A pulsing, kaleidoscope of images set to an energetic soundtrack. A young women swings in a garden; a woman's face smiles. The rest is spinning cylinders, pistons, gears and turbines, ... See full summary »
One of the first feminist movies, The Smiling Madame Beudet is the story of an intelligent woman trapped in a loveless marriage. Her husband is used to playing a stupid practical joke in ... See full summary »
This short experimental film tells the story of a man who comes to Hollywood to become a star, only to fail and be dehumanized (he is identified by the number 9314 written on his forehead),... See full summary »
Black and white rectangular images fade in and out of the screen. Their movement make them sometimes look like they're panning from side to side. Their movement also make the black and ... See full summary »
A tilted figure, consisting largely of right angles at the beginning, grows by accretion, with the addition of short straight lines and curves which sprout from the existing design. The ... See full summary »
A couple is brutally murdered in the working-class district of Paris. Later on, the narrative follows the lives of their two daughters, both in love with a Parisian thug and leading them to separate ways.
Mannequin hands hold a pair of dice. A castle is perched on a hilltop. Below it, a posh, modern villa. Meanwhile, far from Paris, two men with masked faces play dice in a bar. They decide ... See full summary »
Le Comte de Beaumont,
Le Vicomte de Noailles
A pulsing, kaleidoscope of images set to an energetic soundtrack. A young women swings in a garden; a woman's face smiles. The rest is spinning cylinders, pistons, gears and turbines, kitchen objects in concentric circles or rows - pots, pan lids, and funnels, cars passing overhead, a spinning carnival ride. Over and over, a heavy-set woman climbs stairs carrying a large bag on her shoulder. An Art Deco cartoon figure appears, dancing. This is a world in motion, dominated by mechanical and repetitive images, with a few moments of solitude in a garden. Written by
George Antheil wrote the score for this film, but due to various disagreements - including that Antheil's original version of the music ran 30 minutes while the film was only 16 minutes - the film was premiered without the original music. The film and music were first shown together on 25 August 2000 in Antwerp, Belgium, at the Cultuurmarkt van Vlaanderen. The film print with music was created by Paul Lehrman. See more »
An excellent surrealist short, somewhat ahead of it's time
This excellent surrealist short is a highly imaginative montage of images of people interspersed with machinery. It doesn't have any narrative whatsoever; instead it concentrates on presenting images in a variety of interesting ways. It's more about one central idea the connection between man and his machines being expanded on and expressed through an avant-garde art film; in this case via the styles of Surrealism and Dada. The steady pace mimics the mechanised tempo of the machinery depicted in the film. The images themselves are highly imaginative, incorporating a variety of camera trickery and optical illusions, coupled with repeated shots, way before Andy Warhol had similar ideas. It's overall, a very beautiful and compelling presentation. For anybody at all interested in 1920's art films, this is a must. It's well worth 15 minutes of your time.
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