| Zasu Pitts | ... | Trina | |
| Gibson Gowland | ... | McTeague | |
| Jean Hersholt | ... | Marcus | |
| Dale Fuller | ... | Maria | |
| Tempe Pigott | ... | Mother McTeague | |
| Sylvia Ashton | ... | 'Mommer' Sieppe (as Silvia Ashton) | |
| Chester Conklin | ... | 'Popper' Sieppe | |
| Joan Standing | ... | Selina | |
| rest of cast listed alphabetically: | |||
| William Barlow | ... | The Minister (uncredited) | |
| Lita Chevrier | ... | Extra (uncredited) | |
| Jack Curtis | ... | McTeague Sr. (uncredited) | |
| James F. Fulton | ... | Cribbens - Prospector (uncredited) | |
| Edward Gaffney | ... | Extra (uncredited) | |
| Florence Gibson | ... | Hag (uncredited) | |
| James Gibson | ... | Deputy (uncredited) | |
| Oscar Gottell | ... | Sieppe Twin (uncredited) | |
| Otto Gottell | ... | Sieppe Twin (uncredited) | |
| Cesare Gravina | ... | Zwerkow - Junkman (uncredited) | |
| Bee Ho Gray | ... | (uncredited) | |
| Frank Hayes | ... | Charles W. Grannis (uncredited) | |
| Harold Henderson | ... | Extra (uncredited) | |
| Austen Jewell | ... | August Sieppe (uncredited) | |
| Tiny Jones | ... | Mrs. Heise (uncredited) | |
| J. Aldrich Libbey | ... | Mr. Ryer (uncredited) | |
| Hughie Mack | ... | Mr. Heise (uncredited) | |
| Hugh J. McCauley | ... | The Photographer (uncredited) | |
| Jack McDonald | ... | Placer County Sheriff (uncredited) | |
| Fanny Midgley | ... | Miss Anastasia Baker (uncredited) | |
| William Mollenhauer | ... | Palmist (uncredited) | |
| Lon Poff | ... | Lottery Agent (uncredited) | |
| Reta Revela | ... | Mrs. Ryer (uncredited) | |
| S.S. Simon | ... | Joe Frenna (uncredited) | |
| Max Tyron | ... | Uncle Rudolph Oelbermann (uncredited) | |
| Erich von Ritzau | ... | Dr. Painless Potter (uncredited) | |
| Erich von Stroheim | ... | Balloon Vendor (uncredited) | |
| James Wang | ... | Chinese Cook (uncredited) | |
Directed by | |||
| Erich von Stroheim | |||
Writing credits | ||
| June Mathis | (screen adaptation and scenario) and | |
| Erich von Stroheim | (screen adaptation and scenario) | |
| Frank Norris | (from the American classic by) | |
| Joseph Farnham | titles (uncredited) | |
Produced by | |||
| Kevin Brownlow | .... | producer (1986 alternate version) | |
| David Gill | .... | producer (1986 alternate version) | |
| Louis B. Mayer | .... | executive producer (uncredited) | |
| Irving Thalberg | .... | producer (uncredited) | |
Original Music by | |||
| Carl Davis | (1986 alternate version) | ||
| Robert Israel | (1999) | ||
| William Axt | (uncredited) | ||
| Leo Kempinski | (uncredited) | ||
Cinematography by | |||
| William H. Daniels | (photography) (as Wm. H. Daniels) | ||
| Ben F. Reynolds | (photography) | ||
Film Editing by | |||
| Joseph Farnham | (edited by) (as Jos. W. Farnham) | ||
| Glenn Morgan | (1999 reconstruction) | ||
| Frank E. Hull | (uncredited) | ||
| Rex Ingram | (18-reel version) (uncredited) | ||
| June Mathis | (42-reel version) (uncredited) | ||
| Erich von Stroheim | (42-reel version) (uncredited) | ||
| Grant Whytock | (18-reel version) (uncredited) | ||
Production Design by | |||
| Erich von Stroheim | (uncredited) | ||
Art Direction by | |||
| Cedric Gibbons | (credit only) | ||
| Richard Day | (uncredited) | ||
| Erich von Stroheim | (uncredited) | ||
Set Decoration by | |||
| Cedric Gibbons | (settings) | ||
Production Management | |||
| Liz Sutherland | .... | production manager (1986 alternate version) | |
