Sisif, a railwayman, and his son Elie fall in love with the beautiful Norma (whom Sisif rescued from a train crash when a baby and raised as his daughter), with tragic results. Originally ... See full summary »
Gabriel de Gravone
The idle son of a rich businessman joins the army when the U.S.A. enters World War One. He is sent to France, where he becomes friends with two working-class soldiers. He also falls in love... See full summary »
George W. Hill
The wife of an American playwright in Paris becomes ensnared in the seductive wiles of an American Army officer, but her devotion to her husband convinces the officer to try to extricate ... See full summary »
Erich von Stroheim
Sam De Grasse,
John McTeague was a simple slow man who became a dentist after working at the Big Dipper Gold Mine. He is now being hunted in Death Valley by his ex-best friend Marcus and the law. His lot was cast the day that he meet his future wife Trina in his office. She was with Marcus and she bought a lottery ticket. Well Mac fell for her and Marcus stepped aside. When Mac and Trina married, she won the Lottery for $5000 and became obsessive about the money in gold. Marcus is steamed as he stepped aside and now she is rich so he has the law shut down Mac as he has no official schooling for his dentistry. Trina fearful that they will take her gold away sells everything and takes all Mac earns when he is working. She adds to her stash of gold as they both live as paupers. When Mac has no job and no money, he leaves and Trina moves. Driven to desperation at being poor and hungry he finds Trina and demands the gold. Written by
Tony Fontana <firstname.lastname@example.org>
Director Erich von Stroheim had filmed two additional storylines, intended to symbolize the two possible outcomes of the main storyline: one about the elder neighbors of McTeague (Gibson Gowland), who did not care about money and therefore lived a happy life; and one following the Mexican Maria (Dale Fuller) and her husband, who were even greedier than the main characters, and therefore ends badly. Both these subplots and many more scenes were cut by order of the studio. See more »
After Marcus breaks McTeague's pipe and throws a knife at him, men pull McTeague's tie off as they hold him back. The tie is back in place a moment later as McTeague rushes out of the saloon. See more »
GOLD - GOLD - GOLD - GOLD. Bright and Yellow, Hard and Cold, Molten, Graven, Hammered, Rolled, Hard to Get and Light to Hold; Stolen, Borrowed, Squandered - Doled.
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A film almost as powerful as it is famous, Greed is pretty straight-forward about its theme: Greed. And what it does to people.
This would not be a silent film known for its subtlety, but a large part of that is the fact that it's really only a tenth of the film it was supposed to be. Entire reels have been cut down to single cue-cards, entire years jump by that were obviously supposed to be shown. In terms of the general "rules" of narrative, it works out well enough that it's still a quite clear story that follows a reasonable pace, but the lack of a lot of the character development and the like is pretty apparent.
Still, the music used on the film and the general story itself is powerful enough, it's definitely worth your time.
A man and a woman marry. The man is a simpleton, the woman is a hoarder. When she wins a $5000 lottery, she vows never to spend a cent of it... something that sets her husband and their common friend at odds as they all want the cash... but not necessarily to spend it. Entire relationships and lives are ripped asunder as they all grapple for their rights to "their" property: their greed.
This movie has been praised for its realism, but that couldn't be further from the truth. This movie is romanticized to the level of absurdity, the characters are so full-blown they are often hard to relate to. This comes from the fact that 80% of their development has been lost in the final cut. I don't want this to seem like a bad thing: because of their incredible antics, the movie takes you to places almost entirely unheard of and definitely unexpected.
It's one deep thrill after the other, backed up by some very beautiful imagery and intense music. It's just unfortunately not what the director intended. Even back in the day, people just didn't have a big enough attention span, and I find that very tragic. I want to see the ten-hour version.
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