8 user 10 critic

The Marriage Circle (1924)

Professor Stock and his wife Mizzi are always bickering. Mizzi tries to seduce Dr. Franz Braun, the new husband of her good friend Charlotte. Dr. Braun's colleague, Dr. Mueller, who has had... See full summary »



, (play)

Watch Now

With Prime Video

Learn more

People who liked this also liked... 

    1 2 3 4 5 6 7 8 9 10 7.5/10 X  

A society woman believes her husband is having an affair, a misconception which may have dire personal consequences for all involved.

Director: Ernst Lubitsch
Stars: Irene Rich, May McAvoy, Bert Lytell
The Wildcat (1921)
Comedy | Drama | Romance
    1 2 3 4 5 6 7 8 9 10 7.2/10 X  

A charismatic lieutenant newly assigned to a remote fort is captured by a group of mountain bandits, thus setting in motion a madcap farce that is Lubitsch at his most unrestrained.

Director: Ernst Lubitsch
Stars: Pola Negri, Victor Janson, Paul Heidemann
    1 2 3 4 5 6 7 8 9 10 7.1/10 X  

An American heiress seeks the hand of an impoverished German prince.

Director: Ernst Lubitsch
Stars: Victor Janson, Ossi Oswalda, Harry Liedtke
Certificate: Passed Drama | Romance
    1 2 3 4 5 6 7 8 9 10 7.8/10 X  

A cloistered, overprotected Austrian prince falls in love with a down-to-earth barmaid in this "Viennese fairy tale."

Directors: Ernst Lubitsch, John M. Stahl
Stars: Ramon Novarro, Norma Shearer, Jean Hersholt
Certificate: Passed Comedy
    1 2 3 4 5 6 7 8 9 10 6.8/10 X  

Against her better judgement, happily married Jill Baker is persuaded to see a popular psychoanalyst about her psychosomatic hiccups. Soon, she's disillusioned about husband Larry; and one ... See full summary »

Director: Ernst Lubitsch
Stars: Merle Oberon, Melvyn Douglas, Burgess Meredith
Girl Shy (1924)
Comedy | Romance
    1 2 3 4 5 6 7 8 9 10 8/10 X  

A shy, young man, who is completely incapable of talking to women, decides to write a book that details to other bachelors how to find a girlfriend.

Directors: Fred C. Newmeyer, Sam Taylor
Stars: Harold Lloyd, Jobyna Ralston, Richard Daniels
Angel (1937)
Comedy | Drama | Romance
    1 2 3 4 5 6 7 8 9 10 7.4/10 X  

A woman and her husband take separate vacations, and she falls in love with another man.

Director: Ernst Lubitsch
Stars: Marlene Dietrich, Herbert Marshall, Melvyn Douglas
Certificate: Passed History | Romance | Western
    1 2 3 4 5 6 7 8 9 10 7.3/10 X  

After witnessing the murder of his father by a renegade as a boy, the grown-up Brandon helps to realize his father's dream of a transcontinental railway.

Director: John Ford
Stars: George O'Brien, Madge Bellamy, Charles Edward Bull
Comedy | Romance
    1 2 3 4 5 6 7 8 9 10 7.6/10 X  

A woman cannot decide between two men who love her, and the trio agree to try living together in a platonic friendly relationship.

Director: Ernst Lubitsch
Stars: Fredric March, Gary Cooper, Miriam Hopkins
Comedy | Musical | Romance
    1 2 3 4 5 6 7 8 9 10 7.2/10 X  

The queen of mythical Sylvania marries a courtier, who finds his new life unsatisfying.

Director: Ernst Lubitsch
Stars: Maurice Chevalier, Jeanette MacDonald, Lupino Lane
    1 2 3 4 5 6 7 8 9 10 7.4/10 X  

The first movie to ever depict a choreographed dance scene in a silent movie. The Charleston!

Director: Ernst Lubitsch
Stars: Monte Blue, Patsy Ruth Miller, Lilyan Tashman
Certificate: Passed Comedy | Drama
    1 2 3 4 5 6 7 8 9 10 7.2/10 X  

A dying tycoon gives million-dollar windfalls to eight people picked from the city directory.

Directors: James Cruze, H. Bruce Humberstone, and 6 more credits »
Stars: Gary Cooper, Charles Laughton, W.C. Fields


Cast overview:
Dr. Franz Braun
Mizzi Stock
Dr. Gustav Mueller
Prof. Josef Stock
Neurotic Patient
Miss Hofer


Professor Stock and his wife Mizzi are always bickering. Mizzi tries to seduce Dr. Franz Braun, the new husband of her good friend Charlotte. Dr. Braun's colleague, Dr. Mueller, who has had his eye on Charlotte, sees this as his opportunity, even though the Braun's are very happily married. Through a misunderstanding, Charlotte thinks that her husband is interested in Miss Hofer, and asks Mizzi to keep him occupied. Meanwhile Professor Stock becomes suspicious of his wife, and hires a detective to spy on her with the hope of obtaining a divorce. Written by Will Gilbert

Plot Summary | Add Synopsis






Release Date:

10 February 1924 (USA)  »

Also Known As:

Avioliiton ilveilyä  »

Filming Locations:

Box Office


$212,000 (estimated)


$208,020 (USA) (31 December 1924)

Company Credits

Production Co:

Show detailed on  »

Technical Specs


Sound Mix:

Aspect Ratio:

1.33 : 1
See  »

Did You Know?


