A young artist draws a face at a canvas on his easel. Suddenly the mouth on the drawing comes into life and starts talking. The artist tries to wipe it away with his hand, but when he looks... See full summary »
Elizabeth Lee Miller,
Businessman Victor Hardy (Noiret) wants to buy the entire area around the small village of Cabosse. He claims that he wants to return to nature, but he also intends to profit by selling the... See full summary »
Two people stand on a road, out of focus. Seen distorted through a glass, they retire upstairs to a bedroom where she undresses. He says, "Adieu." Images: the beautiful girl, a starfish in ... See full summary »
Kiki of Montparnasse,
André de la Rivière,
Victor Frandsen is a domestic tyrant. His wife Ida has to work as a slave for him and the rest of the family. She rises early to prepare everything for the day, she toils all day long, and ... See full summary »
Carl Theodor Dreyer
Jean is a young cab driver. Anna, a flower-girl neighbour, is in love with him. But he is still thinking to Pola, who just left him. Jean asks her to the bal. Many events (Pola's come back,... See full summary »
1910 : A friend leaves his daughter, Lucette, with Emile a French film producer. Emile falls in love with her. Problems starts when his young friend Jacques returns from military service ... See full summary »
"Les quatre vérités" aka "The Four Truths" is a movie anthology that consists of four segments, all loosely parodying fables from the 17th-century French poet Jean de la Fontaine. The US cut usually features only 3 segments.
I certainly have a problem with René Clair .I've been watching his movies for years and forgetting all about them.I should love him,as I love Duvivier,Renoir,Carné,Gance,Grémillon ,Pagnol and all the celebrated directors of that great era but I can't .Even when he introduces French can can I can't.
Like some of his colleagues ,notably the highly superior Julien Duvivier ("la Charette Fantôme" "flesh and fantasy"),he had a penchant for the fantasy genre."Paris qui dort" and this movie were the first attempts in that direction.It continued with "the ghost goes west" "I married a witch" and "'this happened tomorrow". No wonder he made his best American film with a "rational" whodunit ,Agatha Christie's "And then there were none" aka "ten little Indians" .
His screenplay is old hat ,straight out of the ark.Just compare with Renoir's "La Petite Fille Aux allumettes"(or Epstein 's "Chute de La Maison Usher") for the silent era and Maurice Tourneur's sensational "La Main Du Diable" or Lherbier's "La Nuit Fantastique" for the talkies .And I will not even mention Carné's "les Visiteurs du Soir" or Cocteau's "La Belle et la Bete".Those artists created an eerie world and their movies are still strong today. Clair's movies introduce heroes who cannot stand the real world anymore,so they choose they will be ghosts and all course everybody will work out fine after some de rigueur episodes .It's light optimistic stuff devoid of any sense of drama .That could be valid comedy if Clair showed a sense of humor!But he is not Sacha Guitry,by a long shot! His plot is a trite melodrama : a father is forced to marry his daughter to a greybeard who is also a blackmailer ;and naturally the daughter is in love with a younger -but not particularly handsome- man.Thanks to a scientist ,the poor lover becomes a ghost who haunts the Moulin Rouge (check the title).And pretty soon the professor is charged with murder.That could have been a good plot,but it's neither really funny nor suspenseful.
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