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The Last Laugh (1924)
"Der letzte Mann" (original title)

 -  Drama  -  5 January 1925 (USA)
8.0
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Ratings: 8.0/10 from 7,430 users  
Reviews: 49 user | 54 critic

An aging doorman, after being fired from his prestigious job at a luxurious Hotel is forced to face the scorn of his friends, neighbours and society.

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Title: The Last Laugh (1924)

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Cast

Complete credited cast:
...
Hotelportier [Hotel Doorman]
Maly Delschaft ...
Seine Nichte [His Niece]
Max Hiller ...
Ihr Bräutigam [Her Bridegroom]
Emilie Kurz ...
Tante des Bräutigams [Bridegroom's Aunt]
Hans Unterkircher ...
Geschäftsführer [Hotel Manager]
Olaf Storm ...
Junger Gast [Young Guest]
Hermann Vallentin ...
Spitzbäuchiger Gast [Potbellied Guest]
Georg John ...
Nachtwächter [Night Watchman]
Emmy Wyda ...
Dünne Nachbarin [Thin Neighbor]
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Storyline

The experienced doorman at the Atlantic Hotel is quite proud of his position, his responsibilities, and his uniform. One busy, rainy night, he has to take a short rest after lugging a heavy suitcase in from the rain. Unfortunately, his manager comes by during the short time when he is not performing his duties. The next day, when the doorman arrives for work, he learns that he has been replaced as doorman, and has been re-assigned to the less strenuous but purely menial position of washroom attendant. Stunned and humiliated, the old man struggles to carry on with his life. Written by Snow Leopard

Plot Summary | Add Synopsis

Plot Keywords:

hotel | uniform | rain | surrealism | imagery | See more »

Genres:

Drama

Certificate:

Not Rated | See all certifications »
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Details

Country:

Release Date:

5 January 1925 (USA)  »

Also Known As:

The Last Laugh  »

Filming Locations:

 »

Company Credits

Production Co:

 »
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Technical Specs

Runtime:

| (DVD edition)

Sound Mix:

Aspect Ratio:

1.33 : 1
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Did You Know?

Trivia

The film only uses title cards to explain the job replacement and in the end for the epilogue; but none are ever used for dialog. See more »

Goofs

A hand-cranked camera is reflected in a glass door. See more »

Connections

Referenced in Deadly Circuit (1983) See more »

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User Reviews

 
Not Murnau's best, but a damn fine film anyway
13 January 2005 | by (Beverley Hills, England) – See all my reviews

F.W Murnau is best known for his expressionistic horror movies, such as 'Nosferatu' and the excellent 'Faust'. This movie is somewhat different from those, as it's a more personal and down to earth sort of tale. Still, despite this not being a member of the horror genre; Murnau's style still allows for much of the great visuals that made his horror movies great. The story itself has definite horror elements, which although they don't involve vampires or the devil; are arguably more frightening, as it dictates and event that could well happen to anyone. The film tackles the idea of 'downfall', and as the prologue states; one can be a prince one day, but what is he tomorrow? This tale is told through the story of a hotel porter that has worked hard all his life but loses his job through incredible bad luck when the manager catches him taking a break. Heartbroken and humiliated, our hero is offered another job; but it only allows for his humiliation to continue, as the job is that of a lowly bathroom attendant. We then follow his struggle as he comes to terms with his loss and the reaction of his family and neighbours.

F.W. Murnau uses no story cards for this silent film, which shows his flair for storytelling. Imagining some of today's 'great' filmmakers telling a story without dialogue is preposterous, but Murnau shows his prowess by doing just that, and doing it down to a fine art. People often cite 'Citizen Kane' for being the film that took storytelling to the next level, and although it did do that; surely some of the credit has to go to F.W. Murnau. This film features what is perhaps the first ever fantasy sequence, a sequence that is, of course, a favourite of today's cinema. Murnau's technical mastery is also shown in many other sequences, including one in particular that sees a scene appear in the middle of a letter. It's quite unbelievable that this was made over eighty years ago, just due to the amazing work on show in the film.

The film falls down a bit towards the end, because of an ill-advised twist. This was put upon F.W. Murnau by the studio releasing the film, who wanted a happy ending. This is just another example of a studio spoiling a great movie, and even before I saw that piece of information in the trivia section for this movie; it was evident to me that it isn't the way that Murnau wanted to take the story from the way it almost appeared to be tacked on to the end of the film. Still, the hour and ten minutes running up the ending are almost as good as silent cinema gets, and in spite of the studio's best efforts to ruin it; The Last Laugh stands tall as on of Murnau's finest films.


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