Siegfried, son of King Sigmund, hears of the beautiful sister of Gunter, King of Worms, Kriemhild. On his way to Worms, he kills a dragon and finds a treasure, the Hort. He helps Gunther to... See full summary »
After Siegfried's dead, Kriemhild marries Etzel, the King of the Huns. She gives birth to a child, and invites her brothers for a party. She tries to persuade Etzel and the other Huns, that... See full summary »
Kay Hoog wants to stop the organisation "Die Spinnen" to get a certain diamond, that will give the owning woman the crown of Asia, but the man, who should be the owner of that diamond, ... See full summary »
Volker von Alzey, the royal bard of the Burgunds (far greater then modern Burgundy), ruled by the Christian, papist king Gunther, who has two brave, loyal brothers and a sister Kriemhild, ... See full summary »
Two women love the same man in a world of few prospects. In Budapest, Liliom is a "public figure," a rascal who's a carousel barker, loved by the experienced merry-go-round owner and by a ... See full summary »
Reporter Peter Barter gets murdered while driving to his tv station. Commisioner Kras gets a phone call from clairvoyant Cornelius who saw Barters death in a vision. But a dark force ... See full summary »
Siegfried, son of King Sigmund, hears of the beautiful sister of Gunter, King of Worms, Kriemhild. On his way to Worms, he kills a dragon and finds a treasure, the Hort. He helps Gunther to win Krimhild, a mask that makes him invisible proves to be very useful. But because Brunhild is cursing Kriemhild, she tells her what really happened. Now Brunhild wants Siegfried's head. Is Gunther going to do her that favor? Written by
Stephan Eichenberg <firstname.lastname@example.org>
A music score was recorded using the DeForest Phonofilm sound-on-film process. However, this soundtrack version was presented only at the Century Theater in New York City beginning on 30 August 1925. See more »
The tip of the spear Siegfied is killed with exits through the chest. Since Siegfried is invulnerable except at the entry point this should not be possible. The same impossible chest wound is shown later to be the one bleeding when the murderer enters the room. See more »
This lavish and memorable adaptation of the first part of the Nibelungen saga is worthwhile for a number of strengths. While Fritz Lang and Thea von Harbou seem to have rather freely adapted the original material, they succeeded beyond doubt in bringing the main characters to life and in creating a distinctive and interesting atmosphere for the story. The cast, likewise, do a good job in portraying their characters. The visual effects are uneven, and a couple of times they do not work all that well, but at other times they work wonderfully.
This first part of Lang's epic primarily covers the "Siegfried" part of the saga. Siegfried is the kind of near-perfect hero who can become rather dull in a hurry if the actor and director overdo it, but here Paul Richter works well in the role, and Lang effectively brings out the sometimes tangled connections between Siegfried and the other characters. These relationships are really the most interesting aspect of this part of the story, and Lang does well in keeping them the main focus for most of the time. Gunther, Hagen, Kriemhild, and Brunhild each have an interesting connection with Siegfried, and by giving the other characters a well-developed personality, the movie also enhances Siegfried's own identity.
The story moves rather slowly much of the time, in order better to develop the atmosphere and characters. This actually enhances the action and adventure sequences, giving them (and the movie as a whole) more substance. The picture works very well and, aside from a very small number of its visual effects, has held up well over the years.
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