Student Raskolnikow, who has written an article about laws and crime, proposing the thesis, that un-ordinary people can commit crimes if their actions are necessary for the benifit of ... See full summary »
In the castle Vogeloed, a few aristocrats are awaiting baroness Safferstätt. But first count Oetsch invites himself.. Everyone thinks he murdered his brother, baroness Safferstat's first ... See full summary »
Orlac, affermato pianista, perde le mani in un grave incidente. I medici decidono allora di trapiantargli le mani di un assassino condannato a morte. L'operazione riesce perfettamente, ma, da quel momento, una serie di strani omicidi, generalmente commessi a mezzo dello strangolamento delle vittime, vengono commessi e la polizia, che inizialmente brancola nel buio, comincia a sospettare del pianista. Alla fine si scopre che il colpevole era, invece, da tutt'altra parte. Written by
Decent silent horror melodrama with a tour de force performance from Conrad Veidt.
Interesting and well made German silent version of Maurice Renard's novel "Les Mains d'Orlac" from the same folks behind the highly regarded expressionist classic THE CABINET OF DR. CALIGARI (1920). Conrad Veidt gives an outstanding, creepy and memorable dramatic performance as the tormented Orlac, a famous pianist whose hands are replaced by those of an executed thief and murderer after a train accident. He soon begins to think he's not only received a maniac's hands, but also his desire to commit crimes. The cavernous and sparsely decorated interiors as well as the typically exaggerated performances often give this the feel of a theatrical production, and while the movie is a little overlong and slow-going (definitely requires a more patient type of viewer to appreciate it), it's still worthwhile for Veidt's amazing performance, some nice visuals and a surprise twist ending. I also need to point out that the Kino DVD of the film runs 110 minutes, though it is listed here as running just 98. Bonus features on the disc include scene comparisons of domestic and international cuts, excerpts of Renard's Novel, an essay by author John Soister, a trailer and an image gallery.
The same tale would later be the basis for 1935's MAD LOVE (starring the inimitable Peter Lorre) and 1960's THE HANDS OF ORLAC (starring Mel Ferrer, and also with supporting turns from Christopher Lee and Donald Pleasence), as well as the uncredited basis for 1962's HANDS OF A STRANGER and several other films.
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