At the Opera of Paris, a mysterious phantom threatens a famous lyric singer, Carlotta and thus forces her to give up her role (Marguerite in Faust) for unknown Christine Daae. Christine meets this phantom (a masked man) in the catacombs, where he lives. What's his goal ? What's his secret ? Written by
1929 cut: A shadow can be seen passing in front of the backlighting of the door to Christine's room in the Phantom's lair just as the unmasking scene ends. See more »
No longer like a toad in these foul cellars will I secrete the venom of hatred - for you shall bring me love!
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In 1925 (and for many years afterwards), credits used to appear at the beginning of movies. In "The Phantom of the Opera", the credits do appear at the beginning and are also repeated at the end, preceded by the following caption: "This is repeated at the request of picture patrons who desire to check the names of performers whose work has pleased them." See more »
A magnificent performance from the legendary Lon Chaney, Sr.
This 1925 silent classic is still impressive, even after seventy-nine years!
Lon Chaney's performance is easily the highlight of the movie. His ghostly movements about his underground lair are haunting even by today's standards.
Use all of the computer generated images you want, but there is no substitute for authentic, old-world macabre. The scene where Erik's face is revealed is still shocking. He seems as horrorified by Christine seeing his face as she is by seeing his face. He seems to feel genuinely violated by her taking his mask off, revealing his horrible visage to the last person on earth he would want to see it. The Technicolor scene of the "Bal Masque" is also quite famous. The backdrops are very effective in creating the moody, medieval atmosphere of the underground passages. All in all, an excellent version of a timeless story.
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