A world-weary prostitute yearns after respectability and the love of an inventor.

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Cast

Complete credited cast:
...
Molly Helmer / Florence Banning
Malcolm McGregor ...
David Page (as Malcolm Mac Gregor)
Dale Fuller ...
Miss Carr - Florence's Aunt
George K. Arthur ...
'Chunky' Dunn
Fred Esmelton ...
Judge Banning
Lew Harvey ...
Chris Helmer - Molly's Father
...
Molly's Friend
Betty Morrissey ...
Gertie - Molly's Other Friend (as Betty Morrisey)
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Storyline

Lady of the Night ~ the story of two baby girls, born near in proximity, but worlds apart in life, - Molly Helmer, the daughter of a thief, and Florence Banning the daughter of the judge who would send Molly's father to prison. The girls' lives come together as young women at eighteen as Florence leaves the security of the exclusive Girls Select School, and Molly, now orphaned, begins her life free from reform school. Norma Shearer plays both young women, but the apparent differences in their worldliness will also make them most unfamiliar in appearance. Molly's new world consists of nights at Kelly's Dance Hall and her ever-present worshiper, Chunky Dunn. On one of her nightly dance hall outing's Molly meets David Page, an up and coming inventor, whom she quickly falls in love with. Molly persuades David to seek an honest buyer for his new safe-cracking device; against the advice of Chunky whose shadier side see's this as an opportunity for himself, and to corrupt David in the ... Written by glenn

Plot Summary | Add Synopsis

Genres:

Drama | Romance

Certificate:

TV-G
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Details

Country:

Language:

Release Date:

23 February 1925 (USA)  »

Also Known As:

A Ave Nocturna  »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

(2006 alternate)

Sound Mix:

Color:

(tinted)

Aspect Ratio:

1.33 : 1
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Did You Know?

Trivia

Contrary to popular belief, you see more than Joan Crawford's backside in this film. When Maddy and Florence are sitting in the back of the car, that's not a split screen or double exposure of Norma Shearer. If you look carefully at their profiles you can see a difference in their noses, and the one on the right is Joan Crawford as Molly, in Molly's heavy make-up. See more »

Goofs

Near the end of the film, Molly is in her bedroom, sitting in front of her dressing table, imagining what it would be like to travel out west with Chunky. There are two close-ups where the elaborate feathers in her hat are on the left side of her head, while they are on the right side of her head in all other shots. See more »

Quotes

Florence Banning: Girls, I just met the thrillingest man!
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Connections

Referenced in Joan Crawford: The Ultimate Movie Star (2002) See more »

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User Reviews

 
Love Quadrangle
6 October 2006 | by (Los Angeles) – See all my reviews

Norma Shearer is terrific playing a dual role in this well-done silent film about two women - Molly, the daughter of a convict and Florence, the daughter of the judge who sentenced him. Molly of the heavily painted face, huge feather hat, and big beaded necklace, lives in a flat on the wrong side of the tracks and goes out with a little local named Chunky. But while out at the nearby dance hall she meets a handsome, crooked grinned lug named Dave Page, who she instantly falls in love with. Dave has invented, of all things, a device that can open any safe in the world - encouraged by Molly to "not go crooked", he sells the invention to the judge and a group of bank directors, and soon literally bumps into Florence - and into a love of his own! Poor, poor Molly.

Norma Shearer is so good in this, the characters of Molly and Florence completely seem like two different women, and excellent split screen photography is used here when they are both on screen at the same time. I thought there would be something in this about the fact that the two are lookalikes, perhaps switching places or something - never happens. The fact they look alike is just not part of the plot here. The lighting is done in an interesting way in this - Norma as Florence seems to be shot in more filtered, subtle lighting and she looks very lovely - Norma as Molly is severely lit to make her look more sharp and, boy oh boy, does the thick makeup she wears as this character look really harsh - she looks almost like a prostitute here. The print of this film looked gorgeous, full of sharp contrast, and brightly tinted in sepia/orange, pink, and blue shades. The piano score for this, done by Jon Mirsalis, is wonderful and matches the story well.


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