With King Ranjit visiting him, King Sohat sees an opportunity to kill his young cousin and take over his kingdom. One of Sohat's henchmen fells Ranjit with a poisoned arrow, making it look ... See full summary »
Sisif, a railwayman, and his son Elie fall in love with the beautiful Norma (who Sisif rescued from a train crash when a baby and raised as his daughter), with tragic results. Originally ... See full summary »
Gabriel de Gravone
Based on stories from "The Arabian Nights." A wicked sorcerer tricks Prince Achmed into riding a magical flying horse. The heroic prince is able to subdue the magical horse, which he uses to fly off to many adventures. While travelling, he falls in love with the beautiful Princess Peri Banu, and must defeat an army of demons to win her heart. The entire film is animated using the silhouette technique, which employs movable cardboard and metal cutouts posed in front of illuminated sheets of glass. Written by
Although some non-public screenings of the completed film occurred in Berlin, Germany as early as 2 May 1926, the first public screening was in Paris in July 1926, through the mediation of Jean Renoir. See more »
We will find our way home and you will forget Wak-Wak.
I will follow you!
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In our age of CG and digital enhancements, it's difficult (for some) to remember a time when things were done by hand and hand alone. Thus, is the case of animation. This painstaking art has been replaced with programs that not only speed up the process of single-frame rendering, they can even mimic pen strokes and outlines.
So it's a rare treat to come across a unique work that illustrates the artistry of early animation in Film. A shining example is Reinger's "The Adventures of Prince Achmed" . There's really no preparation for this feature, one just needs to succumb to the beautiful imagery that begins to reveal itself, one silhouette at a time. It completely takes us off the conventional track and into the realm best inhabited by forgotten dreams. One forgets that one is watching a series of contours and like the traditional Nang Yai shadow puppet play, the journey has you swept away in a short time!
Some may not be as impressed with this `old-fashioned' approach to story telling. It doesn't compare to the spectacles of the `instant classic' available these days. It's a bit `clanky' and possibly too analog for others. On the other hand, if you're looking for a whimsical and imaginative tale of magic, travels to mystical lands, heroism and love (with a charming score), you won't be in the least bit disappointed with this one.
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