IMDb > The Big Parade (1925)
The Big Parade
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The Big Parade (1925) More at IMDbPro »


Overview

User Rating:
8.3/10   4,214 votes »
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Director:
Writers:
Laurence Stallings (story)
Harry Behn (scenario)
(more)
Contact:
View company contact information for The Big Parade on IMDbPro.
Release Date:
1926 (Austria) See more »
Genre:
Tagline:
King Vidor's PICTURIZATION of LAURENCE STALLINGS' GREAT STORY See more »
Plot:
The idle son of a rich businessman joins the army when the U.S.A. enters World War One. He is sent to France... See more » | Add synopsis »
Awards:
3 wins See more »
NewsDesk:
(31 articles)
User Reviews:
One of the Finest Movies of Its Own or Any Other Era See more (39 total) »

Cast

  (in credits order) (verified as complete)

John Gilbert ... James Apperson

Renée Adorée ... Melisande (as Renee Adoree)
Hobart Bosworth ... Mr. Apperson

Claire McDowell ... Mrs. Apperson

Claire Adams ... Justyn Reed
Robert Ober ... Harry
Tom O'Brien ... Bull
Karl Dane ... Slim
Rosita Marstini ... French Mother
rest of cast listed alphabetically:
George Beranger ... Undetermined Minor Role (uncredited)
Harry Crocker ... Doughboy (uncredited)
Julanne Johnston ... Justine Devereux (uncredited)
Kathleen Key ... Miss Apperson (uncredited)
Dan Mason ... Undetermined Minor Role (uncredited)

Carl 'Major' Roup ... Doughboy (uncredited)
Carl Voss ... Officer (uncredited)
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Directed by
King Vidor 
George W. Hill (uncredited)
 
Writing credits
Laurence Stallings (story)

Harry Behn (scenario)

Joseph Farnham (titles) (as Joseph W. Farnham)

Laurence Stallings  screenplay (uncredited)
King Vidor  uncredited

Produced by
Kevin Brownlow .... producer (1988 Turner print)
David Gill .... producer (1988 Turner print)
Irving Thalberg .... producer (uncredited)
King Vidor .... producer (uncredited)
 
Original Music by
William Axt (musical score by)
Carl Davis (1988 score)
David Mendoza (uncredited)
 
Cinematography by
John Arnold (photography)
Charles Van Enger (uncredited)
 
Film Editing by
Hugh Wynn (film editor)
 
Casting by
Robert McIntyre (uncredited)
 
Costume Design by
Ethel P. Chaffin (wardrobe designed by)
Robert Florey (uncredited)
 
Production Management
Liz Sutherland .... production manager: video presentation (1988 Turner print)
Dave Friedman .... unit production manager (uncredited)
 
Second Unit Director or Assistant Director
David Howard .... assistant director (uncredited)
 
Art Department
James Basevi .... settings
Cedric Gibbons .... settings
Robert Florey .... set designer (uncredited)
 
Visual Effects by
Max Fabian .... special photographic effects (uncredited)
 
Stunts
Allen Pomeroy .... stunts (uncredited)
 
Camera and Electrical Department
Carl Barlow .... electrician (uncredited)
Ruth Harriet Louise .... still photographer (uncredited)
Hendrik Sartov .... additional photographer (uncredited)
 
Editorial Department
Roger Holmes .... videotape editor (1988 Turner print)
 
Music Department
Richard Bradford .... music recordist (1988 Turner print)
Carl Davis .... music composed and conducted by (1988 Turner print)
Mike Fairbairn .... dubbing assistant (1988 Turner print)
José-Luis Garcia .... orchestra leader (1988 Turner print)
Colin Matthews .... orchestrator (1988 Turner print)
David Matthews .... orchestrator (1988 Turner print)
Oscar Radin .... orchestra under the direction of
Maurice Baron .... orchestrator (uncredited)
 
Other crew
Frances Hewson .... production assistant (1988 Turner print)
Carl Voss .... military advisor (uncredited)
 
Crew believed to be complete


Production Companies
  • Metro-Goldwyn-Mayer (MGM) (presents) (controlled by Loew's Incorporated) (King Vidor's Production) (A Metro-Goldwyn-Mayer Picture)
DistributorsOther Companies
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Additional Details

Also Known As:
Runtime:
140 min (original: 24 fps) | USA:130 min (re-release: 24.4 fps) | UK:128 min (1988 TCM print)
Country:
Color:
Black and White (with tinted sequences)
Aspect Ratio:
1.33 : 1 See more »
Sound Mix:
Silent | Mono (music and sound effects) (Western Electric Sound System)
Certification:
Portugal:17 (short version) | Spain:13 | USA:Not Rated | USA:Passed (National Board of Review)

Did You Know?

Trivia:
This is believed to be the first film in which the word "damn" is used by a character (albeit on a title card).See more »
Goofs:
Continuity: Early in the movie, we see James Apperson announce that he has enlisted. His father, who had been sternly lecturing him moments before, comes up and congratulates him. Suddenly, the father now has a lit cigar in his mouth, with a long ash, indicating he's been smoking it for at least a while. But all the time prior, we saw no sign that the father had a lit cigar anywhere on him or near him.See more »
Quotes:
James Apperson:Orders! Orders! Who the hell is fighting this war - men or orders?See more »

FAQ

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27 out of 29 people found the following review useful.
One of the Finest Movies of Its Own or Any Other Era, 18 October 2004
Author: Snow Leopard from Ohio

A fine silent classic that has held up very well, "The Big Parade" is one of the very best films of its era and of its genre. It has a nice blend of drama, action, and lighter moments, with plenty of good photography and settings. The characters are simple, believable, and unpretentious, and they are brought to life well by the cast. Its commentary on the war is to the point, yet in a thoughtful way, without the heavy-handed cinematic ranting that mars so many films about war.

The early scenes work very well in introducing some of the characters and themes. Its portrayal of the USA's entry into the war is intelligently done, while holding nothing back in its perspective. By not assigning blame or responsibility to any specific persons or countries, it enhances its portrayal of the kind of mentality that so often prevails in such situations. It is a believable, and sometimes subtle, sequence that works quite well.

Once the movie gets into the main story, it uses the "parade" imagery well, and combines it effectively with the personal development of the characters.

John Gilbert and Renée Adorée work quite well together, and Gilbert's army pals are both used effectively. There are quite a few memorable scenes as it depicts a full variety of wartime experiences. The lighter sequences are used particularly well, not as raucous humor but as moments of the more sensitive side of human nature that is still there somewhere amidst all of the turmoil.

There's much more that could be said about such an absorbing film, but watching the movie is more rewarding than reading about it. It's neither an action-heavy war film nor a superficial, easily understood movie contrived to prove a particular point; it's something much better that fully repays careful attention and appreciation.

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If Jerry Bruckheimer and Michael Bay made a silent film... Donnaigh
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