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Charlie talks wealthy farmer's daughter Tillie into eloping with him (and taking her father's money). In the city Tillie gets drunk and lands in jail while Charlie runs off with her money ... See full summary »
Director:
Mack Sennett
Stars:
Marie Dressler,
Charles Chaplin,
Mabel Normand
Sue Graham is a small town girl who wants to be a motion picture star. She wins a contract when a picture of a very pretty girl is sent to a studio instead of her picture. When she arrives ... See full summary »
Director:
F. Richard Jones
Stars:
Mabel Normand,
Ralph Graves,
George Nichols
On his deathbed Carmine Vespucci's father tells him to "get Proclo". With "the hit" on, Gaetano tells a cab driver to take him where Carmine can't find him. He arrives at the Ritz, a gay ... See full summary »
Robert and Beth Gordon are married but share little. He runs into Sally at a cabaret and the Gordons are soon divorced. Just as he gets bored with Sally's superficiality, Beth strives to ... See full summary »
Director:
Cecil B. DeMille
Stars:
Gloria Swanson,
Thomas Meighan,
Bebe Daniels
Snooty heiress decides to track down her dead sister's kids, who are living a Bohemian life with their uncle in Greenwich Village. Once she finds them, she discovers that the Bohemian life ... See full summary »
Blondie, a New York tenement dweller, and Lurlene are best friends. When Lurlene makes the cast of a big Broadway show, she arranges for Blondie to join the cast as well. But the friendship... See full summary »
Director:
Edmund Goulding
Stars:
Marion Davies,
Robert Montgomery,
Billie Dove
Rollo decides to marry his sweetheart Betsy and sail to Honolulu. When she rejects him he decides to go alone but boards the wrong ship, the "Navigator" owned by Betsy's father. Unaware of this, Betsy boards the ship to look for her father. whom spies capture before cutting the ship loose. It drifts out to sea with the two socialites each unaware of there being anyone else on board. Written by
Ed Stephan <stephan@cc.wwu.edu>
The idea for this film began when Buster Keaton learned of a large passenger ship that was due to be scrapped. Seeing an opportunity, he purchased the ship for a low price and proceeded to build a story around this massive prop. See more »
Goofs
Rollo Treadway (Buster Keaton) is supposedly boiling eggs in a large pot, but he grips the edge of the pot, as well as a utensil that's been hanging inside the pot, without burning himself. See more »
Quotes
[first lines]
Leader of a small gathering:
Gentlemen, the enemy have just purchased the steamship Navigator.
[Walks over to open the double doors, and gestures to a vessel outside]
Leader of a small gathering:
There she lies now, and it is our patriotic duty to destroy that ship. We will send her adrift in the fog tonight before the new crew goes aboard. The wind - the tide - and the rocks will do the rest.
See more »
Buster Keaton never needed anything more than a simple outline to make his typically graceful, inventive comedies, and the entire plot of one of his best remembered features can easily be summed up in less than twenty words: a spoiled young millionaire and his reluctant fiancé find themselves adrift alone on an empty ocean liner.
It takes a little effort to get the couple aboard (with help from a group of histrionic saboteurs) but, once at sea, the minimal scenario allowed Keaton plenty of room to exercise his unique comic genius, with gags ranging from the intimate (battling a recalcitrant deck chair; shuffling a soggy pack of cards) to the sublime (Buster, in a leaking rowboat, attempting to tow the huge drifting liner). As usual, fate and circumstance (and, in this case, a tribe of hungry cannibals) all play a part in Buster's rite of passage from bumbling naïf to competent hero, and (also, as usual) the transformation is often as astonishing as it is sidesplitting.
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Buster Keaton never needed anything more than a simple outline to make his typically graceful, inventive comedies, and the entire plot of one of his best remembered features can easily be summed up in less than twenty words: a spoiled young millionaire and his reluctant fiancé find themselves adrift alone on an empty ocean liner.
It takes a little effort to get the couple aboard (with help from a group of histrionic saboteurs) but, once at sea, the minimal scenario allowed Keaton plenty of room to exercise his unique comic genius, with gags ranging from the intimate (battling a recalcitrant deck chair; shuffling a soggy pack of cards) to the sublime (Buster, in a leaking rowboat, attempting to tow the huge drifting liner). As usual, fate and circumstance (and, in this case, a tribe of hungry cannibals) all play a part in Buster's rite of passage from bumbling naïf to competent hero, and (also, as usual) the transformation is often as astonishing as it is sidesplitting.