The Last Laugh (1924)
"Der letzte Mann" (original title)

Not Rated  |   |  Drama  |  5 January 1925 (USA)
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Ratings: 8.1/10 from 8,591 users  
Reviews: 51 user | 58 critic

An aging doorman, after being fired from his prestigious job at a luxurious Hotel is forced to face the scorn of his friends, neighbours and society.



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Complete credited cast:
Maly Delschaft ...
Max Hiller ...
Emilie Kurz ...
Hans Unterkircher ...
Olaf Storm ...
Hermann Vallentin ...
Spitzbäuchiger Gast [Potbellied Guest]
Georg John ...
Nachtwächter [Night Watchman]
Emmy Wyda ...
Dünne Nachbarin [Thin Neighbor]


The experienced doorman at the Atlantic Hotel is quite proud of his position, his responsibilities, and his uniform. One busy, rainy night, he has to take a short rest after lugging a heavy suitcase in from the rain. Unfortunately, his manager comes by during the short time when he is not performing his duties. The next day, when the doorman arrives for work, he learns that he has been replaced as doorman, and has been re-assigned to the less strenuous but purely menial position of washroom attendant. Stunned and humiliated, the old man struggles to carry on with his life. Written by Snow Leopard

Plot Summary | Add Synopsis




Not Rated | See all certifications »



Release Date:

5 January 1925 (USA)  »

Also Known As:

The Last Laugh  »

Filming Locations:


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Technical Specs


| (DVD edition)

Sound Mix:

Aspect Ratio:

1.33 : 1
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Did You Know?


According to Alfred Hitchcock, who was working in Germany at the UFA studios at the time of this production, F.W. Murnau had all the street signs, posters and shop signs done in a version of Esperanto. See more »


A hand-cranked camera is reflected in a glass door. See more »


Referenced in Paul Merton Looks at Alfred Hitchcock (2009) See more »

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User Reviews

A classic movie from the silent era that is well worth hunting out
14 December 2004 | by (United Kingdom) – See all my reviews

Warning - Possible spoilers lie within.

This is the first silent movie I have watched in its entirety, having previously found myself becoming restless and distracted, I normally find them quite difficult to watch. I came across the Criterion edition of the movie in a large collection of Laserdiscs that I purchased recently, and decided to give it a try. I was speechless.

'The Last Laugh' (or 'The Last Man', as its translation would lead you to believe, is a touching story from director F.W. Murnau about an un-named Hotel Porter & Doorman (played excellently by Emil Jannings) who, through no fault of his own, is demoted to Lavatory attendant, and we hereby watch as his life collapses around him. It's an incredibly emotional story - during his downfall, as his friends and family mock him, Jannings' depressed, hunched-over figure can be painfully sad to watch. I found myself filling up in the scene when he finally hands his beloved porter's uniform over to the night watchman.

A landmark in the era of silent films, Murnau used some very clever camera tricks (such as smearing vaseline on the camera lens for 'dream' sequences). It was also one of the first films to use a completely free moving camera with no tripod, testimony to the success of this can be seen immediately in the first scene as the film starts. There are also no title cards in the film. Nor are they needed - The story is carried perfectly by the actors and on no occasion do you feel that you don't know what is going on.

I won't give anything away here, but there are some people that may feel the ending is a little out of place - However, I had grown so fond on Jannings' character that in a way, I was relieved to see the film move on from the final scene where he is sat hunched on the seat in the washroom - and for him to finally have 'The Last Laugh' so to speak :o)

If you have any interest in old cinema, and have not seen this, or just fancy a change from all of the samey Hollywood flicks being churned out right now, I suggest you hunt out a copy right away. Highly recommended.

31 of 32 people found this review helpful.  Was this review helpful to you?

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