A meek and mild projectionist, who also cleans up after screenings, would like nothing better than to be a private detective. He becomes engaged to a pretty girl but a ladies man known as the Sheik vies for her affection. He gets rid of the projectionist by stealing a pocket watch belonging to the girl's father - which he pawns to buy her an expensive box of candy. He then slips the pawn ticket into the projectionist's pocket and subsequently is found by the police. He doesn't have much luck but in his dreams, he the debonair and renowned detective Sherlock Jr. who faces danger and solves the crime. In real life, the girl solves crimes quickly. Written by
According to the book Buster Keaton is reading, the seven rules for being a detective are: "1. Search Everybody. 2. Look for Clue. 3. Examine all windows. 4. Search for finger prints. 5. Shadow your man closely. 6. Send for the police. 7. Keep cool". Buster actually only employs rules #1 and #5 in the movie. See more »
After Sherlock Jr spins the fence around placing his pursuers behind it, he puts a crossbar across the gate to stop them coming back. In the next shot as he leaves the alley, the crossbar is no longer visible on the fence. See more »
[to Sherlock Jr. about a man locked in a tight cage]
That's a detective. When he's dead I'll put you in there.
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This Keaton classic is both funny and extremely clever in its construction. Our hero is a cleaner but dreams of becoming a detective, always with his nose buried in a book on the subject.
The first third of the film is much like any other comedy. There are lost dollar bills, things sticking to other things, something stolen, mistaken identities. Our heroine is introduced in a charming scene where they seem terrified to hold hands. Her father is played by Buster's father Joe Keaton, who would appear in many of his son's films.
There's a mustachioed cad with slick hair and a sharp suit who is after the girl, a cartoon baddie who the audience instinctively knows deserves a hiss and not a cheer.
It is in Junior's other job as a cinema projectionist that the film comes alive. We are watching the film he has set up and then, suddenly, he is part of the action. In a sequence of great inventiveness, we see the film within a film changing scenes and watch with delight as the character adapts to each situation and surrounding.
Sherlock Jr is very funny but is also unusual and, in comparison with other comedies of the period, ahead of its time. It includes some excellent stunts that are the equal of anything done by Harold Lloyd in the same period, and, although it has a very short running time, manages to develop a good storyline throughout.
Justly feted as a masterpiece of silent comedy, Sherlock Jr represented one of the peaks of Buster Keaton's cinematic career. It is a film worth watching and has stood up well today.
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