Because the Baron of Chanterelle wants to preserve his family line, he forces his timid nephew Lancelot to choose one of the village maidens to wed. Lancelot flees to a monastery to escape ... See full summary »
This merry farce depicts a satirical view of the French society: Twelve years old Zazie has to stay two days with her relatives in Paris, so that her mother can spend some time with her ... See full summary »
A projectionist is studying to be a detective and is in love with a young lady. When he proposes her, his rival steals the chain watch of her father and incriminates him. The disappointed young projectionist returns to his job and while projecting the film, he dreams on being the detective of the story. Meanwhile, the girl finds the truth and acquits the guilty of the projectionist to her father. Written by
Claudio Carvalho, Rio de Janeiro, Brazil
Many filmographies credit Roscoe 'Fatty' Arbuckle as co-director of this film. Whether this is true or not is unclear. Buster Keaton did originally hope to have Arbuckle work as his co-director, but claims Arbuckle was still too depressed over the scandal that had nearly ended his career two years earlier and had become difficult to work with. Then Keaton went ahead as the sole director of the film. Doris Deane, Arbuckle's second wife, later claimed Arbuckle directed the entire film. Historians disagree as to how much Arbuckle may have directed - which varies from none to as much as half. See more »
After Sherlock Jr spins the fence around placing his pursuers behind it, he puts a crossbar across the gate to stop them coming back. In the next shot as he leaves the alley, the crossbar is no longer visible on the fence. See more »
We are lost! He is sending for the world's greatest detective - Sherlock Jr.!
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It's almost impossible to describe the astounding creativity of "Sherlock, Jr". Even for Buster Keaton, this is a tremendous display of comedic and fantasy material. What's so remarkable is not so much any particularly hilarious gag or gags, as the never-ending stream of amazing and entertaining sights - coming faster and faster as the film proceeds - that seem so off-hand and effortlessly inventive, but that must have involved many hours of painstaking work to perfect. The film vs. reality theme is also highly suggestive, and makes this great movie one of the most completely satisfying efforts by Keaton or anyone else.
The film opens slowly and allows the pace to build gradually. Buster operates the movie projector at a theater, while trying to study on his own to be a detective. He is involved in a real-life mystery that involves his girlfriend's family, and which turns out badly for him. He retreats into the fantasy world of a picture showing at his theater, and from then on you just have to see it to appreciate it. The creative comedy, the technical skill, and the subtly expressed themes are all remarkable.
This is a great experience not to be missed.
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