Because the Baron of Chanterelle wants to preserve his family line, he forces his timid nephew Lancelot to choose one of the village maidens to wed. Lancelot flees to a monastery to escape ... See full summary »
This merry farce depicts a satirical view of the French society: Twelve years old Zazie has to stay two days with her relatives in Paris, so that her mother can spend some time with her ... See full summary »
A projectionist is studying to be a detective and is in love with a young lady. When he proposes her, his rival steals the chain watch of her father and incriminates him. The disappointed young projectionist returns to his job and while projecting the film, he dreams on being the detective of the story. Meanwhile, the girl finds the truth and acquits the guilty of the projectionist to her father. Written by
Claudio Carvalho, Rio de Janeiro, Brazil
A title card in "Hearts and Pearls", the film within the film during which Buster Keaton falls asleep, informs us that it was produced by the "Veronal Film Company" - an appropriate name, since Veronal was the first barbiturate sleeping pill ever marketed. See more »
After Sherlock Jr spins the fence around placing his pursuers behind it, he puts a crossbar across the gate to stop them coming back. In the next shot as he leaves the alley, the crossbar is no longer visible on the fence. See more »
[as Sherlock Jr., riding on the handlebars of a motorcycle, unaware the driver fell off]
Be careful or one of us will get hurt.
See more »
This Keaton classic is both funny and extremely clever in its construction. Our hero is a cleaner but dreams of becoming a detective, always with his nose buried in a book on the subject.
The first third of the film is much like any other comedy. There are lost dollar bills, things sticking to other things, something stolen, mistaken identities. Our heroine is introduced in a charming scene where they seem terrified to hold hands. Her father is played by Buster's father Joe Keaton, who would appear in many of his son's films.
There's a mustachioed cad with slick hair and a sharp suit who is after the girl, a cartoon baddie who the audience instinctively knows deserves a hiss and not a cheer.
It is in Junior's other job as a cinema projectionist that the film comes alive. We are watching the film he has set up and then, suddenly, he is part of the action. In a sequence of great inventiveness, we see the film within a film changing scenes and watch with delight as the character adapts to each situation and surrounding.
Sherlock Jr is very funny but is also unusual and, in comparison with other comedies of the period, ahead of its time. It includes some excellent stunts that are the equal of anything done by Harold Lloyd in the same period, and, although it has a very short running time, manages to develop a good storyline throughout.
Justly feted as a masterpiece of silent comedy, Sherlock Jr represented one of the peaks of Buster Keaton's cinematic career. It is a film worth watching and has stood up well today.
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