Student Raskolnikow, who has written an article about laws and crime, proposing the thesis, that un-ordinary people can commit crimes if their actions are necessary for the benifit of ... See full summary »
Two dramatic stories. In an undetermined past, a young cannibal (who killed his own father) is condemned to be torn to pieces by some wild beasts. In the second story, Julian, the young son... See full summary »
Pier Paolo Pasolini
A proud black man does time in jail where he is subjected to heinous experiments. Once released, he goes about extracting vengeance on those who put him in prison. This includes both ... See full summary »
A poor student rescues a beautiful countess and soon becomes obsessed with her. A sorcerer makes a deal with the young man to give him fabulous wealth and anything he wants, if he will sign... See full summary »
Orlac, affermato pianista, perde le mani in un grave incidente. I medici decidono allora di trapiantargli le mani di un assassino condannato a morte. L'operazione riesce perfettamente, ma, da quel momento, una serie di strani omicidi, generalmente commessi a mezzo dello strangolamento delle vittime, vengono commessi e la polizia, che inizialmente brancola nel buio, comincia a sospettare del pianista. Alla fine si scopre che il colpevole era, invece, da tutt'altra parte. Written by
This film was incomplete for decades, due to footage that never made it into the American prints and footage that had been cut due to censorship in German prints. The film was restored to its original length in 1995 by F. W. Murnau Stiftung. See more »
This is not a great movie, I admit. Certainly the acting is bizarre (though often moving) and the rhythm takes getting used to. But I thought I would put in a good word based on a recent viewing experience. I am not rating it high but I really enjoyed it a lot.
6 or 7 years ago I went on a Conrad Veidt spree and bought copies of some his silents from an ebay seller/devotee. The quality varied and I recall that he particularly apologized for this item, which was barely viewable. All you could really see was Veidt's face... The other night TCM showed the Kino restoration and I sat down to see the film "for real." It was a pleasure to be able to take in the wonderful decors and costumes, and to get a relatively coherent version of the plot. The train wreck scene is stirring. And Veidt's face, again, as he progresses from sensitive soul to tormented monstrosity... In short, it was very rewarding.
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