Whirlpool of Fate
(1925)
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Whirlpool of Fate
(1925)
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Catherine Hessling | ... |
Virginia Rosaert
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Charlotte Clasis | ... | |
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Pierre Champagne | ... | |
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Maurice Touzé | ... |
La Fuine
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Georges Térof | ... |
Monsieur Raynal
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Madame Fockenberghe | ... |
Madame Raynal
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Harold Levingston | ... |
Georges Raynal
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| Rest of cast listed alphabetically: | |||
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André Derain | ... |
Patron du 'Bon Coin'
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Van Doren | ... |
Young lover
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Pierre Lestringuez | ... |
Jef
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Henriette Moret | ... |
La Roussette
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Pierre Renoir | ... |
Farmer
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After the death of her father and her uncle had drunk all the heritage, Virginia is left alone. She is accepted by a family of bohemians but a quarrel between the bohemians and the peasants coerce her to flee the peasant's riot. She is then helped by the son Raynal who fall in love with her but is too shy to tell her. Sheltered by his father, she is robbed by her uncle of the money M. Raynal gived her to pay a bill in the village. He and his son then believed she's a thief. Written by Jean-Marie Berthiaume <jiembe@videotron.ca>
This film is from the DVD collection from Criterion and it's the earliest of the films by director Jean Renoir in the package. Naturally, being made in 1925 it's a silent film--and it's really one of the better ones from the era. Now this is not because the story has a huge budget or complex plot. No, it's very simple and direct. But, it also is masterfully composed--with some wonderful film work and lots of skill in such a young director.
The story begins with a young lady (Catherine Hessling) living on a barge with her father and uncle. When the father unexpectedly dies, her life falls to pieces as the uncle is scum--complete and total scum. She flees for her life and to avoid being raped and lands in the lap of a 'bohemian' (in this case, really just a thief who shuns work) and you know she can do better. However, when the bohemian and his mother take off, Hessling is all alone and without any resources. What will become of her? Tune in and see for yourself.
The film works well for some reasons other than just the fine direction and cinematography. Hessling's amazing eyes really catch your attention. They practically glow and really give her a gorgeous expression. Also, all the nice location shooting in the countryside was terrific--like a window into a lost way of life. Well worth seeing and well-constructed.