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The Last Laugh (1924)
"Der letzte Mann" (original title)

 -  Drama  -  5 January 1925 (USA)
8.0
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Ratings: 8.0/10 from 7,373 users  
Reviews: 49 user | 54 critic

An aging doorman, after being fired from his prestigious job at a luxurious Hotel is forced to face the scorn of his friends, neighbours and society.

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Cast

Complete credited cast:
...
Hotelportier [Hotel Doorman]
Maly Delschaft ...
Seine Nichte [His Niece]
Max Hiller ...
Ihr Bräutigam [Her Bridegroom]
Emilie Kurz ...
Tante des Bräutigams [Bridegroom's Aunt]
Hans Unterkircher ...
Geschäftsführer [Hotel Manager]
Olaf Storm ...
Junger Gast [Young Guest]
Hermann Vallentin ...
Spitzbäuchiger Gast [Potbellied Guest]
Georg John ...
Nachtwächter [Night Watchman]
Emmy Wyda ...
Dünne Nachbarin [Thin Neighbor]
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Storyline

The experienced doorman at the Atlantic Hotel is quite proud of his position, his responsibilities, and his uniform. One busy, rainy night, he has to take a short rest after lugging a heavy suitcase in from the rain. Unfortunately, his manager comes by during the short time when he is not performing his duties. The next day, when the doorman arrives for work, he learns that he has been replaced as doorman, and has been re-assigned to the less strenuous but purely menial position of washroom attendant. Stunned and humiliated, the old man struggles to carry on with his life. Written by Snow Leopard

Plot Summary | Add Synopsis

Plot Keywords:

hotel | uniform | rain | surrealism | imagery | See more »

Genres:

Drama

Certificate:

Not Rated | See all certifications »
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Details

Country:

Release Date:

5 January 1925 (USA)  »

Also Known As:

The Last Laugh  »

Filming Locations:

 »

Company Credits

Production Co:

 »
Show detailed on  »

Technical Specs

Runtime:

| (DVD edition)

Sound Mix:

Aspect Ratio:

1.33 : 1
See  »
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Did You Know?

Trivia

The first "dolly" (a device that allows a camera to move during a shot) was created for this film. According to Edgar G. Ulmer, who worked on the film, the idea to make the first dolly came from the desire to focus on Emil Jannings' face during the first shot of the movie, as he moved through the hotel. They obviously didn't know how to make a dolly technically, so they created the first one out of a baby's carriage. They then pulled the carriage on a sort of railway that was built on the studio. See more »

Goofs

The rope for holding/raising/lowering the trunk is visible as the trunk falls back into the Hotelportier's grasp in the hotel part of the his post-Hochzeit drunken dream. See more »

Connections

Featured in Top 10 Lost Horror Films (2010) See more »

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User Reviews

 
Citizen Kane of its time
9 November 2007 | by (Norway) – See all my reviews

The camera work and the sets in this film where so breathtaking and powerful that they changed the film language forever. It is in many ways the Citizen Kane of its time.

It was so revolutionary that Hollywood (Fox) tried desperately to get Murnau to work for them and teach them how to do all these things (which he did some years later). The main revolutionary thing was the fluidity of the camera (or the unchanged camera, as it was called). There was no steady cam at this time, but still they managed to strap the camera to the body of the cameraman without getting a shaky pictures.

The set is just amazing. It is difficult to believe that this is not a real city. All the special effects help also to make this believable (special effects that are still today astonishing and believable).

The makeup is also great. Emil Jannings was only 40 years old when he made this film but he really looks like an old man (and acts like one too).

But the greatest thing about this film is how much Murnau manages to say with out the help of inter titles. This is visual storytelling at it's best.

Murnau had come a long way from Nosferatu but he still had a long way to go and a lot to teach us before his untimely death. The Last Laugh is not only one of his best films, it is also most likely his most important one, and one of the most important films in film history.


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