After Southern belle Elizabeth Lloyd runs off to marry Yankee Jack Sherman, her father, a former Confederate colonel during the Civil War, vows to never speak to her again. Several years ... See full summary »
After Southern belle Elizabeth Lloyd runs off to marry Yankee Jack Sherman, her father, a former Confederate colonel during the Civil War, vows to never speak to her again. Several years pass and Elizabeth returns to her home town with her husband and young daughter. The little girl charms her crusty grandfather and tries to patch things up between him and her mother. Written by
Daniel Bubbeo <firstname.lastname@example.org>
Shirley Temple memorized every line of dialogue in this movie, and while filming a scene with Lionel Barrymore, the veteran actor forgot a line. When Temple prompted him, Barrymore flew into a such a rage that one crew member took Temple away for fear that Barrymore might harm her. He later apologized to her, and they remained friends for many years. See more »
Swazey's hand changes position on his leg as he sits when he meets Jack. See more »
Elizabeth Lloyd Sherman:
Oh the days are gone when beauty bright my heart's chain wove, / When my dream of life from morn 'till night was love still love. / New hope may bloom and days may come of milder, calmer beam, / But there's nothing half so sweet in life as love's young dream. / Oh there's nothing half so sweet in life as love's young dream.
See more »
Temple is charming but the plot is the same old thing...
I always get THE LITTLEST REBEL and THE LITTLE COLONEL mixed up when I think of SHIRLEY TEMPLE films, but while they both have the same sort of background (the Civil War and post-Civil War), the quality of entertainment is vastly different.
This one gets off to a painfully dull start, with Shirley's mother (EVELYN VENABLE) running off with a Yankee (JOHN BOLES), and later returning home with her little girl only to find that the grandfather has never forgiven her for marrying a Yank. Naturally, it's up to little Shirley to melt the heart of the crusty grandfather (LIONEL BARRYMORE) and we all know how that's going to turn out.
What makes the film interesting are the dance segments with BILL ROBINSON, as the tap dancing servant, most memorably in the staircase dance that is always shown whenever there are film clips from any of Shirley's Fox films. And for an added surprise, there's the finale which is photographed in three strip Technicolor and gave the world its first glimpse of the child star in color.
Summing up: Racial elements are plentiful but, hey, this was 1935--a different world then--but the story is so wishy-washy that it's only suitable for die hard Temple fans.
0 of 5 people found this review helpful.
Was this review helpful to you?