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The Big Parade (1925)

Not Rated  |   |  Drama, Romance, War  |  1926 (Austria)
8.3
Your rating:
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Ratings: 8.3/10 from 4,633 users  
Reviews: 42 user | 46 critic

A young American soldier witnesses the horrors of the Great War.

Directors:

, (uncredited)

Writers:

(story), (scenario), 3 more credits »
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Cast

Complete credited cast:
...
...
Melisande (as Renee Adoree)
Hobart Bosworth ...
...
...
Robert Ober ...
Tom O'Brien ...
...
Rosita Marstini ...
French Mother
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Storyline

The idle son of a rich businessman joins the army when the U.S.A. enters World War One. He is sent to France, where he becomes friends with two working-class soldiers. He also falls in love with a Frenchwoman, but has to leave her to move to the frontline. Written by Philip Apps <apps@math.wisc.edu>

Plot Summary | Add Synopsis

Taglines:

Laurence Stallings' great motion picture story following his stage success with "What Price Glory" See more »

Genres:

Drama | Romance | War

Certificate:

Not Rated | See all certifications »
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Details

Country:

Release Date:

1926 (Austria)  »

Also Known As:

Die Parade des Todes  »

Box Office

Budget:

$245,000 (estimated)
 »

Company Credits

Production Co:

 »
Show detailed on  »

Technical Specs

Runtime:

| | (1988 TCM print) | (TCM print)

Sound Mix:

| (music and sound effects) (Western Electric Sound System)

Color:

(with tinted sequences)

Aspect Ratio:

1.33 : 1
See  »
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Did You Know?

Trivia

In an ironic turn, this film that dealt so intensely with the death of young men was plagued by the deaths at an early age of several people associated with it. Star John Gilbert died at 38 and Renée Adorée died at 35. In addition, the movie's uncredited, though legendary, producer Irving Thalberg died at 37, and co-star Karl Dane ("Slim") died at 47. See more »

Goofs

Early in the movie, we see James Apperson announce that he has enlisted. His father, who had been sternly lecturing him moments before, comes up and congratulates him. Suddenly, the father now has a lit cigar in his mouth, with a long ash, indicating he's been smoking it for at least a while. But all the time prior, we saw no sign that the father had a lit cigar anywhere on him or near him. See more »

Quotes

James Apperson: [Melisande has just said something to him in French] I don't understand a word you say... but I know what you mean!
See more »

Crazy Credits

Metro-Goldwyn-Mayer gratefully acknowledges the splendid co-operation of the Second Division, United States Army and Air Service Units, Kelly Field. See more »

Connections

Featured in The Men Who Made the Movies: King Vidor (1973) See more »

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User Reviews

 
Outstanding Silent Film
18 September 2001 | by (Winston-Salem, NC) – See all my reviews

This is one of the best silent movies ever made, and probably the best WWI movie ever made, silent or sound. It's one of the greatest movies I have seen to show how war can turn one man's world upside down, yet not necessarily in a completely negative way as have other films. The direction is superb. The acting is wonderful. In particular, Renee Adoree's character is adorable as the French heroine. In one of the movie's most romantic scenes (and a much parodied one), Renee's character anxiously finds Gilbert, who is in the process of moving on to battle. When they unite, the two almost can't be seperated, even as the cars are moving. It's one of the most emotional scenes ever.

Then there are the battle scenes, which are stellar. The character development is wonderful, as lazy, rich boy Jim joins the war only to please his friends and fiancee. Then, he finds out what war is all about, as well as true love. "Slim" makes a nice comedic supporting character, who again is finally seen in a different light in the face of battle.

One thing I should note, is that the version of this film I saw is the one scored by Carl Davis. I also heard his score for "the Lodger" and thought it was distracting if anything. But this score is an example of the perfect silent score. It actually shows the maximum "potential" of the film. It's always appropriate, is molded to every scene, takes advantage of a modern orchestra while still preserving several stylistic nuances of older films. Kudos to Mr. Davis for a fine score.

Finally, why wasn't there room for this on AFI's 100 list? It's certainly better than "the Jazz Singer" or "Easy Rider", and probably a ton of others on the list. Part of the problem, I realize is that so few people have seen this. There's only about 150 votes so far on this site. This masterpiece should be seen at least once by any serious film lover. A perfect 10!


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