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The Phantom of the Opera (1925)

 -  Horror  -  15 November 1925 (USA)
7.7
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Ratings: 7.7/10 from 10,551 users  
Reviews: 118 user | 90 critic

A mad, disfigured composer seeks love with a lovely young opera singer.

Directors:

, (uncredited) , 2 more credits »

Writer:

(from the celebrated novel by)
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Title: The Phantom of the Opera (1925)

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Cast

Complete credited cast:
...
...
Norman Kerry ...
Arthur Edmund Carewe ...
Ledoux
...
John St. Polis ...
Comte Philip de Chagny (as John Sainpolis)
Snitz Edwards ...
Mary Fabian ...
Virginia Pearson ...
Carlotta / Carlotta's Mother (1929 re-edited version)
Edit

Storyline

At the Opera of Paris, a mysterious phantom threatens a famous lyric singer, Carlotta and thus forces her to give up her role (Marguerite in Faust) for unknown Christine Daae. Christine meets this phantom (a masked man) in the catacombs, where he lives. What's his goal ? What's his secret ? Written by Yepok

Plot Summary | Add Synopsis

Taglines:

The greatest horror film of modern cinema! See more »

Genres:

Horror

Certificate:

Unrated | See all certifications »

Parents Guide:

 »
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Details

Official Sites:

Country:

Release Date:

15 November 1925 (USA)  »

Also Known As:

Das Phantom der Oper  »

Company Credits

Production Co:

 »
Show detailed on  »

Technical Specs

Runtime:

| (original release) | (1995) | (DVD) | (Ontario) | (1929 re-release)

Sound Mix:

(talking sequences, musical score and sound effects) (1929 re-release)|

Color:

| (2-strip Technicolor)

Aspect Ratio:

1.33 : 1
See  »
Edit

Did You Know?

Trivia

Lon Chaney devised his own make-up. See more »

Goofs

(1929 cut) When the Phantom's alarm goes off, the sound of the chimes does not always match the striking of the device's "arms." See more »

Quotes

Erik: [title card] Christine, tonight I placed the world at your feet!
See more »

Crazy Credits

None of the technical staff of this film receives screen credit. See more »

Connections

Referenced in Lemony Snicket's A Series of Unfortunate Events (2004) See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

 
The pathos of Lon Chaney gave the Phantom its dimension...

Lon Chaney was the first of the long line of Phantoms and the one against whom all his successors had to be measured…

The story, despite all its alternatives, is the familiar one of the musician avoiding the world because of his disfigurement and retreating to a hideout beneath the Opera House, from where he emerges to terrorize singers and audience alike…

He kidnaps a young girl singer – perhaps to teach her to become a great star; certainly because, in his grotesque and pathetic way, he loves her – and carries her off to a boudoir he has prepared far underground…

There was melodrama in plenty: in the first version, for example, two would-be rescuers found themselves trapped in an uncomfortable mirrored room the Phantom had prepared, where they first got a heat treatment and then were flooded…

But, beyond all the heightened effects, it was the pathos of the Phantom underscoring his lonely menace which gave the character a dimension, and the isolation of the captor and his captive, imprisoned to a literal underworld, which gave the suspense of the whole film its power…


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