Siegfried, son of King Sigmund, hears of the beautiful sister of Gunter, King of Worms, Kriemhild. On his way to Worms, he kills a dragon and finds a treasure, the Hort. He helps Gunther to... See full summary »
After Siegfried's dead, Kriemhild marries Etzel, the King of the Huns. She gives birth to a child, and invites her brothers for a party. She tries to persuade Etzel and the other Huns, that... See full summary »
Volker von Alzey, the royal bard of the Burgunds (far greater then modern Burgundy), ruled by the Christian, papist king Gunther, who has two brave, loyal brothers and a sister Kriemhild, ... See full summary »
The Buddah priest wants the Daughter of the Daimyo to become a priest at the Forbidden Garden. The Daimyo thinks, if he was in Europe, that his daughter should decide on her own, but he is ... See full summary »
Kay Hoog wants to stop the organisation "Die Spinnen" to get a certain diamond, that will give the owning woman the crown of Asia, but the man, who should be the owner of that diamond, ... See full summary »
Two women love the same man in a world of few prospects. In Budapest, Liliom is a "public figure," a rascal who's a carousel barker, loved by the experienced merry-go-round owner and by a ... See full summary »
Siegfried, son of King Sigmund, hears of the beautiful sister of Gunter, King of Worms, Kriemhild. On his way to Worms, he kills a dragon and finds a treasure, the Hort. He helps Gunther to win Krimhild, a mask that makes him invisible proves to be very useful. But because Brunhild is cursing Kriemhild, she tells her what really happened. Now Brunhild wants Siegfried's head. Is Gunther going to do her that favor? Written by
Stephan Eichenberg <firstname.lastname@example.org>
A music score was recorded using the DeForest Phonofilm sound-on-film process. However, this soundtrack version was presented only at the Century Theater in New York City beginning on 30 August 1925. See more »
The leaf from the tree falls on a part of Siegfried's back already splashed with dragon blood. Therefore it should not leave a vulnerable spot. See more »
I saw this on the big screen with live organ accompaniment (from the original film score) last night and I'm glad I did. Most people don't know Fritz Lang for anything before *Metropolis*, but this is a film which, to my mind, matches the best of what he has done. It's incredible to see what they were able to do with the wild set design. The score was suitably intense at moments. And the story was a pretty touching one about the fall of Siegfried.
The scenes I was amazed by in particular are: the dragon-slaying sequence (which, at first, elicited laughs because of the obvious artificiality of the creature but then got sounds of pity as he lay slain with blood shooting from his torso); Kriemhild's dream sequence, which has to be the earliest example of animation I've seen (the animation and accompanying music are pretty dark and disturbed--they gave me the creeps); and the approach to Brunhilde (with an incredible sea of fire). What I've come away with is even more of an appreciation for what filmmakers were capable of in the silent period. It seems clear after a film like *Siegfried* that silent film was not an infant technology waiting for sound but was an artform of its own.
All in all, I'd say this is a must-see. It's clearly not just preparation for the "great" films of Lang to come (like *Metropolis* and *M*), but is on par with any of the best of his stuff. This and *Dr. Mabuse, the Gambler*, both Lang films which are rarely screened, should be caught if at all possible.
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