7.7/10
13,163
131 user 125 critic

The Phantom of the Opera (1925)

Unrated | | Horror | 15 November 1925 (USA)
A mad, disfigured composer seeks love with a lovely young opera singer.

Directors:

, (uncredited) | 2 more credits »

Writer:

(from the celebrated novel by)
Reviews

Watch Now

With Prime Video

WATCH NOW
ON DISC
1 win. See more awards »
Learn more

People who liked this also liked... 

Drama | Romance
    1 2 3 4 5 6 7 8 9 10 7.3/10 X  

In fifteenth century Paris, the brother of the archdeacon plots with the gypsy king to foment a peasant revolt. Meanwhile, a freakish hunchback falls in love with the gypsy queen.

Director: Wallace Worsley
Stars: Lon Chaney, Patsy Ruth Miller, Norman Kerry
Drama | Horror | Music
    1 2 3 4 5 6 7 8 9 10 6.5/10 X  

A disfigured violinist haunts the Paris Opera House.

Director: Arthur Lubin
Stars: Nelson Eddy, Susanna Foster, Claude Rains
Dracula (1931)
Fantasy | Horror
    1 2 3 4 5 6 7 8 9 10 7.6/10 X  

The ancient vampire Count Dracula arrives in England and begins to prey upon the virtuous young Mina.

Director: Tod Browning
Stars: Bela Lugosi, Helen Chandler, David Manners
The Wolf Man (1941)
Horror
    1 2 3 4 5 6 7 8 9 10 7.4/10 X  

A practical man returns to his homeland, is attacked by a creature of folklore, and infected with a horrific disease his disciplined mind tells him can not possibly exist.

Director: George Waggner
Stars: Claude Rains, Warren William, Lon Chaney Jr.
Horror | Sci-Fi
    1 2 3 4 5 6 7 8 9 10 7.7/10 X  

A scientist finds a way of becoming invisible, but in doing so, he becomes murderously insane.

Director: James Whale
Stars: Claude Rains, Gloria Stuart, William Harrigan
Drama | Horror | Sci-Fi
    1 2 3 4 5 6 7 8 9 10 7.9/10 X  

Mary Shelley reveals the main characters of her novel survived: Dr. Frankenstein, goaded by an even madder scientist, builds his monster a mate.

Director: James Whale
Stars: Boris Karloff, Elsa Lanchester, Colin Clive
Frankenstein (1931)
Drama | Horror | Sci-Fi
    1 2 3 4 5 6 7 8 9 10 7.9/10 X  

An obsessed scientist assembles a living being from parts of exhumed corpses.

Director: James Whale
Stars: Colin Clive, Mae Clarke, Boris Karloff
The Mummy (1932)
Fantasy | Horror
    1 2 3 4 5 6 7 8 9 10 7.2/10 X  

A living mummy stalks the beautiful woman he believes is the reincarnation of his lover.

Director: Karl Freund
Stars: Boris Karloff, Zita Johann, David Manners
Nosferatu (1922)
Fantasy | Horror
    1 2 3 4 5 6 7 8 9 10 8/10 X  

Vampire Count Orlok expresses interest in a new residence and real estate agent Hutter's wife.

Director: F.W. Murnau
Stars: Max Schreck, Greta Schröder, Ruth Landshoff
Horror
    1 2 3 4 5 6 7 8 9 10 7/10 X  

A strange prehistoric beast lurks in the depths of the Amazonian jungle. A group of scientists try to capture the animal and bring it back to civilization for study.

Director: Jack Arnold
Stars: Richard Carlson, Julie Adams, Richard Denning
Sci-Fi | Horror | Drama
    1 2 3 4 5 6 7 8 9 10 7.2/10 X  

One of the sons of Frankenstein finds his father's monster in a coma and revives him, only to find out he is controlled by Ygor who is bent on revenge.

Director: Rowland V. Lee
Stars: Boris Karloff, Basil Rathbone, Bela Lugosi
The Unknown (1927)
Drama | Horror | Romance
    1 2 3 4 5 6 7 8 9 10 7.9/10 X  

A criminal on the run hides in a circus and seeks to possess the daughter of the ringmaster at any cost.

Director: Tod Browning
Stars: Lon Chaney, Norman Kerry, Joan Crawford
Edit

Cast

Complete credited cast:
...
...
...
Arthur Edmund Carewe ...
...
...
Comte Philip de Chagny (as John Sainpolis)
Snitz Edwards ...
Mary Fabian ...
Virginia Pearson ...
Carlotta / Carlotta's Mother (1929 re-edited version)

Comic-Con 2017: All Aboard the IMDboat

 | 

July 20 to 23, 2017

Get entertainment news, trailer drops, and photos with IMDb's coverage of 2017 San Diego Comic-Con featuring host and IMDboat captain Kevin Smith. Watch our exclusive celebrity interviews, and tune in to our LIVE show from 3:30 to 5 p.m. PDT on Saturday, July 22.

Browse Our Guide to Comic-Con

Edit

Storyline

At the Opera of Paris, a mysterious phantom threatens a famous lyric singer, Carlotta and thus forces her to give up her role (Marguerite in Faust) for unknown Christine Daae. Christine meets this phantom (a masked man) in the catacombs, where he lives. What's his goal ? What's his secret ? Written by Yepok

Plot Summary | Add Synopsis

Taglines:

A Million Thrills to Thrill Millions See more »

Genres:

Horror

Certificate:

Unrated | See all certifications »

Parents Guide:

 »
Edit

Details

Official Sites:

Country:

Release Date:

15 November 1925 (USA)  »

Also Known As:

El fantasma de la ópera  »

Company Credits

Production Co:

 »
Show detailed on  »

Technical Specs

Runtime:

| (original release) | (1995) | (DVD) | (Ontario) | (1929 re-release)

Sound Mix:

(talking sequences, musical score and sound effects) (1929 re-release)|

Color:

| (2-strip Technicolor) (some sequences)

Aspect Ratio:

1.33 : 1
See  »
Edit

Did You Know?

