At the Opera of Paris, a mysterious phantom threatens a famous lyric singer, Carlotta and thus forces her to give up her role (Marguerite in Faust) for unknown Christine Daae. Christine meets this phantom (a masked man) in the catacombs, where he lives. What's his goal ? What's his secret ? Written by
1929 cut: A shadow can be seen passing in front of the backlighting of the door to Christine's room in the Phantom's lair just as the unmasking scene ends. See more »
His eyes are ghastly beads in which there is no light - like holes in a grinning skull! His face is like leprous parchment, yellow skin strung tight over protruding bones! His nose - there is no nose!
See more »
In 1925 (and for many years afterwards), credits used to appear at the beginning of movies. In "The Phantom of the Opera", the credits do appear at the beginning and are also repeated at the end, preceded by the following caption: "This is repeated at the request of picture patrons who desire to check the names of performers whose work has pleased them." See more »
Lon Chaney, Sr. gives a legendary performance as well as making an everlasting horrifying spectacle of himself. The make-up and elaborate sets are truly to be held in awe, even by today's standards. The rare use of two-strip Technicolor brings dazzling effect to the incomparable masquerade ball scene. Sit back and enjoy the silent and definitive film version of a classic monster fable that sound, technology and time have yet to top. 8 Stars
25 of 35 people found this review helpful.
Was this review helpful to you?