Warner Baxter was originally cast in the role of Dr. Braun. After eight days of shooting, director Ernst Lubitsch turned to his assistant Henry Blanke and said: "He looks like a detective." Baxter was replaced by Monte Blue. See more »


On the letter that Dr. Braun writes asking Mizzi to choose another doctor, the printed address on Dr. Braun's stationery misspells Vienna as "Wein"; it is correctly printed as "Wien" as a return address on the envelope of the same letter. See more »

Frequently Asked Questions

This FAQ is empty. Add the first question.

User Reviews

"Shades are pulled down"
27 January 2010 | by (Ruritania) – See all my reviews

Silent cinema is not inherently inferior to the sound cinema, but many silent pictures, especially those from the early-to-mid 1920s, seem stilted in comparison to their talkie counterparts due to an over-reliance on title cards, and a lack of faith in the audience's ability to "read" images. Fortunately, they aren't all like this, thanks to the inventive boldness of the era's greatest filmmakers.

To start at the very beginning (a very good place to start), The Marriage Circle is the first comedy Ernst Lubitsch made in Hollywood. It's been pointed out that there was an abrupt change in pace compared to his earlier Berlin comedies, which were non-stop riotous farces. This is true, but The Marriage Circle also sees an enormous shift in tone. Lubitsch's pictures in his home country were absurd to the point of being surreal, staged with an emphasis on exaggeration and peopled with theatrical caricatures. The Marriage Circle however depicts a reasonably realistic situation, albeit a comically improbable one. There is no slapstick here, but neither is it a witty verbal comedy. Instead the humour derives from numerous misunderstandings as five characters become innocently entangled a complex love pentagon. In this, the audience is omniscient – we know everything that is going on – whereas each character knows only enough to make them misconstrue. Lubitsch's problem then, was how to convey this to the audience without spoon-feeding them every detail, and above all keep it funny.

He does it, not just by showing us everything, but by showing us how things are seen by everyone. The camera is never merely presentational; it is always within the action. In virtually every shot, we are either seeing things from a character's point of view or we are focusing on a character's reaction. The angles are never external, watching the players interact with one another; they are always down the line, putting us inside the interaction. And Lubitsch is brave enough – and knows we are intelligent enough – to switch quickly from one perspective to another. For example, in the scene where Mizzi (thinking she is onto something) embraces Dr Braun, we go from Muller seeing them from behind and assuming Mizzi is Charlotte, to his seeing Charlotte in the waiting room (and thus realising the woman in the embrace can't have been Charlotte), to Braun realising Charlotte is watching, to Charlotte realising Braun has been dallying with a female patient… whom she doesn't realise is Mizzi! As you can see, it all sound rather confusing when put it into words, but on screen it's a cinch to follow.

But that's not all that's going on here. As well as getting the right angles on the action, Lubitsch throws in some subtle tricks to imply rather than state the way things are. In the opening scene, it is clearly established that the Stocks's marriage is not the most harmonious, but it is one simple moment that reveals the true extent of the breakdown. Adolphe Menjou sees his wife get into a cab with another man, assuming (wrongly of course!) she may be having an affair. He turns to the camera, his expression unreadable. And then, slowly, a smile spreads over his face.

And this leads me neatly onto the next point, that it is as much the skills of the actors that make this wordless fiasco workable. The two lead men, Adolphe Menjou and Monte Blue, are not comedy actors in the normal sense, but they exhibit great comic timing and control. Just as the story is believable but unlikely, their performances are naturalistic but extreme. Menjou is the master of the withering glance and the long-suffering sulk. You get the impression, just by looking at his face, that here is a man who was not cut out for marriage. Blue, on the other hand, expertly portrays the complete opposite, a modest and honest man who seems unaware of his own attractiveness. You pick up his character from some neat little gestures; such as him nervously pulling at his collar to cool off – something you normally only see cartoon characters doing. Florence Vidor has the restrained demeanour of the only entirely normal person caught up in this situation, and gives a wonderful straight performance that counterpoints all the others. Creighton Hale is the only one of the players who is somewhat hammy and unrealistic, but as a more marginal and somewhat ridiculous character, he is allowed, and even helps give the picture its slightly silly edge. Marie Prevost is the only one of the five who is not exceptional, but she is by no means bad, and at least fits the part.

Lubitsch himself claimed this was his favourite of all his own pictures, and the only one which if he had to do again he would change nothing. It was well liked by his contemporaries too, and in the dying days of the silent picture you can see a significant move towards more sedate and subtle silent comedies, especially in the work of directors like Rene Clair and Leo McCarey. And after that of course, the talkies would come along, and it would all change again.

6 of 6 people found this review helpful.  Was this review helpful to you?

Contribute to This Page

Create a character page for: