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Sherlock Jr. (1924)
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Overview
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Director:
Writers:
Release Date:
21 April 1924 (USA)
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Plot:
A film projectionist longs to be a detective, and puts his meagre skills to work when he is framed by a rival for stealing his girlfriend's father's pocketwatch. full summary | full synopsis
Plot Keywords:
Projectionist
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Stunt
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Small Town
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Pickpocket
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Train
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Awards:
1 win
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NewsDesk:
User Comments:
Astounding Creativity
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Cast
(Complete credited cast)| Buster Keaton | ... | Sherlock, Jr. / Projectionist | |
| Kathryn McGuire | ... | The girl | |
| Joe Keaton | ... | Her father | |
| Erwin Connelly | ... | The butler / handyman | |
| Ward Crane | ... | The sheik / villain |
Additional Details
Parents Guide:
Runtime:
45 min
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Aspect Ratio:
1.33 : 1 more
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Fun Stuff
Trivia:
Following his "entrance" into the "movie within a movie," the scenery changes around Buster Keaton very quickly, as if the movie is changing scenes with quick edits. (He suddenly finds himself on a crowded city street, in the jungle confronted by lions, on a rock in the middle of the ocean, etc.) Keaton later recalled that his cameraman, Byron Houck, had used surveying instruments to position him and the camera at the exact correct distances and positions to give the illusion of continuity as the scenes changed.
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Goofs:
Continuity: After Sherlock Jr spins the fence around placing his pursuers behind it, he puts a crossbar across the gate to stop them coming back. In the next shot as he leaves the alley, the crossbar is no longer visible on the fence.
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Quotes:
Movie Connections:
Referenced in The Projectionist (1971)
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It's almost impossible to describe the astounding creativity of "Sherlock, Jr". Even for Buster Keaton, this is a tremendous display of comedic and fantasy material. What's so remarkable is not so much any particularly hilarious gag or gags, as the never-ending stream of amazing and entertaining sights - coming faster and faster as the film proceeds - that seem so off-hand and effortlessly inventive, but that must have involved many hours of painstaking work to perfect. The film vs. reality theme is also highly suggestive, and makes this great movie one of the most completely satisfying efforts by Keaton or anyone else.
The film opens slowly and allows the pace to build gradually. Buster operates the movie projector at a theater, while trying to study on his own to be a detective. He is involved in a real-life mystery that involves his girlfriend's family, and which turns out badly for him. He retreats into the fantasy world of a picture showing at his theater, and from then on you just have to see it to appreciate it. The creative comedy, the technical skill, and the subtly expressed themes are all remarkable.
This is a great experience not to be missed.