The Last Laugh (1924)
"Der letzte Mann" (original title)

Not Rated  |   |  Drama  |  5 January 1925 (USA)
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Ratings: 8.1/10 from 8,591 users  
Reviews: 51 user | 58 critic

An aging doorman, after being fired from his prestigious job at a luxurious Hotel is forced to face the scorn of his friends, neighbours and society.



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Complete credited cast:
Maly Delschaft ...
Max Hiller ...
Emilie Kurz ...
Hans Unterkircher ...
Olaf Storm ...
Hermann Vallentin ...
Spitzbäuchiger Gast [Potbellied Guest]
Georg John ...
Nachtwächter [Night Watchman]
Emmy Wyda ...
Dünne Nachbarin [Thin Neighbor]


The experienced doorman at the Atlantic Hotel is quite proud of his position, his responsibilities, and his uniform. One busy, rainy night, he has to take a short rest after lugging a heavy suitcase in from the rain. Unfortunately, his manager comes by during the short time when he is not performing his duties. The next day, when the doorman arrives for work, he learns that he has been replaced as doorman, and has been re-assigned to the less strenuous but purely menial position of washroom attendant. Stunned and humiliated, the old man struggles to carry on with his life. Written by Snow Leopard

Plot Summary | Add Synopsis




Not Rated | See all certifications »



Release Date:

5 January 1925 (USA)  »

Also Known As:

The Last Laugh  »

Filming Locations:


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Technical Specs


| (DVD edition)

Sound Mix:

Aspect Ratio:

1.33 : 1
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Did You Know?


The first "dolly" (a device that allows a camera to move during a shot) was created for this film. According to Edgar G. Ulmer, who worked on the film, the idea to make the first dolly came from the desire to focus on Emil Jannings' face during the first shot of the movie, as he moved through the hotel. They obviously didn't know how to make a dolly technically, so they created the first one out of a baby's carriage. They then pulled the carriage on a sort of railway that was built on the studio. See more »


A hand-cranked camera is reflected in a glass door. See more »


Remade as Der letzte Mann (1955) See more »

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User Reviews

A Distinctive Classic
1 August 2001 | by (Ohio) – See all my reviews

This classic is distinctive in several respects. The expressionistic style and creative camera work, along with a noteworthy leading performance by Emil Jannings, turn a simple story into a thought-provoking experience. It is also very interesting for its almost complete lack of title cards, demonstrating how a skilled practitioner of the art of silent cinema can convey all kinds of attitudes and emotions without employing dialogue of any kind.

The actual story is very simple. Jannings portrays a doorman at a fine hotel, who takes enormous pride in his position, his work, and especially his uniform. One day the hotel manager passes by, misunderstands what he sees, and decides that the doorman is too old for the job. The next day, a new doorman takes his place, and he is relegated to working in the washroom. The rest of the film then shows the effect of this change on the doorman and on the way that others view him and treat him. The plot developments themselves are conveyed efficiently and succinctly, so that the emphasis is on the feelings and perceptions of the characters. The acting, camera work, and settings are all used very carefully to emphasize the changes that take place inside Jannings' character and in the attitudes of others towards him as a result of his demotion.

These changes are often very (deliberately) exaggerated, and there are times when they honestly strain credibility a bit too much. And it is not always easy to watch the doorman's anguish, but it gives you plenty to think about

  • part of his suffering comes from the foolish attitudes of others, but much

of it also comes from his own over-dependence on his position for his happiness. It is remarkable how much is expressed without even using title cards - there is just one in the entire movie, a note that introduces the last part of the film, when further developments occur that introduce a new set of themes.

"The Last Laugh" is worth seeing for anyone who likes silent films, for its thought-provoking story and perhaps even more so for its creative and masterful use of silent film techniques.

23 of 25 people found this review helpful.  Was this review helpful to you?

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