IMDb > Mademoiselle Midnight (1924)

Mademoiselle Midnight (1924) More at IMDbPro »


Overview

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Director:
Release Date:
14 April 1924 (USA) See more »
Genre:
Plot Keywords:
User Reviews:
Dated Programmer,Scholarly Interest For Die-Hard Murray Fans See more (3 total) »

Cast

  (in credits order)

Mae Murray ... Renée de Gontran / Renée de Quiros
John St. Polis ... Colonel de Gontran (Prologue) (as John Sainpolis)
Paul Weigel ... Napoleon III (Prologue)
Earl Schenck ... Emperor Maximilian - Prologue
Clarissa Selwynne ... Empress Eugénie - Prologue
J. Farrell MacDonald ... Duc de Moing (Prologue)
Monte Blue ... Owen Burke / Jerry Brent
Robert McKim ... João / Manuel Corrales
Robert Edeson ... Don Pedro de Quiros
Nick De Ruiz ... Don José de Quiros
Nigel De Brulier ... Dr. Sanchez
Johnny Arthur ... Carlos de Quiros
Otis Harlan ... Padre Francisco
Evelyn Selbie ... Chiquita
Mathilde Comont ... Dueña / Mme. Nellie
rest of cast listed alphabetically:
Don Alvarado ... Undetermined Role (uncredited)

Directed by
Robert Z. Leonard 
 
Writing credits
(in alphabetical order)
Carl Harbaugh 
John Russell 

Produced by
Robert Z. Leonard .... producer
 
Cinematography by
Oliver T. Marsh 
 
Other crew
Robert Z. Leonard .... presenter
 

Production CompaniesDistributors

Additional Details

Also Known As:
Runtime:
USA:70 min
Country:
Language:
Aspect Ratio:
1.33 : 1 See more »
Sound Mix:

Did You Know?

Trivia:
Mae Murray was heavily involved in the costume designs in her films. She spent much of the Christmas holiday of 1923 working on the costumes for this film.See more »

FAQ

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2 out of 3 people found the following review useful.
Dated Programmer,Scholarly Interest For Die-Hard Murray Fans, 17 July 2003
Author: stephen6387 (stephen6387@msn.com) from North Carolina

Romance set in Old Mexico. Success in its time which raises the mystery of how the passing of years renders a popular film of the time into a work today's audience will wonder where our grandparents' found its appeal. Proof of how popular culture struggles to endure. This is by no means a bad movie, in fact a typical silent programmer, well acted, directed, art directed. But only for scholars and Murray fans today. Mae (as a brunette) looks great, changes into elaborate costumes several times and works in a high quality dance number -- each being standard Murray film trademarks.

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