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During a dinner, given by a wealthy baron and his wive, attended by four of her suitors in a 19th century German manor, a shadow-player rescues the marriage by giving all the guests a ... See full summary »
The owner of a Waxmuseum needs for three of his models stories to be told to the audience. For that reason he has hired a writer, who after one look athe owner's pretty daughter, starts ... See full summary »
Extremely rare work of Robert Wiene. From the director and year of excellent "The Cabinet of Dr. Caligari" this work was eventually overshadowed by the success of Caligari. It has a dreamy atmosphere, like another world or something.
Hans Heinrich von Twardowski,
Student Raskolnikow, who has written an article about laws and crime, proposing the thesis, that un-ordinary people can commit crimes if their actions are necessary for the benifit of ... See full summary »
A poor student rescues a beautiful countess and soon becomes obsessed with her. A sorcerer makes a deal with the young man to give him fabulous wealth and anything he wants, if he will sign... See full summary »
Orlac, affermato pianista, perde le mani in un grave incidente. I medici decidono allora di trapiantargli le mani di un assassino condannato a morte. L'operazione riesce perfettamente, ma, da quel momento, una serie di strani omicidi, generalmente commessi a mezzo dello strangolamento delle vittime, vengono commessi e la polizia, che inizialmente brancola nel buio, comincia a sospettare del pianista. Alla fine si scopre che il colpevole era, invece, da tutt'altra parte. Written by
This film was incomplete for decades, due to footage that never made it into the American prints and footage that had been cut due to censorship in German prints. The film was restored to its original length in 1995 by F. W. Murnau Stiftung. See more »
When Orlac reads a newspaper, the headlines are in German but the body in French. See more »
Ah, what aristocratic days are these!!... These modern times of the new 21st century have many similarities to the old youthful times that Herr Graf spent in Deutschland at the beginning of the ancient 20th century; that is to say, during those days the world had a tremendous financial crisis not to mention the menace of a world flu pandemic. It seemed appropriate then that Herr Von decided to revisit those memories by watching at the Schloss theatre a strange, oppressive film, a picture that reflected those times and the aristocratic mood. A perfect soirée, indeed!... The film was "Orlacs Hände" (1924) by Herr Robert Wiene.
It was a pleasure ( you have to know that German aristocrats have fun in a different and dark way .. ) to watch again such a classic Expressionist masterpiece. Thanks are owed to the longhaired youngsters at Kino who did an excellent restoration of this old nitrate which includes a bearable music score by Herr Paul Mercer that helps one to suppress the memory of the terrible score that was included some time ago in another release of the film; that music was scarier than the film itself.
Even today, to watch "Orlacs Hände" is a disturbing experience aside from appreciating its Expressionist values. Early in the film, the train crash sequence is full of dark and impressive shots that capture the confusion, warning the audience that this is a special oeuvre. It bespeaks a terrible chaos, uncertainty and darkness that engulfs the viewer in an oppressive, tormented atmosphere.
Due to the train crash, Herr Orlac ( Herr Conrad Veidt ) our hero will suffer horrible wounds to body and soul. The physical scars heal up but the psychological wounds are more difficult to overcome, especially when Herr Orlac discovers that his new hands belonged to an assassin. This marks the beginning of a terrible "tour de force" between body and soul that will torment Herr Orlac throughout the film. His fragility is challenged by pain and suffering and though solace and calm ultimately prevail he must first face constant uncertainty, delirium and the threat of insanity.
The Expressionist shadows, appropriately enough, surround the main characters ( The performances by the great Herr Veidt and Dame Alexandra Sorina are also in the Expressionist manner ) and their habitats; their home, at the hospital, and in the streets. An oppressive, morbid, gloomy atmosphere prevails and suits perfectly a story of wicked impulses and disturbed minds.
Hands demanding crimes, the weakness of the human will, blackmail from an unscrupulous criminal, a medical experiment, a father who hates his son such are the subjects in "Orlacs Hände", an unnerving masterpiece and the perfect aristocratic silent film choice for a cloudy soirée in these 21st uncertain times.
And now, if you'll allow me, I must temporarily take my leave because this German Count must lend a hand in this time of crisis by drinking only a glass of Rhine white wine instead of the whole bottle.
Herr Graf Ferdinand Von Galitzien http://ferdinandvongalitzien.blogspot.com/
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