A meek and mild projectionist, who also cleans up after screenings, would like nothing better than to be a private detective. He becomes engaged to a pretty girl but a ladies man known as the Sheik vies for her affection. He gets rid of the projectionist by stealing a pocket watch belonging to the girl's father - which he pawns to buy her an expensive box of candy. He then slips the pawn ticket into the projectionist's pocket and subsequently is found by the police. He doesn't have much luck but in his dreams, he the debonair and renowned detective Sherlock Jr. who faces danger and solves the crime. In real life, the girl solves crimes quickly. Written by
Many filmographies credit Roscoe 'Fatty' Arbuckle as co-director of this film. Whether this is true or not is unclear. Buster Keaton did originally hope to have Arbuckle work as his co-director, but claims Arbuckle was still too depressed over the scandal that had nearly ended his career two years earlier and had become difficult to work with. Then Keaton went ahead as the sole director of the film. Doris Deane, Arbuckle's second wife, later claimed Arbuckle directed the entire film. Historians disagree as to how much Arbuckle may have directed--which varies from none to as much as half. See more »
After Sherlock Jr spins the fence around placing his pursuers behind it, he puts a crossbar across the gate to stop them coming back. In the next shot as he leaves the alley, the crossbar is no longer visible on the fence. See more »
[to Sherlock Jr. about a man locked in a tight cage]
That's a detective. When he's dead I'll put you in there.
See more »
Not only is this Buster Keaton's best film, but it is among the greatest achievements in the history of cinema, period. While it is not a feature-length film--and thus barred from most critics' lists of great films--it invented just about every single basic special effect known to movies (except for morphing). The story itself, about a film projectionist who desires to become part of the movies, and then does, by walking right onto the screen, made palpable the desire that we all have to be in the movies: To get the girl, to be an action hero, to outsmart the bad guys. Keaton invented meta-cinema before anyone even had a phrase for it.
This movie has entered our dreams.
32 of 37 people found this review helpful.
Was this review helpful to you?