| J.J. Cohn | .... | production manager (uncredited) | |
| Harry Rapf | .... | production supervisor (uncredited) | |
Second Unit Director or Assistant Director | |||
| Louis Germonprez | .... | assistant director (uncredited) | |
| Edward Sowders | .... | assistant director (uncredited) | |
Art Department | |||
| Richard Koszarski | .... | consultant (1999 reconstruction) | |
| Charles Rogers | .... | props (uncredited) | |
| Frank Ybarra | .... | props (uncredited) | |
Visual Effects by | |||
| Sasha Leuterer | .... | visual effects: flame (1999 reconstruction) | |
| Chad Mielke | .... | motion control effects (1999 reconstruction) | |
Camera and Electrical Department | |||
| Warren Lynch | .... | still photographer | |
| Walter Bader | .... | assistant camera (uncredited) | |
| Paul Ivano | .... | camera operator (uncredited) | |
| Ernest B. Schoedsack | .... | camera operator (uncredited) | |
| H.C. Van Dyke | .... | assistant camera (uncredited) | |
Editorial Department | |||
| Shimit Amin | .... | editorial assistance (1999 reconstruction) | |
| Jarrett Fijal | .... | editorial assistance (1999 reconstruction) | |
| Jessica Kongthong | .... | editorial assistance (1999 reconstruction) | |
| David Lewinton | .... | videotape editor (1986 alternate version) | |
| Carol Littleton | .... | editorial consultant (1999 reconstruction) | |
| Russ Martin | .... | on-line editor (1999 reconstruction) | |
| Andrew Pierce | .... | editorial assistance (1999 reconstruction) | |
| Marguerite Faust | .... | assistant editor (uncredited) | |
Music Department | |||
| William Bradford | .... | music recordist (1986 alternate version) | |
| Mike Fairbairn | .... | dubbing assistant (1986 alternate version) | |
| Brian Friedman | .... | recording engineer and remixing: 1999 Los Angeles music session | |
| John Harle | .... | musician: saxophone (1986 alternate version) | |
| Robert Israel | .... | arranger: musical score (1999) | |
| Robert Israel | .... | conductor (1999) | |
| Colin Matthews | .... | orchestrator (1986 alternate version) | |
| David Matthews | .... | orchestrator (1986 alternate version) | |
| David Nolan | .... | musician: violin (1986 alternate version) | |
| Petr Reznicek | .... | music producer (1999) | |
| Paul Wing | .... | orchestra manager (1986 alternate version) | |
| Jack Brennan | .... | musician (uncredited) | |
| James Brennan | .... | musician (uncredited) | |
Other crew | |||
| Albert Cuellar | .... | hand tinted stills (1999 reconstruction) | |
| Frances Hewson | .... | production assistant (1986 alternate version) | |
| Louis B. Mayer | .... | presenter | |
| Deborah Ross | .... | title design consultant (1999 reconstruction) | |
| Jod Soraci | .... | film transfer (1999 reconstruction) | |
| Eve Bessette | .... | script supervisor (uncredited) | |
| Harold Henderson | .... | location scout (uncredited) | |
| James V. King | .... | dailies projectionist (uncredited) | |
| James V. King | .... | laboratory technician (uncredited) | |
Thanks | |||
| Gretchen Peter Berg | .... | special thanks: 1999 | |
| Kevin Brownlow | .... | special thanks: 1999, Photoplay Productions Ltd. | |
| Christian Ramsey Clyde | .... | special thanks: 1999 | |
| Ned Comstock | .... | special thanks: 1999, USC Cinema-Television Library and Archives of Performing Arts | |
| Mary Corliss | .... | special thanks: 1999, The Museum of Modern Art | |