Trivia

The only stage in the history of Hollywood where a turntable was built specifically for the 1925 "Phantom of the Opera" feature film, and has remained intact for ninety years. Stage theatrics use of a turntable in set design was primarily a European novelty incorporated into elaborate opera productions in England, Italy and Germany. A turntable built into the set design was first introduced on Broadway in 1941, for the Kurt Weill musical "Lady In The Dark" designed by stage designer Harry Horner. The novelty of this motorized turntable was unique, a center donut ring, with an outer six foot ring. The entire "donut turntable" could move in either direction, or the center turntable could move independent of the stationary outer ring, and the outer ring could move in the opposite direction of the center ring. The same turntable concept was copied in the set design for the 1969 Broadway musical "CoCo" designed by Cecil Beaton. The Oliver Smith set design for the 1956-1962 Broadway musical "My Fair Lady" utilized two turntables, aligned on center stage, rotating in opposite direction of each other, to transform the scenic set elements. During the 50s, 60s and 70s, NBC Burbank's stock scenery division built a motorized turntable which expanded from a ten foot diameter, to a thirty foot diameter turntable. This scenic element was used on several NBC color television variety series, as "The Dinah Shore Show," "The Bob Hope Show," "The Dean Martin and Jerry Lewis Show," etc.. "The stage 28 Phantom of the Opera turntable" is unique in the history of both Hollywood films, live color television series/specials and Broadway stage productions. See more »

Goofs

(1929 cut) When the Phantom's alarm goes off, the sound of the chimes does not always match the striking of the device's "arms." That is because what you are hearing is the film's soundtrack, not "sound effects," which do not exist in a silent film. As such, this being "off sync" is allowable. See more »

Quotes

Title Card: Sanctuary of song lovers, The Paris Opera House, rising nobly over medieval torture chambers, hidden dungeons, long forgotten.
See more »

Crazy Credits

In 1925 (and for many years afterwards), credits used to appear at the beginning of movies. In "The Phantom of the Opera", the credits do appear at the beginning and are also repeated at the end, preceded by the following caption: "This is repeated at the request of picture patrons who desire to check the names of performers whose work has pleased them." See more »

Connections

Featured in Teen Wolf: Strange Frequencies (2015) See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

Chaney outshines everyone.
19 December 2001 | by (Baltimore, MD) – See all my reviews

Chaney is best known today for two roles: Quasimodo in "The Hunchback of Notre Dame," and Erik in "The Phantom of the Opera." The pair contrast the human response to physical deformity. While Quasimodo searches for kindness and acts to protect his home and loved ones, Erik shuns humanity and in his hatred and isolation becomes truly evil.

Christine Daae (Mary Philbin) is the understudy at the Paris Opera house, an ancient structure built over a network of torture chambers and interconnecting cellars. Rumors abound of a ghost or phantom who stalks the halls, and even rents his own box for the performances. With the help of this mysterious stranger, Daae becomes the lead diva.

Daae, apparently fine with her benefactor's use of extortion and mass murder to help her career, dumps her boyfriend Raoul (Norman Kerry) and follows the masked Phantom into the bowels of the opera house. She is, however, sensitive enough to collapse in a faint at the discovery that her benefactor is the legendary Phantom, and at his profession of love for her.

Awakening, she discovers herself in a lavish bedroom he has prepared for her, with her name engraved on a hand mirror. But upon snatching off the Phantom's mask, she realizes that he isn't Prince Charming after all, but hideously deformed, with a skull-like face.

The Phantom returns her to the opera, telling her that she must never see Raoul again. Upon reflection, however, Christine decides that looks and sanity are more important to her in a lover than she originally thought, and makes plans to meet Raoul at the annual masked ball. Raoul, neither particularly brave or smart, suggests that the two of them hightail it out of town. Christine, not one to run before her chance at the big time, suggests that they flee after the following evening's performance. Erik, of course, is listening in.

At that point Erik drops his nice-guy facade, hangs a stagehand who discovers his trap door, kidnaps Christine and flees into the cellars. He is hotly pursued by Raoul and a Secret Police inspector, who are followed by Raoul's brother, who is followed by angry mob led by the murdered stagehand's brother.

Erik, meanwhile, is trying to convince Christine of his capacity to reform ("No longer like a toad in these foul cellars will I secrete the venom of hatred -- for you shall bring me love!"). Alas, his plans to become a good husband are interrupted by the need to bump off a few of his pursuers, using elaborate boody traps and alarms throughout the dungeons.

The final minute of the movie is perhaps the best, with Erik's final gesture proving that his mental ability far outweighs that of anyone else in the film. He goes out in style, leaving the dim-witted Raoul and his amoral girlfriend to live happily ever after.

The two best things are Chaney's over-the-top performance as Erik and the spectacular sets. Chaney had a way of making any other actors in a film appear flat and lifeless, and this is no exception. The elaborate set of the opera house and the gothic appearance of the dungeons are still impressive, and the tinting and two-strip technicolor in the Bal Masque sequence look great.

"Phantom" is rousing horror/adventure, while "Hunchback" was a touching allegorical film. The latter is better and more serious, but "Phantom" is still some of the most fun it's possible to have before a movie screen.


15 of 15 people found this review helpful.  Was this review helpful to you?

Contribute to This Page

Create a character page for:
?