One of the first feminist movies, The Smiling Madame Beudet is the story of an intelligent woman trapped in a loveless marriage. Her husband is used to playing a stupid practical joke in ... See full summary »
The idle son of a rich businessman joins the army when the U.S.A. enters World War One. He is sent to France, where he becomes friends with two working-class soldiers. He also falls in love with a Frenchwoman, but has to leave her to move to the frontline. Written by
Philip Apps <email@example.com>
The movie was a huge hit. When MGM discovered that a clause in director King Vidor's contract entitled him to 20% of the net profits, studio lawyers called a meeting with him. At the meeting, MGM accountants played up the costs of the picture while downgrading the studio forecast of its potential success. Vidor was persuaded to sell his stake in the film for a small sum. The film ran for 96 weeks at the Astor Theater and grossed $5 million (approximately $50 million in 2003 dollars) domestically by 1930, making it the most profitable release in MGM history at that point. Said Vidor, "I thus spared myself from becoming a millionaire instead of a struggling young director trying to do something interesting and better with a camera." See more »
Early in the movie, we see James Apperson announce that he has enlisted. His father, who had been sternly lecturing him moments before, comes up and congratulates him. Suddenly, the father now has a lit cigar in his mouth, with a long ash, indicating he's been smoking it for at least a while. But all the time prior, we saw no sign that the father had a lit cigar anywhere on him or near him. See more »
[Melisande has just said something to him in French]
I don't understand a word you say... but I know what you mean!
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Metro-Goldwyn-Mayer gratefully acknowledges the splendid co-operation of the Second Division, United States Army and Air Service Units, Kelly Field. See more »
One of the Finest Movies of Its Own or Any Other Era
A fine silent classic that has held up very well, "The Big Parade" is one of the very best films of its era and of its genre. It has a nice blend of drama, action, and lighter moments, with plenty of good photography and settings. The characters are simple, believable, and unpretentious, and they are brought to life well by the cast. Its commentary on the war is to the point, yet in a thoughtful way, without the heavy-handed cinematic ranting that mars so many films about war.
The early scenes work very well in introducing some of the characters and themes. Its portrayal of the USA's entry into the war is intelligently done, while holding nothing back in its perspective. By not assigning blame or responsibility to any specific persons or countries, it enhances its portrayal of the kind of mentality that so often prevails in such situations. It is a believable, and sometimes subtle, sequence that works quite well.
Once the movie gets into the main story, it uses the "parade" imagery well, and combines it effectively with the personal development of the characters.
John Gilbert and Renée Adorée work quite well together, and Gilbert's army pals are both used effectively. There are quite a few memorable scenes as it depicts a full variety of wartime experiences. The lighter sequences are used particularly well, not as raucous humor but as moments of the more sensitive side of human nature that is still there somewhere amidst all of the turmoil.
There's much more that could be said about such an absorbing film, but watching the movie is more rewarding than reading about it. It's neither an action-heavy war film nor a superficial, easily understood movie contrived to prove a particular point; it's something much better that fully repays careful attention and appreciation.
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