A pulsing, kaleidoscope of images set to an energetic soundtrack. A young women swings in a garden; a woman's face smiles. The rest is spinning cylinders, pistons, gears and turbines, ... See full summary »
A spiral design spins dizzily. It's replaced by a spinning disk. These two continue in perfect alternation until the end: a spiral design, a disk. Each disk is labelled and can be read as ... See full summary »
One of the first feminist movies, The Smiling Madame Beudet is the story of an intelligent woman trapped in a loveless marriage. Her husband is used to playing a stupid practical joke in ... See full summary »
This short experimental film tells the story of a man who comes to Hollywood to become a star, only to fail and be dehumanized (he is identified by the number 9314 written on his forehead),... See full summary »
A long series of unrelated images, revolving, often distorted: lights, flowers, nails. A lightboard appears from time to time carrying the news of the day. Then, an eye. A woman in a car ... See full summary »
A couple is brutally murdered in the working-class district of Paris. Later on, the narrative follows the lives of their two daughters, both in love with a Parisian thug and leading them to separate ways.
Mannequin hands hold a pair of dice. A castle is perched on a hilltop. Below it, a posh, modern villa. Meanwhile, far from Paris, two men with masked faces play dice in a bar. They decide ... See full summary »
Le Comte de Beaumont,
Le Vicomte de Noailles
Morning reveals New York harbor, the wharves, the Brooklyn Bridge. A ferry boat docks, disgorging its huddled mass. People move briskly along Wall St. or stroll more languorously through a ... See full summary »
A pulsing, kaleidoscope of images set to an energetic soundtrack. A young women swings in a garden; a woman's face smiles. The rest is spinning cylinders, pistons, gears and turbines, kitchen objects in concentric circles or rows - pots, pan lids, and funnels, cars passing overhead, a spinning carnival ride. Over and over, a heavy-set woman climbs stairs carrying a large bag on her shoulder. An Art Deco cartoon figure appears, dancing. This is a world in motion, dominated by mechanical and repetitive images, with a few moments of solitude in a garden. Written by
George Antheil wrote the score for this film, but due to various disagreements - including that Antheil's original version of the music ran 30 minutes while the film was only 16 minutes - the film was premiered without the original music. The film and music were first shown together on 25 August 2000 in Antwerp, Belgium, at the Cultuurmarkt van Vlaanderen. The film print with music was created by Paul Lehrman. See more »
1924. While everyone else is screwing with "feature" films with subtitles and storylines, along comes Ballet Mecanique. A fifteen minute experimental masterpiece, that walks the fine line of boredom/pointlessness and excitement/entertainment. This particular film was showing in the Art Gallery of Ontario, in Toronto, and was a visual treat playing in the same section as the Picaso.
Leger and Murphy used magic and early optical illusions, such as looping segments and split screens. The repetitive movements of the steel machines, match those of the live action people doing work, or even the comical puppet like figure that dances across the screen to create a mechanical ballet. Be it mechanical movements of humans, or mechanical movements of machines. Something tells me I should make a parallel between the man-machine imagery and the 70's electronic German godfathers, Kraftwerk. It's the Europeans I tell ya...they bring us all the best art as entertainment. Every image, from the smiling girl, to the numbered cards all serve a purpose in the grande scheme of Ballet Mecanique.
I really encourage anybody in the Toronto area, or anyone visiting Toronto, to go to the Art Gallery of Ontario to check out Ballet Mecanique. It's on a continual loop. I could have stayed watching it all day. Very spellbinding.
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