A family of Polish refugees tries to survive in post-World War I Germany. For a while it seems that they are making it, but soon the economic and political deterioration in the country begins to take their toll.
Socialite Anatol Spencer seeks a better relation that he has with his wife. He sets up the friend of his youth Emilie in an apartment only to have her two-time him. He comforts the near ... See full summary »
Yuzo and his fiancée Masako spend their Sunday afternoon together, trying to have a good time on just thirty-five yen. They manage to have many small adventures, especially because Masako's... See full summary »
The story follows a Polish professor and his family who have become refugees in the aftermath of World War I. They try to survive in Germany during the period of the Great Inflation. Carol Dempster is Inga, a Polish war orphan who struggles to provide for the family that has taken her in, while accumulating a meager dowry from the rubble of depression-stricken Berlin so that she can marry Paul. Returning to his family, weakened by the battlefront's poisonous gases, Paul invests in his and Inga's future by tending a secret garden which he hopes will provide the resources for them to live, and which serves as a symbol of optimism for the two young lovers. Written by
Fiona Kelleghan <firstname.lastname@example.org>
Not as mind blowing as "Intolerance", as Epic as "Birth of a nation" or beautiful as "Broken Blossoms", this film still holds up very well in Griffith's catalogue. Some great stuff, and many masterly sequences. Funnily, this was made at a time when Griffith's influence and credibility was waning, but in many ways this film is as influential as any of his others. "Isn't life wonderful" takes social realism to a new heightened level, and had immediate impact on G.W. Pabst when he made "Joyless Streets", which in turn influenced the entire Italian Neo-realist movement! This film confirms Griffith's position as the most important director of them all.
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