At the Opera of Paris, a mysterious phantom threatens a famous lyric singer, Carlotta and thus forces her to give up her role (Marguerite in Faust) for unknown Christine Daae. Christine meets this phantom (a masked man) in the catacombs, where he lives. What's his goal ? What's his secret ? Written by
The only stage in the history of Hollywood where a turntable was built specifically for the 1925 "Phantom of the Opera" feature film, and has remained intact for ninety years. Stage theatrics use of a turntable in set design was primarily a European novelty incorporated into elaborate opera productions in England, Italy and Germany. A turntable built into the set design was first introduced on Broadway in 1941, for the Kurt Weill musical "Lady In The Dark" designed by stage designer Harry Horner. The novelty of this motorized turntable was unique, a center donut ring, with an outer six foot ring. The entire "donut turntable" could move in either direction, or the center turntable could move independent of the stationary outer ring, and the outer ring could move in the opposite direction of the center ring. The same turntable concept was copied in the set design for the 1969 Broadway musical "CoCo" designed by Cecil Beaton. The Oliver Smith set design for the 1956-1962 Broadway musical "My Fair Lady" utilized two turntables, aligned on center stage, rotating in opposite direction of each other, to transform the scenic set elements. During the 50s, 60s and 70s, NBC Burbank's stock scenery division built a motorized turntable which expanded from a ten foot diameter, to a thirty foot diameter turntable. This scenic element was used on several NBC color television variety series, as "The Dinah Shore Show," "The Bob Hope Show," "The Dean Martin and Jerry Lewis Show," etc.. "The stage 28 Phantom of the Opera turntable" is unique in the history of both Hollywood films, live color television series/specials and Broadway stage productions. See more »
Raoul reads Christine's card message with his right hand. The close-up however shows the card being held in the left hand. See more »
Sanctuary of song lovers, The Paris Opera House, rising nobly over medieval torture chambers, hidden dungeons, long forgotten.
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None of the technical staff of this film receives screen credit. See more »
A magnificent performance from the legendary Lon Chaney, Sr.
This 1925 silent classic is still impressive, even after seventy-nine years!
Lon Chaney's performance is easily the highlight of the movie. His ghostly movements about his underground lair are haunting even by today's standards.
Use all of the computer generated images you want, but there is no substitute for authentic, old-world macabre. The scene where Erik's face is revealed is still shocking. He seems as horrorified by Christine seeing his face as she is by seeing his face. He seems to feel genuinely violated by her taking his mask off, revealing his horrible visage to the last person on earth he would want to see it. The Technicolor scene of the "Bal Masque" is also quite famous. The backdrops are very effective in creating the moody, medieval atmosphere of the underground passages. All in all, an excellent version of a timeless story.
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