal of going "to the sun."

Not very arty for a von Sternberg film, especially the grimy San Pedro harbor scenes, and despite a few nice close-ups of Georgia Hale, this almost has the look and feel of a documentary but with pretensions.

The bio tells us that Chaplin saw this (Nellie Bly Baker had been his secretary and had appeared in a few of his films) and was impressed. He brought it to Douglas Fairbanks and Mary Pickford who loved it and distributed the film through UA, thus making von Sternberg's career in America.

The question remains: exactly what did these 3 giants see in this film?


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