Because the Baron of Chanterelle wants to preserve his family line, he forces his timid nephew Lancelot to choose one of the village maidens to wed. Lancelot flees to a monastery to escape ... See full summary »
A projectionist is studying to be a detective and is in love with a young lady. When he proposes her, his rival steals the chain watch of her father and incriminates him. The disappointed young projectionist returns to his job and while projecting the film, he dreams on being the detective of the story. Meanwhile, the girl finds the truth and acquits the guilty of the projectionist to her father. Written by
Claudio Carvalho, Rio de Janeiro, Brazil
In one scene at a train station, Buster Keaton was hanging off of a tube connected to a water basin. The water poured out and washed him on to the track, fracturing his neck nearly to the point of breaking it. This footage appears in the released film. Keaton suffered from blinding migraines for years after making this movie and was unaware of the reason, until a doctor diagnosed him in the 1930s. See more »
After Sherlock Jr spins the fence around placing his pursuers behind it, he puts a crossbar across the gate to stop them coming back. In the next shot as he leaves the alley, the crossbar is no longer visible on the fence. See more »
[to Sherlock Jr. about a man locked in a tight cage]
That's a detective. When he's dead I'll put you in there.
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I have to say that this is by far Keaton's finest work. I have seen and own about 19 of his films/short films and this is the one that truly stands out.
It is rare these days to find a comedy which will make you laugh each and every time you see it. Yet this one, to me, seems not only to be able to do this but also to get BETTER the more you watch it.
The physical comedy, sight gags and insane stunts never cease to amaze me. That is what I love about Buster, the fact he did his own stunts shows that he was a great believer in producing a film that was genuine, that didnt try to trick or fool it's audience.
I find it sad that today most people seem to think that comedy is about dialouge and punch lines, when it is clear from film master pieces such as Sherlock Jr. that this is not true. Silent movies are not to be ignored just because they are 'old', when I watch many of them they feel as fresh as any new comedy - if not more so.
So thank-you Buster!
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