MOVIEmeter
SEE RANK
Up 42,999 this week

The Perfect Clown (1925)

 -  Comedy  -  15 December 1925 (USA)
6.1
Your rating:
    1 2 3 4 5 6 7 8 9 10 -/10 X  
Ratings: 6.1/10 from 22 users  
Reviews: 2 user

A clerk is given $10,000 to deposit at the bank, but the bank is closed for the night so he tries to get to the bank president's house with the money.

Director:

(as Fred Newmeyer)

Writers:

(story), (titles), 1 more credit »
0Check in
0Share...

User Lists

Related lists from IMDb users

a list of 98 titles
created 22 Mar 2012
 
a list of 9882 titles
created 5 months ago
 
list image
a list of 9998 titles
created 4 months ago
 

Connect with IMDb


Share this Rating

Title: The Perfect Clown (1925)

The Perfect Clown (1925) on IMDb 6.1/10

Want to share IMDb's rating on your own site? Use the HTML below.

Take The Quiz!

Test your knowledge of The Perfect Clown.
Edit

Cast

Cast overview:
Larry Semon ...
Bert Larry
Kate Price ...
Mrs. Sally Mulligan
Dorothy Dwan ...
The Girl
Joan Meredith ...
Her Chum
Otis Harlan ...
The Boss
Spencer Bell ...
Snowflake (as G. Howe Black)
...
Babe Mulligan
Frank Alexander ...
Tiny Tott
Edit

Storyline

A clerk is given $10,000 to deposit at the bank, but the bank is closed for the night so he tries to get to the bank president's house with the money.

Add Full Plot | Add Synopsis

Plot Keywords:

slapstick

Genres:

Comedy

Edit

Details

Country:

Language:

Release Date:

15 December 1925 (USA)  »

Also Known As:

The Perfect Clown  »

Company Credits

Show detailed on  »

Technical Specs

Sound Mix:

Aspect Ratio:

1.33 : 1
See  »

Frequently Asked Questions

This FAQ is empty. Add the first question.

User Reviews

 
Not perfect, but surprisingly fun
12 May 2010 | by (United States) – See all my reviews

Larry Semon was perhaps, if not the greatest, the most plainly and obviously clownlike of the so-called "silent clowns," with his face bright white with pancake makeup and his particular brand of circuslike gag. "The Perfect Clown" plays on that association with its title, but it strangely makes Semon into a much less clownlike figure than I'd ever seen him before.

The conventional wisdom is that Semon, a specialist is plot less, elaborate twenty-minute gag symphonies around one subject or another in the comedy-short field, couldn't adapt to the different demands of the feature films, and all his efforts there were pretty dismal. Seeing this, the first of his features I've watched, pleasantly surprised me, though. Though in the fifty-minute feature he need only fill out the length of two and a half shorts, he does change style to meet the new form.

He spaces his material out, allowing gags to develop like he never usually does. He even has a unifying plot with comedy deriving more from situations than from enormous stunts. Larry is a broke fellow who must carry ten-thousand dollars to the bank for his boss when an equal sum has just been stolen. It leads to some of the usually mix-ups, and Larry, more than ever seems to have developed a somewhat definable character to go with his antics: not too smart but a trickster nonetheless (pulling off his lateness to work as arguing for hours outside over his boss' honor; sliding his rent-colling landlady a note under the door that says "Not in").

The line is digressive, of course, with a focus more on amusing routines (hiding from the landlady or running from the cops) than on particular outlandish gags, but it does all seem to be moving in a particular direction. It actually wouldn't have hurt to have had more of these despite the good the comes from the change in direction, as they were Larry's forte. It's a bit odd to see him being so un-Larry Semon-like, even wearing normal street clothes and no makeup for most of the film.

Another less pleasant hallmark of Semon's -- seemingly-obsessive racism -- seems happily to have been toned down a little too. There is a black character called "Snowball" who is shown as being too lovestruck to look at the road and avoid crashing his car, but after that the race-based jokes die down and he becomes Larry's companion on about equal footing. It's not good, but it's better than Semon's usual virulently racist sequences.

It's nice to see Larry's frequent support Oliver Hardy here too, funny in a featured role as the landlady's son who is very tough towards Larry until he hears how much money he's carrying.

Towards the end much becomes less funny to me, though, as there is a long "scare comedy" sequence with Larry and Snowball hiding in a graveyard and being nervous about the police. I never really found scare comedy that funny, and it seems to bog things down here.

This is a fun feature and an interesting step for Larry Semon in that it hardly feels like a Larry Semon film. It would be interesting to see how and if Semon could blend this new style, which feels influenced by some of his contemporaries, with his trademark cartooniness.


1 of 1 people found this review helpful.  Was this review helpful to you?

Message Boards

Discuss The Perfect Clown (1925) on the IMDb message boards »

Contribute to This Page

Create a character page for:
?