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Whirlpool of Fate (1925)
"La fille de l'eau" (original title)

6.9
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Ratings: 6.9/10 from 369 users  
Reviews: 10 user | 7 critic

After her father's death and her uncle having drunk all the inheritance, Virginia is left alone. She is accepted by a family of bohemians but a quarrel between the bohemians and the ... See full summary »

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Title: Whirlpool of Fate (1925)

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Cast

Complete credited cast:
...
Virginia Rosaert
Charlotte Clasis ...
Pierre Champagne ...
Maurice Touzé ...
La Fuine
Georges Térof ...
Monsieur Raynal
Madame Fockenberghe ...
Madame Raynal
Harold Levingston ...
Georges Raynal
Rest of cast listed alphabetically:
André Derain ...
Patron du 'Bon Coin'
Van Doren ...
Young lover
Pierre Lestringuez ...
Jef
Henriette Moret ...
La Roussette
Pierre Renoir ...
Farmer
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Storyline

After her father's death and her uncle having drunk all the inheritance, Virginia is left alone. She is accepted by a family of bohemians but a quarrel between the bohemians and the peasants coerce her to flee the peasants' riot. She is then helped by Raynal who falls in love with her but is too shy to tell her. Sheltered by his father, Virginia is robbed by her uncle of the money Raynal gave her to pay the bill in the village. He and his son then start to consider her a thief. Written by Jean-Marie Berthiaume <jiembe@videotron.ca>

Plot Summary | Add Synopsis

Genres:

Drama | Romance

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Details

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Release Date:

20 March 1925 (France)  »

Also Known As:

Whirlpool of Fate  »

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Aspect Ratio:

1.33 : 1
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User Reviews

 
Unprotected young woman
26 April 2003 | by (Canada) – See all my reviews

A complex and sympathetic narrative about a young woman that begins with her working on a river barge with her father and her uncle and follows her through difficult circumstances after her father dies, exploited but resourceful, even using petty crime, particularly in the company of a scampish boy. There's something Pickfordesque about Catherine Hessling (who became Mme. Renoir), and a touch of D. W. Griffith in her occasional hanky-winding, but Renoir is not as sentimental. There's a dream sequence as good as Hitchcock decades later, night scenes (a haystack on fire), and observations about the ways of the well-born that are a start on the way to La Règle du jeu.


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