The idle son of a rich businessman joins the army when the U.S.A. enters World War One. He is sent to France, where he becomes friends with two working-class soldiers. He also falls in love... See full summary »
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Gabriel de Gravone
One of the first feminist movies, The Smiling Madame Beudet is the story of an intelligent woman trapped in a loveless marriage. Her husband is used to playing a stupid practical joke in ... See full summary »
The idle son of a rich businessman joins the army when the U.S.A. enters World War One. He is sent to France, where he becomes friends with two working-class soldiers. He also falls in love with a Frenchwoman, but has to leave her to move to the frontline. Written by
Philip Apps <firstname.lastname@example.org>
The army unit portrayed is the 42nd Infantry Division (Rainbow Division), as determined by the three-color (red-yellow-blue) rainbow patch (long version) worn on the upper left sleeve of the uniform. Casualties were so high that after the war the patch was cut in half and worn on the forward half of the sleeve instead of centered because "we left half our rainbow in France." During the transport scene the tailgates of the trucks are all painted with "42" and then the truck number. The credits thank the 2nd Division (Indianhead), so painting the "4" prior to the pre-existing "2" may have facilitated that. The 42nd Division was later a New York Army National Guard unit and you could find units in Syracuse, Geneva, etc. See more »
When Jim is getting dressed in the hayloft for his date, Slim jokingly refers to him as "Mr. Hemingway". When the film was being made in 1924-25 Ernest Hemingway was becoming famous, but in the movie's time frame of 1917, he was still unknown. See more »
[Having - along with Slim - broken into the wine cellar under the farmhouse, where together they imbibe lots of wine]
Can you imagine? Some guys was saps enough to join the Navy!
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Metro-Goldwyn-Mayer gratefully acknowledges the splendid co-operation of the Second Division, United States Army and Air Service Units, Kelly Field. See more »
This is one of the best silent movies ever made, and probably the best WWI movie ever made, silent or sound. It's one of the greatest movies I have seen to show how war can turn one man's world upside down, yet not necessarily in a completely negative way as have other films. The direction is superb. The acting is wonderful. In particular, Renee Adoree's character is adorable as the French heroine. In one of the movie's most romantic scenes (and a much parodied one), Renee's character anxiously finds Gilbert, who is in the process of moving on to battle. When they unite, the two almost can't be seperated, even as the cars are moving. It's one of the most emotional scenes ever.
Then there are the battle scenes, which are stellar. The character development is wonderful, as lazy, rich boy Jim joins the war only to please his friends and fiancee. Then, he finds out what war is all about, as well as true love. "Slim" makes a nice comedic supporting character, who again is finally seen in a different light in the face of battle.
One thing I should note, is that the version of this film I saw is the one scored by Carl Davis. I also heard his score for "the Lodger" and thought it was distracting if anything. But this score is an example of the perfect silent score. It actually shows the maximum "potential" of the film. It's always appropriate, is molded to every scene, takes advantage of a modern orchestra while still preserving several stylistic nuances of older films. Kudos to Mr. Davis for a fine score.
Finally, why wasn't there room for this on AFI's 100 list? It's certainly better than "the Jazz Singer" or "Easy Rider", and probably a ton of others on the list. Part of the problem, I realize is that so few people have seen this. There's only about 150 votes so far on this site. This masterpiece should be seen at least once by any serious film lover. A perfect 10!
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