| George Ali | ... | Nana the Dog | |
| Esther Ralston | ... | Mrs. Darling | |
| Cyril Chadwick | ... | Mr. Darling | |
| Mary Brian | ... | Wendy Moira Angela Darling | |
| Jack Murphy | ... | John Napoleon Darling | |
| Philippe De Lacy | ... | Michael Nicholas Darling (as Philippe deLacy) | |
| Virginia Brown Faire | ... | Tinker Bell (as Virginia Browne Faire) | |
| Betty Bronson | ... | Peter Pan | |
| Anna May Wong | ... | Tiger Lily | |
| Maurice Murphy | ... | Tootles | |
| Mickey McBan | ... | Slightly | |
| George Crane Jr. | ... | Curly | |
| Winston Doty | ... | First Twin | |
| Weston Doty | ... | Second Twin | |
| Terence McMillan | ... | Nibs | |
| Ernest Torrence | ... | Captain James Hook | |
| Louis Morrison | ... | Gentleman Starkey (as Lewis Morrison) | |
| Edward Kipling | ... | Smee | |
| Ralph Yearsley | ... | Italian Cecco | |
| Ed Jones | ... | Mullins (as Ed. Jones) | |
| Percy Barbat | ... | Noodler | |
| Richard Frazier | ... | Giant Blackman | |
| Maurice de Canonge | ... | Cookson (as Maurice Cannon) | |
| Robert Milasch | ... | Kelt | |
| Charles A. Stevenson | ... | Jukes | |
| rest of cast listed alphabetically: | |||
| Kit Wain | ... | Squirrel (uncredited) | |
Directed by | |||
| Herbert Brenon | |||
Writing credits | ||
| J.M. Barrie | (play "Peter Pan") | |
| Willis Goldbeck | (screenplay) | |
Produced by | |||
| Herbert Brenon | .... | producer | |
| Jesse L. Lasky | .... | executive producer | |
| Adolph Zukor | .... | executive producer | |
Original Music by | |||
| Philip Carli | (1999) (as Philip C. Carli) | ||
Cinematography by | |||
| James Wong Howe | (as James Howe) | ||
Set Decoration by | |||
| Edward Smith | (settings) | ||
Second Unit Director or Assistant Director | |||
| Roy Pomeroy | .... | assistant director | |
Special Effects by | |||
| Roy Pomeroy | .... | special effects (uncredited) | |
Music Department | |||
| Timothy Blinkhorn | .... | musician: counter bass (1999 version) | |
| Philip Carli | .... | conductor (1999 score) (as Philip C. Carli) | |
| Philip Carli | .... | musician: piano (1999 score) | |
| Glennda Dove | .... | musician: flute (1999 score) | |
| Kevin Kourofsky | .... | musician: cornet 2 and horn 2 (1999 score) | |
| Nori Kuwamura | .... | musician: violin 1 (1999 score) | |
| Pete Madsen | .... | musician: cornet 1 and horn 1 (1999 score) | |
| Doug Mark | .... | musician: trombone (1999 score) | |
| Karen Minzer | .... | musician: percussion (1999 score) | |
| Raul Pinillos | .... | musician: violoncello (1999 score) | |
| David Shemancik | .... | musician: clarinet and bass clarinet (1999 score) | |
| Katrina Wehner | .... | musician: violin 2 (1999 score) | |
Other crew | |||
| Henri Uytennhave | .... | fencing supervisor (uncredited) | |
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| Peter Pan | Hook | Peter Pan | Return to Never Land | The Golden Compass |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Adventure section | IMDb USA section |
This is a very entertaining adaptation of the story of "Peter Pan", and the production, particularly in the visual effects, is rather impressive for its time. The cast is a good one, with a lot of enthusiasm for their roles, and the whole movie has a lively pace to go along with the interesting story and plenty of good visuals.
Betty Bronson delivers everything that you could expect as Peter, and it's easy to see why J.M. Barrie himself chose her for the role. She has plenty of energy and a believably boyish appearance. The rest of the cast is also good, and in some cases (Virginia Browne Faire and Anna May Wong) you wish you could have seen more of them. It would be hard to think of a better Captain Hook than Ernest Torrance, who gives the role just the right degree of exaggerated villainy. In what seems to have been her first screen role, Mary Brian is appealing as Wendy.
It sticks mostly to the essentials of the familiar story, which is usually appealing to children while potentially quite interesting to adults, for different reasons. Peter's desire to remain a boy, and the offbeat nature of the fantasy world, make the story much more than a whimsical daydream.
The visual effects, particularly the 'flying' sequences, work very well for their time, and they must have been very exciting for the movie's original audiences. The Tinkerbell effect also works well despite its simple means. The fantasy story is combined with just enough reality (back at the Darling home) for it to fit together nicely.
"Peter Pan" is a movie and stage perennial, so there is no shortage of versions to choose from. But this one is very enjoyable, and it is certainly recommended for anyone interested in seeing a silent movie version of the story.