A tough slum girl faces a crisis of the heart when the boy she loves is accused of shooting her cop father. Her brother stalks the accused slayer and finally shoots him down in the street. ... See full summary »
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A tough slum girl faces a crisis of the heart when the boy she loves is accused of shooting her cop father. Her brother stalks the accused slayer and finally shoots him down in the street. Mary rushes to the hospital and offers her blood for a life-saving transfusion, even though she thinks she'll die. Written by
Ed Lorusso
Mary Pickford plays Annie Rooney--the daughter of a cop that lives in the tough part of town. She is a rough and tumble young lady of indeterminate age (somewhere between 12 and 16) who loves to scrap but down deep has a heart of gold.
This is a very typical style of film for Mary Pickford. Like so many of her films, she plays a young girl--even though she was nearly 40 when she made LITTLE ANNIE ROONEY. And, like so many other stories, she was both plucky and courageous. As a result, I had a strong feeling of déjà vu. Now if you haven't seen her other films, this isn't an issue. However, she is essentially playing a character much like the one in SPARROWS or DADDY LONG LEGS--though these two other films are a lot better. Now this isn't to say this is a bad film--just that it's certainly not among her best work--mostly due to a rather "schmaltzy" story that is very heavy on sentiment but not especially convincing. Entertaining but not essential viewing unless you are a huge fan of the silents.
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Mary Pickford plays Annie Rooney--the daughter of a cop that lives in the tough part of town. She is a rough and tumble young lady of indeterminate age (somewhere between 12 and 16) who loves to scrap but down deep has a heart of gold.
This is a very typical style of film for Mary Pickford. Like so many of her films, she plays a young girl--even though she was nearly 40 when she made LITTLE ANNIE ROONEY. And, like so many other stories, she was both plucky and courageous. As a result, I had a strong feeling of déjà vu. Now if you haven't seen her other films, this isn't an issue. However, she is essentially playing a character much like the one in SPARROWS or DADDY LONG LEGS--though these two other films are a lot better. Now this isn't to say this is a bad film--just that it's certainly not among her best work--mostly due to a rather "schmaltzy" story that is very heavy on sentiment but not especially convincing. Entertaining but not essential viewing unless you are a huge fan of the silents.