| Lon Chaney | ... | Paul Beaumont / HE | |
| Norma Shearer | ... | Consuelo | |
| John Gilbert | ... | Bezano | |
| Ruth King | ... | Maria Beaumont | |
| Marc McDermott | ... | Baron Regnard | |
| Ford Sterling | ... | Tricaud | |
| Tully Marshall | ... | Count Mancini | |
| rest of cast listed alphabetically: | |||
| Edward Arnold | ... | Extra (uncredited) | |
| Holly Bane | ... | Child in Circus Audience (uncredited) | |
| Bartine Burkett | ... | Bareback Rider (uncredited) | |
| Harvey Clark | ... | Briquet (uncredited) | |
| Clyde Cook | ... | A Clown (uncredited) | |
| Carrie Daumery | ... | Extra (uncredited) | |
| George Davis | ... | A Clown (uncredited) | |
| Paulette Duval | ... | Zinida (uncredited) | |
| Brandon Hurst | ... | A Clown (uncredited) | |
| Bela Lugosi | ... | Clown Extra (unconfirmed) (uncredited) | |
| Erik Stocklassa | ... | Ringmaster (uncredited) | |
Directed by | |||
| Victor Sjöström | (as Victor Seastrom) | ||
Writing credits | ||
| Leonid Andreyev | (play) | |
| Carey Wilson | (adapted for the screen by) | |
| Victor Sjöström | (adaptation) (as Victor Seastrom) | |
Produced by | |||
| Victor Sjöström | .... | producer (as Victor Seastrom) | |
| Irving Thalberg | .... | producer (uncredited) | |
Original Music by | |||
| William Axt | (uncredited) | ||
Cinematography by | |||
| Milton Moore | (photography by) | ||
Film Editing by | |||
| Hugh Wynn | (film editor) | ||
Costume Design by | |||
| Sophie Wachner | (costumes by) | ||
Art Department | |||
| Cedric Gibbons | .... | settings | |
Other crew | |||
| Louis B. Mayer | .... | presents | |
| Gregory Zillboorg | .... | play translated by | |
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| The Dark Tower | The Prestige | Sleuth | Ran | Batman |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Drama section | IMDb USA section |
A celebrated circus clown, HE Who Gets Slapped, plots the punishment of two evil aristocrats.
Lon Chaney, the Silent Screen's master chameleon, adds another portrait to his gallery of pathetic grotesques. This time he plays a scientist who becomes a clown after his former life is destroyed by his adulterous wife and a faithless friend. A young woman provides him with someone to secretly adore, until her wicked father threatens to ruin her happiness. Chaney's face is an absolute wonder to watch as it registers pain, anguish, distress and unrequited passion, underlining the modern reassessment of him as one of cinema's greatest actors. Uninhibited in his circus costume & makeup, he provides no doubt but that he, under different circumstances, could have become a marvelous big top clown.
This was the first release of the new film company merger Metro-Goldwyn, thus making Chaney their first star, and was an important rung up the ladder for the two performers playing the young lovers. Norma Shearer & John Gilbert would soon be major movie celebrities--here they give good account of themselves as the circus' daredevil & bareback riders, and as Chaney's truest friends (both unaware of his love for Miss Shearer). In a film full of circus excitement, the director has given the young couple a moment of unexpected beauty: whilst on a picnic their innocent affections are noticed by a passing peasant, who gives the call of the cuckoo as the perfect grace note to their bucolic joy.
Marc McDermott as a brutal Baron and Tully Marshall as a dissolute Count make villains well worthy of the harshest retribution. Comic Ford Sterling plays one of Chaney's fellow clowns.
The Studio gave this silent film fine production values, while director Victor Sjöström added little embellishments of cinematic flair, dealing with scenes of mysterious clown figures representing fate, which enhance the film.