Professor Stock and his wife Mizzi are always bickering. Mizzi tries to seduce Dr. Franz Braun, the new husband of her good friend Charlotte. Dr. Braun's colleague, Dr. Mueller, who has had... See full summary »
Against her better judgement, happily married Jill Baker is persuaded to see a popular psychoanalyst about her psychosomatic hiccups. Soon, she's disillusioned about husband Larry; and one ... See full summary »
Because the Baron of Chanterelle wants to preserve his family line, he forces his timid nephew Lancelot to choose one of the village maidens to wed. Lancelot flees to a monastery to escape ... See full summary »
Lady Windermere, discovers that her husband may be having an affair with another woman. She confronts her husband but he instead invites the other woman, Mrs Erlynne, to his wife's birthday... See full summary »
Mrs Erlynne, the mother of Lady Windermere - her daughter does not know about her - wants to be introduced in society, so that she can marry Lord Augustus Lorton. Lord Windermere, who helped her with a cheque, invites her to his wifes birthday-party, but Lady Windermere thinks, she has reason to be jealous, so she decides to leave her husband and go to Lord Darlington, who is pining for her. Mrs Erlynne finds this out and tries to prevent her of this mistake, but her daughter leaves her fan in Lord Darlingtons residence. Written by
Stephan Eichenberg <firstname.lastname@example.org>
On 28 March 2008, composer Yati Durant premiered a new score for clarinet, piano, string quartet and electronics at the Cologne Philharmonic in Cologne, Germany. The composition was commissioned by the Cologne Philharmonic and the U.S. Consulate General. See more »
Opening title card:
Lady Windermere faced the grave problem of seating her dinner guests.
See more »
Nobody was as savvy about the intricacies of the human heart as Lubitsch, and of how virtue is never an absolute.
This warmly empathetic, highly sophisticated gem is an adaptation of Oscar Wilde, with virtually none of the play's dialog utilized, but as suggestive and outrageous as Wilde himself, conceived, framed and edited as pure cinema.
From the exact same period as Cecil B. DeMille's infinitely more crass sex comedies and Charles Chaplin's equally brilliant and morally ambiguous 'The Woman of Paris', but carried by an indistinguishably European sensibility. Irene Rich as the woman who sacrifices herself in secret is impossibly glamorous and subtle, May McAvoy is truly heartbreaking as the socialite suspicious of her husband's philandering, but Ronald Colman, alas, is left with nothing much to do except smolder sexily at the fringes with those impertinently raised eyebrows.
A highlight is the Ascot game, a marvel of choreography and mime, a delicious baiting of upper class hypocrisy.
6 of 7 people found this review helpful.
Was this review helpful to you?