| Robert Cushman | .... | special thanks: 1999, The Margaret Herrick Library | |
| Todd Darling | .... | special thanks: 1999 | |
| Allen Daviau | .... | special thanks: 1999 | |
| Chris Espinel | .... | special thanks: 1999 | |
| George Feltenstein | .... | special thanks: 1999 | |
| Robert Gitt | .... | special thanks: 1999 (as Bob Gitt) | |
| Daniel Goldman | .... | special thanks: 1999 | |
| Barbara Hall | .... | special thanks: 1999, The Margaret Herrick Library | |
| Linda Harris Mehr | .... | special thanks: 1999, The Margaret Herrick Library | |
| Bryan Heath | .... | special thanks: 1999 | |
| Heather Holmes | .... | special thanks: 1999 | |
| Tom Karsch | .... | special thanks: 1999 | |
| Diane Koszarski | .... | special thanks: 1999 | |
| Mike Krause | .... | special thanks: 1999 | |
| Don Krim | .... | special thanks: 1999 | |
| Nelson Lyon | .... | special thanks: 1999 | |
| Ron Magliozzi | .... | special thanks: 1999, The Museum of Modern Art (as Ronald S. Magliozzi) | |
| Greg Maher | .... | special thanks: 1999 | |
| Dorothy Manzareck | .... | special thanks: 1999 | |
| Ray Manzareck | .... | special thanks: 1999 | |
| Francesca Marini | .... | special thanks: 1999 | |
| Richard P. May | .... | special thanks: 1999 (as Richard May) | |
| Roger Mayer | .... | special thanks: 1999 | |
| John McCarroll | .... | special thanks: 1999 | |
| Andrew McCausland | .... | special thanks: 1999 | |
| Don Montoure | .... | special thanks: 1999 | |
| Jennifer Morgan | .... | special thanks: 1999 | |
| Hugh Monro Neely | .... | special thanks: 1999 | |
| John Novacek | .... | special thanks: 1999 | |
| Justin Pettigrew | .... | special thanks: 1999 | |
| Carol Ann Rosenbaum | .... | special thanks: 1999 | |
| Jonathan Rosenbaum | .... | special thanks: 1999 | |
| Walter Ruben | .... | special thanks: 1999 | |
| David Shepard | .... | special thanks: 1999 | |
| Jan Sitar | .... | special thanks: 1999 | |
| Patrick Stanbury | .... | special thanks: 1999, Photoplay Productions Ltd. | |
| Laurie Van Rosen | .... | special thanks: 1999 | |
| Harriet von Stroheim | .... | special thanks: 1999 | |
| Josef von Stroheim | .... | special thanks: 1999 | |
| Mary Alice von Stroheim | .... | special thanks: 1999 | |
| Beth Werling | .... | special thanks: 1999, Los Angeles County Museum of Natural History (as Beth D. Werling) | |
| Daniel Woodruff | .... | special thanks: 1999, The Margaret Herrick Library (as Dan Woodruff) | |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Drama section | IMDb USA section |
Greed(1925) was based on a novel that was in the tradition of great long novels like Crime and Punishment or War & Peace. The director, Erich Von Stroheim wanted to do a faithful adapation of the book McTeague because of his fascination with the theme of greed. He did do a faithful adaption but ended up paying a stiff price for his drive towards perfection. Marvelous film that is one of the 100 greatest films of all time. The acting is terrific and the story is compelling to follow.
Gibson Gowland does a convincing job in the role of Dr. McTeague. Like many of the director's early films, Greed(1925) was severely cut. Original running time of the movie was nine hours. Its a disgrace that we will never see the full cut ever resurface in the theaters or DVD. One of the best films from the 1920s(besides Metropolis) to suffer at ridiculus cuts at the hands of the censors and studios.