The idle son of a rich businessman joins the army when the U.S.A. enters World War One. He is sent to France, where he becomes friends with two working-class soldiers. He also falls in love... See full summary »
Sisif, a railwayman, and his son Elie fall in love with the beautiful Norma (whom Sisif rescued from a train crash when a baby and raised as his daughter), with tragic results. Originally ... See full summary »
Gabriel de Gravone
One of the first feminist movies, The Smiling Madame Beudet is the story of an intelligent woman trapped in a loveless marriage. Her husband is used to playing a stupid practical joke in ... See full summary »
The idle son of a rich businessman joins the army when the U.S.A. enters World War One. He is sent to France, where he becomes friends with two working-class soldiers. He also falls in love with a Frenchwoman, but has to leave her to move to the frontline. Written by
Philip Apps <firstname.lastname@example.org>
After director King Vidor complained to MGM production chief Irving Thalberg that he was tired of shooting pictures that played in theaters for just one week, he told Thalberg about a new kind of realistic war movie he had envisioned. Thalberg was enthusiastic about Vidor's vision, and tried to buy the rights to the hit Broadway play "What Price Glory?" co-written by Maxwell Anderson and World War I Marine veteran Laurence Stallings. Since the rights to the popular anti-war play had already been acquired, Thalberg hired Stallings to come to Hollywood and write a screenplay for the new, realistic war picture that Vidor had dreamed about making. Stallings came up with "The Big Parade", an anti-war story that dispensed with traditional concepts of heroism, focusing instead on a love story between a Yank soldier and a French girl. After Vidor completed principal photography (at a cost of $200,000, approximately $2.1 million in 2003 dollars), Thalberg took the rough cut and previewed it before live audiences in Colorado. The audiences responded favorably, and Thalberg decided to expand the scope of the picture, as Vidor had created a war picture without many scenes of war. He had Vidor restage the famous marching army column sequence with 3000 extras, 200 trucks and 100 airplanes. After Vidor moved on to another project, Thalberg had other battle scenes shot by director George W. Hill. The result was a major hit that proved to be MGM's most profitable silent picture. See more »
Early in the movie, we see James Apperson announce that he has enlisted. His father, who had been sternly lecturing him moments before, comes up and congratulates him. Suddenly, the father now has a lit cigar in his mouth, with a long ash, indicating he's been smoking it for at least a while. But all the time prior, we saw no sign that the father had a lit cigar anywhere on him or near him. See more »
Waiting! Orders! Mud! Blood! Stinking stiffs! What the hell do we get out of this war anyway!
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Metro-Goldwyn-Mayer gratefully acknowledges the splendid co-operation of the Second Division, United States Army and Air Service Units, Kelly Field. See more »
Not only are the battle scenes exciting and dramatic, maybe even harrowing, but the scenes back home are just as memorable. John Gilbert and Renee Adoree make a wonderful couple. There's a lengthy scene where they are flirting and getting to know each other and two romantic leads never radiated more charm than these two. When Gilbert is sent off to war I was sorry to see the two split apart. Those early scenes give everything else in the movie a special meaning and it's a rare movie where I genuinely cared about the characters as if they were real people! **** out of ****
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