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The Last Laugh (1924)
"Der letzte Mann" (original title)

Not Rated  |   |  Drama  |  5 January 1925 (USA)
8.1
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Ratings: 8.1/10 from 8,312 users  
Reviews: 51 user | 57 critic

An aging doorman, after being fired from his prestigious job at a luxurious Hotel is forced to face the scorn of his friends, neighbours and society.

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Title: The Last Laugh (1924)

The Last Laugh (1924) on IMDb 8.1/10

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Cast

Complete credited cast:
...
Maly Delschaft ...
Max Hiller ...
Emilie Kurz ...
Hans Unterkircher ...
Olaf Storm ...
Hermann Vallentin ...
Spitzbäuchiger Gast [Potbellied Guest]
Georg John ...
Nachtwächter [Night Watchman]
Emmy Wyda ...
Dünne Nachbarin [Thin Neighbor]
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Storyline

The experienced doorman at the Atlantic Hotel is quite proud of his position, his responsibilities, and his uniform. One busy, rainy night, he has to take a short rest after lugging a heavy suitcase in from the rain. Unfortunately, his manager comes by during the short time when he is not performing his duties. The next day, when the doorman arrives for work, he learns that he has been replaced as doorman, and has been re-assigned to the less strenuous but purely menial position of washroom attendant. Stunned and humiliated, the old man struggles to carry on with his life. Written by Snow Leopard

Plot Summary | Add Synopsis

Genres:

Drama

Certificate:

Not Rated | See all certifications »
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Details

Country:

Release Date:

5 January 1925 (USA)  »

Also Known As:

The Last Laugh  »

Filming Locations:

 »

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Technical Specs

Runtime:

| (DVD edition)

Sound Mix:

Aspect Ratio:

1.33 : 1
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Did You Know?

Trivia

Included among the '1001 Movies You Must See Before You Die', edited by Steven Jay Schneider. See more »

Goofs

When the porter loads the trunk on his back in the rain, the rain isn't falling on it. Once he takes a couple of steps, it is. See more »

Connections

Referenced in Edgar G. Ulmer - The Man Off-screen (2004) See more »

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User Reviews

Masterful
6 September 1999 | by (Williamsburg, VA USA) – See all my reviews

Der Letzte Mann is nothing short of the epitome of viewing pleasure. Beautifully shot, the urban landscape in which a noble doorman earns his keep (and humanity) is throughout dream-like, infused with a decidedly ethereal quality. Added to a magical visual backdrop is a haunting musical score, highlighted by sweeping cello chords which cut straight to the heart. With regard to prominent themes, the picture speaks volumes about the fragility of human existence and, specifically, human dignity. The shallow and arbitrary nature of a society bent predominantly on the acquisition and elevation of pecuniary wealth, as well as the perseverance of the individual through it all, is illustrated masterfully through both the zenith and nadir of the doorman's existence, as documented in this truly excellent work of the interwar period.


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