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Beau Brummel (1924)

George Bryan Brummel, a British military officer, loves Lady Margery, the betrothed of Lord Alvanley. Despite her own desperate love for Brummel, she submits to family pressure and marries ... See full summary »

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Cast

Cast overview, first billed only:
...
...
...
...
...
Frederica Charlotte - Duchess of York
...
Mortimer
...
Lord Alvanley
...
...
Clarissa Selwynne ...
Mrs. Wertham
John J. Richardson ...
Poodles Byng
Claire de Lorez ...
Lady Manly
Michael Dark ...
Lord Manly
Templar Saxe ...
Desmond Wertham
...
Snodgrass - the Innkeeper
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Storyline

George Bryan Brummel, a British military officer, loves Lady Margery, the betrothed of Lord Alvanley. Despite her own desperate love for Brummel, she submits to family pressure and marries Lord Alvanley. Brummel, broken-hearted, embarks upon a life of revelry. He befriends the Prince of Wales and leaves the army, becoming subsequently the best-known rake and decider of fashion in Europe. As his affairs flourish, so does his disdain for his benefactor, the Prince. Eventually Brummel falls into disfavor, and it is only Lady Margery who has any chance of helping him. Written by Jim Beaver <jumblejim@prodigy.net>

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Taglines:

...the Most Beautiful Romance in all History See more »

Genres:

Drama | History | Romance

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Details

Country:

Release Date:

30 March 1924 (USA)  »

Also Known As:

Beau Brummel - Glück und Ende des englischen Casanova  »

Company Credits

Production Co:

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Technical Specs

Runtime:

(Ontario) | (TCM print)

Sound Mix:

Aspect Ratio:

1.33 : 1
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Did You Know?

Quotes

Title Card: His house in London was the rendezvous of the smart world. The dandies of the town flocked to his dressing room to learn the latest scandal or the latest style.
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Connections

Version of Beau Brummell (1954) See more »

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User Reviews

 
Beau Cinema
31 January 2008 | by (New York City) – See all my reviews

What can anyone say about this? Beautiful print, some fine acting by Barrymore -- wonderfully subtle for the period in the early sequences and quite appropriately over-the-top at the end. Given the uniformly over-the-top performances he was called on to make towards the end of his career, the well-preserved Barrymore silents -- this one, his fine, generous performance in THE BELOVED ROGUE, and the sheer electricity between him and Dolores Costello in WHEN A MAN LOVES show what a fine actor he is -- those turns and his wonderful comic work in MIDNIGHT.

I have been less than impressed in the past by some of the scores offered by the Young Composers but, although a bit shaky in the earlier sequences, this one settled right down and was quite good.

I had quite forgotten this was directed by Harry Beaumont, who became my favorite MGM B director -- even though, of course, MGM didn't make B movies.


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