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The Little Colonel (1935)

7.1
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Ratings: 7.1/10 from 834 users  
Reviews: 14 user | 5 critic

After Southern belle Elizabeth Lloyd runs off to marry Yankee Jack Sherman, her father, a former Confederate colonel during the Civil War, vows to never speak to her again. Several years ... See full summary »

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(screen play) (as William Conselman) , (adaptation) (as William Conselman) , 2 more credits »
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Title: The Little Colonel (1935)

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Cast

Complete credited cast:
...
...
Colonel Lloyd
Evelyn Venable ...
Elizabeth
John Lodge ...
Jack Sherman
...
Swazey
Stephen Chase ...
Hull (as Alden Chase)
William Burress ...
Dr. Scott
Frank Darien ...
Nebler
Robert Warwick ...
Colonel Gray
...
Mom Beck
Geneva Williams ...
Maria
Avonne Jackson ...
May Lily
Nyanza Potts ...
...
Walker
Edit

Storyline

After Southern belle Elizabeth Lloyd runs off to marry Yankee Jack Sherman, her father, a former Confederate colonel during the Civil War, vows to never speak to her again. Several years pass and Elizabeth returns to her home town with her husband and young daughter. The little girl charms her crusty grandfather and tries to patch things up between him and her mother. Written by Daniel Bubbeo <dbubbeo@cmp.com>

Plot Summary | Add Synopsis

Taglines:

Hail to the conquerer of ten million hearts.

Genres:

Comedy | Family

Certificate:

PG | See all certifications »
Edit

Details

Country:

Language:

Release Date:

22 February 1935 (USA)  »

Also Known As:

A Mascote do Regimento  »

Company Credits

Production Co:

 »
Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

(Western Electric Noiseless Recording)

Color:

| (Technicolor)

Aspect Ratio:

1.37 : 1
See  »
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Did You Know?

Trivia

The party scene at the end of the movie was the first time that Shirley Temple was filmed in color. Color shooting required Temple to wear makeup for the first time in any of her films. See more »

Goofs

Swazey's hand changes position on his leg as he sits when he meets Jack. See more »

Quotes

[first lines]
Elizabeth Lloyd Sherman: [singing] Oh the days are gone when beauty bright my heart's chain wove, / When my dream of life from morn 'till night was love still love. / New hope may bloom and days may come of milder, calmer beam, / But there's nothing half so sweet in life as love's young dream. / Oh there's nothing half so sweet in life as love's young dream.
See more »

Connections

Referenced in Modern Family: Earthquake (2010) See more »

Soundtracks

Swing Low, Sweet Chariot
(uncredited)
Written by Wallis Willis
Sung a cappella by Hattie McDaniel
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

 
Shirley Temple Marches Away With Movie
4 September 2001 | by (Forest Ranch, CA) – See all my reviews

Having earned her nickname due to her stubborn temper, THE LITTLE COLONEL courageously tries to reunite her splintered family.

Shirley Temple smiles, pouts, tosses her curly locks and completely runs away with the movie. One of her early family classics, this is an excellent showcase for her tremendous charm & abundant talents. As box-office queen, the mighty moppet would dominate Hollywood during the second half of the 1930's. Never was a despot so welcomed or a tyrant so loved.

As one of the industry's finest character actors, crusty Lionel Barrymore gives the little lady a run for her money. Always entertaining, he knows when to purr or when to roar to maximum effect, even if he doesn't quite eclipse Little Miss Personality.

Hattie McDaniel adds her own unique gifts to the role of Shirley's faithful servant, never allowing her dignity to be demeaned. As always, she is a joy. The legendary Bill Robinson is also on hand, mostly, one suspects, so as to partner Shirley in a couple of dances and they are wonderful, especially in Robinson's signature Staircase Dance. They are perfectly matched - one ramrod straight & ebony, the other tiny & blonde

  • and their minutes together on the screen is the stuff of


which movie magic is made.

Evelyn Venable & John Lodge, as Shirley's parents (it's rare for her to have both all the way through a film) do nicely with the romantic angle, but it's kept to a minimum, as is usual in a Temple film, where the spotlight is kept firmly focused on her. Sidney Blackmer appears as a smooth swindler who makes the serious mistake of angering THE LITTLE COLONEL.

Although the film is given good production values by 20th Century Fox, it is the interaction between little Shirley and the other performers which far and away is the most important aspect of the picture.

It should be noted that there are elements of racism in the story line, a not uncommon occurrence in Hollywood films of the 1930's.

The final scene segues into early Technicolor - a pleasant way to end the story.


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