The Thief of Bagdad (1924)

Director:

Raoul Walsh

Writers:

Achmed Abdullah (screenwriter)
Douglas Fairbanks (story)

Release Date:

23 March 1924 (USA)

Genre:

Adventure | Family | Fantasy | Romance

Plot:

A recalcitrant thief vies with a duplicitous Mongol ruler for the hand of a beautiful princess.

Plot Keywords:

Thief | Princess | Suitor | Magic | Treasure

Awards:

2 wins

Cast

Douglas Fairbanks	...	The Thief of Bagdad
Snitz Edwards	...	His Evil Associate
Charles Belcher	...	The Holy Man
Julanne Johnston	...	The Princess
Sojin	...	The Mongol Prince
Anna May Wong	...	The Mongol Slave
Brandon Hurst	...	The Caliph
Tote Du Crow	...	The Soothsayer
Noble Johnson	...	The Indian Prince

Runtime:

155 min | Spain:139 min (DVD version)

Country:

USA

Color:

Black and White (tinted)

Aspect Ratio:

1.33 : 1

Sound Mix:

Silent

Certification:

Norway:A | Spain:T | USA:Approved

Filming Locations:

The Lot - 1041 N. Formosa Avenue, West Hollywood, California, USA

Company:

Douglas Fairbanks Pictures

Trivia:

Film debut of David Sharpe.

Movie Connections:

Featured in SPFX: The Empire Strikes Back (1980) (TV)

Long before tigers crouched and dragons hid...

...Douglas Fairbanks brought grace and poetry to physical action on the movie screen. Fairbanks essentially invented the action/adventure movie genre, known in his day as swashbucklers.

"Thief of Bagdad" was made in 1924 when Fairbanks was half way through the heyday of that part of his career. He already had "Zorro" "The Three Musketeers" and "Robin Hood" behind him. "Thief" was something of a departure, however, for it depended less on Fairbanks ability to dance his way though physical stunts than it did on the Arabian Nights tableau it presented on the screen. And frankly, nothing like it has every been done since. Only Griffth's "Intolerance" created the same kind of feel, and it was gritty and warlike, where as "Thief" was a sort of wondrous dream about what it would be like to live by your wits, go off and slay dragons and eventually, win the hand of a princess by saving her father's kingdom.

Fairbanks was over 40 when he made this film and yet seems so perfectly suited for it that we forget his age. He is the embodiment of the dashing hero.

But what almost overshadows him are the sets themselves. Designed by William Cameron Menzies, they are beyond spectacular. Almost every frame of this film is a work of art and of course, the amazing thing is, this was not done through computer animation. So skillful are the designs and the camerawork, that it is almost impossible to tell where the sets stop and the matt paintings begin.

Credit for all this must also go to Fairbanks,who wrote the script and produced the film. Raoul Walsh's direction is also great, although the film is a little long in some spots and would be aided by some skillful editing.

Fairbanks acting style seems today very much of the silent era, yet at the same time, there is always the feel of joyous celebration to it. He was always something of the happy rogue or perhaps, a guy who realized he was getting to make a living by playing in the world's most wonderful sandbox. He was blessed with good fortune and he knew it.

Of the others, Julanne Johnston, who plays the princess, probably comes off the worst of the main characters. She is beautiful,but comes off as little more than window dressing. But cudos to the incredible Anna May Wong who plays the treacherous Mongol slave girl. Wong's great beauty and strong screen presence allow her to steal almost every scene she is in. That Wong never got the chance to play many lead roles is one of the great tragedies of Hollywood history.