Siegfried, son of King Sigmund, hears of the beautiful sister of Gunter, King of Worms, Kriemhild. On his way to Worms, he kills a dragon and finds a treasure, the Hort. He helps Gunther to... See full summary »
After Siegfried's dead, Kriemhild marries Etzel, the King of the Huns. She gives birth to a child, and invites her brothers for a party. She tries to persuade Etzel and the other Huns, that... See full summary »
Two women love the same man in a world of few prospects. In Budapest, Liliom is a "public figure," a rascal who's a carousel barker, loved by the experienced merry-go-round owner and by a ... See full summary »
Reporter Peter Barter gets murdered while driving to his tv station. Commisioner Kras gets a phone call from clairvoyant Cornelius who saw Barters death in a vision. But a dark force ... See full summary »
Volker von Alzey, the royal bard of the Burgunds (far greater then modern Burgundy), ruled by the Christian, papist king Gunther, who has two brave, loyal brothers and a sister Kriemhild, ... See full summary »
An architect travels to the remote city of Eschnapur to oversee some work being done at the bequest of the local Maharajah. Along the way the architect meets and falls in love with a ... See full summary »
Harald Berger and his Indian lover, the temple dancer Seetha, desperately flee from the shikaris (cavalry) of Eschanapur's maharajah Chandra, who burn a whole village just for letting them ... See full summary »
Now Brunhild knows by which treason she was won for king Gunther of Burgund by Siegfried of Xanthen, and has been revenged by his foul murder by Hagen, more bloody revenge is inevitable. ... See full summary »
An altruistic department-store owner hires ex-convicts in order to give them a second chance at life. Unfortunately, one of the convicts he hires recruits two of his fellow ex-convicts in a plan to rob the store.
Siegfried, son of King Sigmund, hears of the beautiful sister of Gunter, King of Worms, Kriemhild. On his way to Worms, he kills a dragon and finds a treasure, the Hort. He helps Gunther to win Krimhild, a mask that makes him invisible proves to be very useful. But because Brunhild is cursing Kriemhild, she tells her what really happened. Now Brunhild wants Siegfried's head. Is Gunther going to do her that favor? Written by
Stephan Eichenberg <firstname.lastname@example.org>
A music score was recorded using the DeForest Phonofilm sound-on-film process. However, this soundtrack version was presented only at the Century Theater in New York City beginning on 30 August 1925. See more »
The tip of the spear Siegfied is killed with exits through the chest. Since Siegfried is invulnerable except at the entry point this should not be possible. The same impossible chest wound is shown later to be the one bleeding when the murderer enters the room. See more »
It has to be said that, technically, the first part of Fritz Lang's epic fantasy adventure is an absolutely stunning piece of cinema, especially given the time in which it was made. However, over eight decades on, the film hasn't aged all that well...but that's a criticism that doesn't bear much weight. The film is almost two and a half hours long, and this running time becomes even more astounding when you consider that there's another equally long segment to follow! Die Nibelungen is adapted from Nordic legend and works from a screenplay written by the genius Fritz Lang and his wife at the time, Thea von Harbou; who also worked with Lang on his most famous works; M and Metropolis. The plot follows the heroic Siegfried, who travels to Worms after hearing of the beautiful sister of the King, Kriemhild. However, in order to marry the beautiful Kriemhild, Siegfreud must first win a bride for her brother. The main reason why the film works is because, much like Metropolis; it's so astounding to look at. Lang gives the film a real sense of wonder by way of fantasy elements such as dwarfs and magic powers, and it's amazing that such a piece of cinema could have been made in 1924. The standout of the 143 minute running time is the section that sees our valiant hero slaying a dragon. The effects here are better than those that can be seen in some modern films today, and the fact that the director had the audacity to show a man fighting a dragon deserves respect. On a personal level, this film didn't do a great deal for me; but fans of classic art cinema won't be disappointed.
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