In his final film, F.W. Murnau presents the tale of two young lovers on the idyllic island of Bora Bora in the South Pacific. Their life is shattered when the old warrior declares the girl ... See full summary »
In the castle Vogeloed, a few aristocrats are awaiting baroness Safferstätt. But first count Oetsch invites himself.. Everyone thinks he murdered his brother, baroness Safferstat's first ... See full summary »
Lem goes to Chicago to sell the wheat his family has grown on their farm in Minnesota. There he meets the waitress Kate. They fall in love and get married before going back to the farm. ... See full summary »
The likeable and carefree Grand Duke of Abacco is in dire straits. There is no money left to service the State's debt; the main creditor is looking forward to expropriating the entire Duchy... See full summary »
The experienced doorman at the Atlantic Hotel is quite proud of his position, his responsibilities, and his uniform. One busy, rainy night, he has to take a short rest after lugging a heavy suitcase in from the rain. Unfortunately, his manager comes by during the short time when he is not performing his duties. The next day, when the doorman arrives for work, he learns that he has been replaced as doorman, and has been re-assigned to the less strenuous but purely menial position of washroom attendant. Stunned and humiliated, the old man struggles to carry on with his life. Written by
The first "dolly" (a device that allows a camera to move during a shot) was created for this film. According to Edgar G. Ulmer, who worked on the film, the idea to make the first dolly came from the desire to focus on Emil Jannings' face during the first shot of the movie, as he moved through the hotel. They obviously didn't know how to make a dolly technically, so they created the first one out of a baby's carriage. They then pulled the carriage on a sort of railway that was built on the studio. See more »
The rope for holding/raising/lowering the trunk is visible as the trunk falls back into the Hotelportier's grasp in the hotel part of the his post-Hochzeit drunken dream. See more »
There can be no doubt that costumes were highly important in The Last Laugh. The topic was actually build upon a costume anywise. The doorman's uniform was a symbol for prestige, high-honor, the key to be well treated in every situation. He was giving extreme importance to his outlook while he was working as a doorman. We saw this when he was twisting his mustache in front of the hotel. Not only him but also his family and his neighbors even show great respect to his uniform as well. Neighbors stop patting their carpets not to spread dust on his uniform, men bow and take out their hats when he passes by, at home niece's mother sews the button of the uniform with great care... It seems that by doing all this, they are appreciating the prestige the costume has brought to their lives and in a way showing appreciation by keeping it in perfect shape. Last Laugh there wasn't much of a contrast in terms of colors. The contrast was in terms of the different treatment the doorman received after his job loss. It was clear that after the loss of his job, nobody was friendly to him anymore. Also the contrast between the rich and the poor was underlined. There was a parallel editing of the ex-doorman drinking his soup in the toilet and the rich people having their dinner at the hotel's restaurant.
There were lots of dolly ins and outs, tracking movements, dialectical montage, close-ups and parallel editing in it. Dollies are often used in shocking situations. It is used when the ex-doorman's relative sees him working at the toilet. As it is a shocking situation, camera dollies-in very fast to the woman's horrified face. The same function of dolly-in occurs when the ex-doorman comes to the hotel in the morning and sees from far away the new doorman. It is a fast dolly as well. With these unexpected dollies, the audience is always kept tense knowing that the reality may strike at any moment. Dialectical montage is seen quite a lot of times as well. It occurs when the doorman looks left and then we see the wedding dress. Therefore we understand that it is the dress he is looking. On the whole doorman's uniform seems to be controlling his life and that he is blindly obeying what the uniform brings to him. In this way, he is like a citizen unquestioning the authority of the government. Finally, Last Laugh is a classics which have influenced and will continue to influence other artistic works through generations.
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