5 items from 2015
The first and most important thing that happened as a result of the staging of "Sticks and Stones" at the Met Theater as part of the Act One Festival was that Scott Swan and I got our first agent. Barbara Baruch worked for Ambrosio/Mortimer, a smaller boutique agency at the time, and from the moment we met her, she seemed like what I imagined an agent to be. She was nurturing, she was a cheerleader, she was a ballbuster, and she was always, always, always in our corner. Our time with her was unfortunately too short, and by the time the agency imploded in accusations of embezzlement, we were already repped by Gersh out of New York. Barbara was first, though, and she was the first one to start pushing people to come see our show and to read our work. The strangest thing about those early days is »
- Drew McWeeny
Rome — Italy’s Cineteca di Bologna, the prominent film archives known globally as a prime film preservation entity, has announced a multiyear project in tandem with New York-based Cohen Media Group to restore all of Buster Keaton’s silent films.
The first restorations from the Keaton Project, which intends to prompt a global rediscovery of Buster Keaton’s genius, will be the 1920 short comedy “One Week,” the first film release Keaton made on his own, and also 1924’s “Sherlock Jr.,” the third feature-length film that Keaton made as an independent. They will screen during the upcoming (June 27-July 4) edition of Bologna’s Il Cinema Ritrovato festival dedicated to revival and retrospective programming, launched and promoted by the Bologna archives and Cohen Film Collection.
Cineteca di Bologna previously dedicated over a decade to the restoration of Charlie Chaplin’s entire oeuvre.
The Bologna film archives run the L’Immagine Ritrovata film restoration lab, »
- Nick Vivarelli
“A Madcap Manhattan Weekend”
Easily one of Woody Allen’s best films, The Purple Rose of Cairo, released in 1985, is a treat. It’s got laughs and pathos and is an excellent treatise on the conflict between fantasy and reality. Purple Rose represents a period when Allen was at the peak of his powers, when he was considered one of America’s greatest auteurs, and before there was the stigma of scandal hovering over his work. In 1985, Allen could do no wrong, and The Purple Rose of Cairo does everything right.
Allen doesn’t appear in the film. The picture belongs to Mia Farrow, and she delivers one of her best and most poignant performances as Cecilia, a meek and unhappy housewife/waitress in New Jersey during the Depression area. She is married to Monk (Danny Aiello), who is abusive and pays little attention to her needs. »
- firstname.lastname@example.org (Cinema Retro)
There are roughly 900,000 tribute pieces online this week about the 1985 John Hughes film "The Breakfast Club," and I understand the motivation. If you were the right age when the film was released (I was 15 at the time), that movie felt like a lightning bolt right to the face. Hughes treated teenagers like they were actual people with complex emotional lives worthy of respect, and while that would seem to be a logical approach to writing about any character, it certainly didn't feel average when he did it. He wrote about that secret world of teenagers with what felt like laser accuracy, and he basically created an entire industry of movies that tried to tap into that same audience. So certainly, there is much to celebrate when looking back at that particular film, but when I went to look at a list of the films that came out in 1985, a year »
- Drew McWeeny
The American Film Institute is probably best known for those lists of the 100 Greatest Movies of All Time (y'know... if it's an American production in some way). Well, every year they hold their own awards, because every group of people has to have awards. They recognize the ten best films (for this year, it's eleven due to a tie) and the ten best television programs of the year. There are not winners in these categories, but each one gets celebrated. On that front, I kind of like the AFI approach to awards. Along with the awards, AFI has put together this four and a half minute montage chronicling the last 120 years of film. Now, it would be ridiculous to cover every single year. Instead, they start with 1894's Strong Man and jump every ten years, showcasing films like Rear Window, The Godfather: Part II, Pulp Fiction, and Eternal Sunshine of the Spotless Mind »
- Mike Shutt
5 items from 2015
IMDb.com, Inc. takes no responsibility for the content or accuracy of the above news articles, Tweets, or blog posts. This content is published for the entertainment of our users only. The news articles, Tweets, and blog posts do not represent IMDb's opinions nor can we guarantee that the reporting therein is completely factual. Please visit the source responsible for the item in question to report any concerns you may have regarding content or accuracy.See our NewsDesk partners