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He Who Gets Slapped (1924)

7.8
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Ratings: 7.8/10 from 1,792 users  
Reviews: 40 user | 14 critic

A bitter clown endeavors to rescue the young woman he loves from the lecherous count who once betrayed him.

Director:

(as Victor Seastrom)

Writers:

(adapted from the play by), (adapted for the screen by), 2 more credits »
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Title: He Who Gets Slapped (1924)

He Who Gets Slapped (1924) on IMDb 7.8/10

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Cast

Cast overview:
...
...
...
Bezano
Ruth King ...
Maria Beaumont
...
Baron Regnard
...
Tricaud
...
Count Mancini
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Storyline

Story of an inventor who, suffering betrayal in life, makes a career of it by becoming a clown whose act consists of getting slapped by all the other clowns. He falls in love with another circus performer, and those who betrayed him enter his life yet again. Written by Robert Tonsing <rtonsing@ti.com>

Plot Summary | Add Synopsis

Taglines:

Victor Seastrom's production of the famous stage play by Leonid Andreyev. (Poster).


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Details

Country:

Language:

Release Date:

22 December 1924 (USA)  »

Also Known As:

Akit arcul csaptak  »

Box Office

Budget:

$172,000 (estimated)
 »

Company Credits

Production Co:

 »
Show detailed on  »

Technical Specs

Runtime:

(original release) | (TCM print)

Sound Mix:

Color:

| (tinted)

Aspect Ratio:

1.33 : 1
See  »
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Did You Know?

Trivia

George Davis, who appears in the film as a clown, was a vaudeville performer who been a clown in Europe. He appeared in U.S, French, German, English, and Italian films. He coached Lon Chaney for his role. See more »

Goofs

During part of the scene where the lion is loose in the room, Beaumont is seen with no, or hardly any, black makeup around his right eye. Before and after this scene, both eyes are made up. See more »

Quotes

intertitle: Lzaughter - the bitterest and most subtle death to hope.
See more »

Connections

Featured in Lon Chaney: A Thousand Faces (2000) See more »

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User Reviews

 
Slap Unhappy
3 December 2006 | by (United States) – See all my reviews

I saw this film first on Public Television (the score that is still used, I believe, was developed when the film was restored in Chicago) and have always loved it in all it's raging perversity. It is beyond ironic that one of the major studios was launched on a film who's premise was that the public is a malevolent, cruel ass. We are never allowed to forget that as horrible as the villain is; the drooling, jeering, sadistic vermin in the circus crowd are worse.

The spookiness of the direction, I think, is what hooked me. All the leads are excellent and perfectly cast. This is the ultimate in melodrama, and it's drawn is such broad strokes that it's hard to imagine as a talkie.


8 of 9 people found this review helpful.  Was this review helpful to you?

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