A tough slum girl faces a crisis of the heart when the boy she loves is accused of shooting her cop father. Her brother stalks the accused slayer and finally shoots him down in the street. ... See full summary »
King Louis XIII of France is thrilled to have born to him a son - an heir to the throne. But when the queen delivers a twin, Cardinal Richelieu sees the second son as a potential for ... See full summary »
Marguerite De La Motte,
Vienna in the biggest depression, directly after WW1. In a slum, Lila Leid, the wife of lawyer Leid is murdered, Egon, secretary of one of Leid's clients is arrested. He was with her, and ... See full summary »
Angela maintains a coastal lighthouse in Italy, where she awaits the return of her brothers from the war. She learns they are casualties and takes solace in the arms of an American sailor ... See full summary »
Prologue: The murderer "Boss" Huller - after having spent ten years in prison - breaks his silence to tell the warden his story. "Boss", a former trapeze artist, and his wife own a cheap ... See full summary »
Ewald André Dupont
Lya De Putti
Society-girl thrill seeker Lydia causes the death of motorcycle policeman and is prosecuted by her fiancé Daniel who describes in lurid detail the downfall of Rome. While she's in prison she reforms and Daniel becomes a wasted alcoholic.
A tough slum girl faces a crisis of the heart when the boy she loves is accused of shooting her cop father. Her brother stalks the accused slayer and finally shoots him down in the street. Mary rushes to the hospital and offers her blood for a life-saving transfusion, even though she thinks she'll die. Written by
Hugh Allan, a handsome but very inexperienced young actor, was originally cast in the lead male role. He proved unable to carry the part, so the film producers let him go, covering with a fake story that he had broken his arm during production. He even got a fake cast for a publicity photo. Allan was grateful for Pickford's kindness and remained on good terms with her. See more »
Abie Levy was not allowed to fight because it was a holiday.
See more »
While there is not much to "Little Annie Rooney" aside from the way that it showcases Mary Pickford's many talents, that's not a bad focus for a movie to have. The story does seem to be planned almost entirely with that goal in mind, as most of the other characters are not developed very much, and most of the plot likewise comes back to the ways that events affect Annie. Of course, Pickford is more than up to carrying the load, and while this picture has to rank a little lower than a good number of her other movies that have more depth to them, it's still worthwhile.
Through the course of the story, Annie finds herself in numerous kinds of situations, and several sides of her character come out. She has a tomboyish, boisterous side, yet she can plead with her father on behalf of a misunderstood friend. The scene where she prepares her father's birthday party could very easily have become unbearably cloying or melodramatic, yet she handles it very well, making use of the best possibilities available rather than resorting to cheap sentiment. (In that particular scene, a couple of creative camera shots also help it to work.)
There are very few actresses, especially in the present, who could make so many different things work believably and without undue emoting. While much of the movie is simple and sometimes even a bit contrived, It's still worth seeing as one of many chances to see such a fine actress at work.
5 of 5 people found this review helpful.
Was this review helpful to you?