The tactics of a vicious slumlord and greedy businessman finally drive a distraught man to commit suicide. The businessman is tried for murder and executed, and is afterward taken by demons... See full summary »

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Cast

Cast overview:
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Winifred Landis ...
Mrs. Judd
William Scott ...
Ernest Judd
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Nurse Marjorie Vernon
Josef Swickard ...
Eugene Craig
Gloria Grey ...
Mildred Craig
Lorimer Johnston ...
The Doctor
Lawson Butt ...
Howard Gaye ...
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Storyline

The tactics of a vicious slumlord and greedy businessman finally drive a distraught man to commit suicide. The businessman is tried for murder and executed, and is afterward taken by demons to the Hell where he will spend the rest of eternity. Written by frankfob2@yahoo.com

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7 September 1924 (USA)  »

Also Known As:

Die Nacht des Inferno  »

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1.33 : 1
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Trivia

An incomplete Nitrate print (Missing Reel 2 out of 5 Reels) survives in the UCLA Film and Television Archives, and is not listed for Preservation. See more »

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Features Dante's Inferno (1911) See more »

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User Reviews

 
Lackluster Story Aided by Visuals
30 May 2009 | by (United States) – See all my reviews

A selfish businessman has been consumed with the sins that will throw him to hell. He allows his tenants in his ramshackle tenement houses suffer in unsafe living conditions with no remorse. When a demon shows him what hell is like and offers him a chance to save his soul, the businessman is faced with a choice, but old habits die hard.

Although Dante's Inferno has some great visuals, the story lacks, and therefore makes this curiosity quite disappointing. This was one of the most exciting names on the list for Cinevent 41, and I was underwhelmed by it. The red tinting and the writhing bodies are powerful at first sight, but the narration dwells too much on the details of each level of hell. Maybe this is uninteresting to modern audiences who have been saturated with so many different varieties of what hell might be like that we're numb to the older renditions. Whatever the reason, it is not effective.

It is worthwhile to note that the black characters are played by white men in black-face. This choice is more startling today than it must have been when the film was originally released, but it serves as a reminder of the change in the times.

This film intertwines the imagery from Dante's famous story and a modern morality tale that plays off of the depictions of hell. Cecil B. DeMille perfected this combination in The Ten Commandments a year earlier. In comparison, Dante's Inferno falls flat.


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