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The Hands of Orlac (1924)

Orlacs Hände (original title)
A world-famous pianist loses both hands in an accident. When new hands are grafted on, he doesn't know they once belonged to a murderer.

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Cast

Cast overview:
...
Paul Orlac (as Veidt)
Alexandra Sorina ...
Yvonne Orlac (as Sorina)
Fritz Strassny ...
Der alle Orlac (as Strassny)
Paul Askonas ...
Der Diener (as Askonas)
Carmen Cartellieri ...
Regine (as Cartellieri)
Hans Homma ...
Dr. Serral (as Homma)
Fritz Kortner ...
Nera (as Kortner)
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Storyline

Orlac is a world famous pianist. One day he is badly hurt in a big train wreck. He is in danger of losing both his hands so his wife begs the doctors to save them. They eventually manage to transplant his hands with those of another deceased person. After his recovery Orlac discovers that there is something seriously wrong with his new pair of hands -- it is as if they had a will of their own. But Orlac doesn't know that they actually belonged to a dangerous murderer. Written by Aljaz Ciber, Slovenia

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Details

Country:

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Release Date:

4 June 1928 (USA)  »

Also Known As:

The Hands of Orlac  »

Filming Locations:


Company Credits

Production Co:

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Technical Specs

Runtime:

| (restored DVD) | (2013 restored)

Sound Mix:

Aspect Ratio:

1.33 : 1
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Did You Know?

Trivia

This version is actually closer to the 1960s version in that Orlac's hands come from a man who has been framed for murder, Vasseur. See more »

Goofs

When Orlac reads a newspaper, the headlines are in German but the body in French. See more »

Connections

Version of The Hands of Orlac (1960) See more »

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User Reviews

Hands of Orlac, restored
24 August 2011 | by (Florida) – See all my reviews

This is not a great movie, I admit. Certainly the acting is bizarre (though often moving) and the rhythm takes getting used to. But I thought I would put in a good word based on a recent viewing experience. I am not rating it high but I really enjoyed it a lot.

6 or 7 years ago I went on a Conrad Veidt spree and bought copies of some his silents from an ebay seller/devotee. The quality varied and I recall that he particularly apologized for this item, which was barely viewable. All you could really see was Veidt's face... The other night TCM showed the Kino restoration and I sat down to see the film "for real." It was a pleasure to be able to take in the wonderful decors and costumes, and to get a relatively coherent version of the plot. The train wreck scene is stirring. And Veidt's face, again, as he progresses from sensitive soul to tormented monstrosity... In short, it was very rewarding.


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