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The Little Colonel (1935)

PG  |   |  Comedy, Family  |  22 February 1935 (USA)
7.1
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Ratings: 7.1/10 from 903 users  
Reviews: 14 user | 5 critic

After Southern belle Elizabeth Lloyd runs off to marry Yankee Jack Sherman, her father, a former Confederate colonel during the Civil War, vows to never speak to her again. Several years ... See full summary »

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(screen play) (as William Conselman) , (adaptation) (as William Conselman) , 2 more credits »
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Cast

Complete credited cast:
...
...
Colonel Lloyd
Evelyn Venable ...
Elizabeth
John Lodge ...
Jack Sherman
...
Swazey
Stephen Chase ...
Hull (as Alden Chase)
William Burress ...
Dr. Scott
Frank Darien ...
Nebler
Robert Warwick ...
Colonel Gray
...
Mom Beck
Geneva Williams ...
Maria
Avonne Jackson ...
May Lily
Nyanza Potts ...
...
Walker
Edit

Storyline

After Southern belle Elizabeth Lloyd runs off to marry Yankee Jack Sherman, her father, a former Confederate colonel during the Civil War, vows to never speak to her again. Several years pass and Elizabeth returns to her home town with her husband and young daughter. The little girl charms her crusty grandfather and tries to patch things up between him and her mother. Written by Daniel Bubbeo <dbubbeo@cmp.com>

Plot Summary | Add Synopsis

Taglines:

Hail to the conquerer of ten million hearts.

Genres:

Comedy | Family

Certificate:

PG | See all certifications »
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Details

Country:

Language:

Release Date:

22 February 1935 (USA)  »

Also Known As:

A Mascote do Regimento  »

Company Credits

Production Co:

 »
Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

(Western Electric Noiseless Recording)

Color:

| (Technicolor)

Aspect Ratio:

1.37 : 1
See  »
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Did You Know?

Trivia

The party scene at the end of the movie was the first time that Shirley Temple was filmed in color. Color shooting required Temple to wear makeup for the first time in any of her films. See more »

Goofs

The position of Jack's hand changes, when he tells Elizabeth about the land he bought. See more »

Quotes

[first lines]
Elizabeth Lloyd Sherman: [singing] Oh the days are gone when beauty bright my heart's chain wove, / When my dream of life from morn 'till night was love still love. / New hope may bloom and days may come of milder, calmer beam, / But there's nothing half so sweet in life as love's young dream. / Oh there's nothing half so sweet in life as love's young dream.
See more »

Connections

Featured in 20 to 1: Child Stars: Where Are They Now? (2008) See more »

Soundtracks

Oh! Susanna
(1848) (uncredited)
Music by Stephen Foster
Played during the opening credits
Played on the harmonica by Avonne Jackson
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

 
Another Shirley Classic -- Enjoyable but Overrated.
21 January 2006 | by See all my reviews

With all of her usual show-stealing spark, Shirley Temple delivers another fun family classic as Lloyd Sherman in "The Little Colonel." Proving yet again that there's no problem she can't solve, Shirley reconciles an old grudge between her young mother (played by Evelyn Venable) and her crusty southern grandfather (played by Lionel Barrymore), who disowned his daughter for marrying a Yankee. Shirley's classic tap dance up the staircase with Bojangles Robinson will remind all of her fans of what a true dancing prodigy she really was. And a few scenes later, her song "Love's Young Dream" will show you why her singing is not as well remembered as her dancing. Don't get me wrong: Shirley shines in fast, snappy songs, but her voice was not made for slow numbers like this one.

"The Little Colonel" is a nice family film, but except for the iconic staircase dance, there is little to distinguish it from most of Shirley's childhood flicks. The claim that this film smashed through racial barriers by placing Shirley Temple opposite African-American screen legends Bojangles Robinson and Hattie McDaniel is almost laughable. Rather, Robinson and McDaniel play complete racial stereotypes: Robinson is the clichéd childish, comical servant ("The stereotyped picture of gay song-singing cotton pickers," to quote Maya Angelou). Watch him stand idly by while Barrymore fusses and fumes at him, because he knows "the old colonel don't mean no harm." Meanwhile McDaniel is a Mammy figure, loyal, caring, and always glad to serve the white folks (McDaniel later won an Oscar for playing the same Mammy figure in "Gone With the Wind"). In her famous novel, "The Bluest Eye," Toni Morrison writes, "I hated Shirley. Not because she was cute, but because she danced with Bojangles, who was my friend, my uncle, my daddy, and who ought to have been soft-shoeing it and chuckling with me. Instead he was enjoying, sharing, giving a lovely dance thing with one of those little white girls whose socks never slid down under their heels."

But one cannot really expect better from a film made in 1935, when America was, unfortunately, still in the Dark Ages as far as African-Americans and their rights were concerned. Such clichéd roles were the only acting jobs available for African-Americans at the time, and so Robinson's and McDaniel's talents are largely untapped as their characters completely lack the depth given to white actors. For example, Lionel Barrymore's Colonel Lloyd has both positive and negative characteristics: He is a temperamental hothead who remains bitter over the Civil War, but he is also a southern gentleman who immediately brings his new neighbors a bouquet of flowers to welcome them.


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