The most important family in Hickoryville is (naturally enough) the Hickorys, with sheriff Jim and his tough manly sons Leo and Olin. The timid youngest son, Harold, doesn't have the ... See full summary »
Yachtsman Steve Drexel bets his friends that he can swim ashore on a remote south-seas island with nothing but a toothbrush and be 'living the life of Riley' when they return. With handmade... See full summary »
A. Edward Sutherland
A thief falls in love with the Caliph of Bagdad's daughter. The Caliph will give her hand to the suitor that brings back the rarest treasure after seven moons. The thief sets off on a magical journey while, unbeknownst to him, another suitor, the Prince of the Mongols, is not playing by the rules... Written by
Erik Gregersen <email@example.com>
For the early scene where the Thief leaps in and out of the giant clay pots in the marketplace, Douglas Fairbanks had small trampolines placed inside each pot, allowing him to bounce easily from pot to pot. See more »
When the guards prevent The Thief, carrying his friend on his head, from entering the gates, they completely disappear in the next shot after the gates are closed. See more »
I fully agree with the rapturous review by Mordaunt Hall in The New York Times. Hall went on to name the movie as his number two choice for the Ten Best Films of 1924. In this choice, however, he was out of step with the majority of his comrades. 450 American motion picture critics selected The Thief of Bagdad as the year's Best Film!
I have little to add. The only person who has any valid reason to complain is Snitz Edwards. Incorrectly billed in the credits as an "evil associate" (he's nothing of the sort!), Snitz figures mightily in the introductory sequences and the modus operandi of the plot, but then abruptly disappears. The lovely Anna May Wong would also get my vote for more footage, but at least she runs true to form right through the movie.
Some people have complained about "primitive" special effects. Whilst it's true the effects range from the brilliant to the amateurish and even quaint, this is a movie that has an abundance of "heart", a quality that most computer-generated 21st century films signally lack.
As for the stupendous sets by William Cameron Menzies, the superb cinematography by Arthur Edeson (why hasn't someone written a book about Edeson's mind-boggling career? After all, he photographed at least twenty of the current top cult favorites) and the magical acting by the athletic Fairbanks, the scheming Sojin and the entrancing Miss Wong, all not only contribute richly to the film's success, but each actually presents a compelling reason for making this Thief of Bagdad an absolute must-see!
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