A pulsing, kaleidoscope of images set to an energetic soundtrack. A young women swings in a garden; a woman's face smiles. The rest is spinning cylinders, pistons, gears and turbines, ... See full summary »
Two people stand on a road, out of focus. Seen distorted through a glass, they retire upstairs to a bedroom where she undresses. He says, "Adieu." Images: the beautiful girl, a starfish in ... See full summary »
Kiki of Montparnasse,
André de la Rivière,
A woman returning home falls asleep and has vivid dreams that may or may not be happening in reality. Through repetitive images and complete mismatching of the objective view of time and space, her dark inner desires play out on-screen.
Claire Lescot is a famous prima donna. All men want to be loved by her. Among them is the young scientist Einar Norsen. When she mocks at him, he leaves her house with the declared ... See full summary »
Léonid Walter de Malte,
Black and white rectangular images fade in and out of the screen. Their movement make them sometimes look like they're panning from side to side. Their movement also make the black and ... See full summary »
With full disturbing and weirdo graphic plus sexual scenes, Flaming Creatures is one of most daring and controversial film of all time, According to Jack Smith's Flaming Creatures is a comedy in a haunted music studio.
A pulsing, kaleidoscope of images set to an energetic soundtrack. A young women swings in a garden; a woman's face smiles. The rest is spinning cylinders, pistons, gears and turbines, kitchen objects in concentric circles or rows - pots, pan lids, and funnels, cars passing overhead, a spinning carnival ride. Over and over, a heavy-set woman climbs stairs carrying a large bag on her shoulder. An Art Deco cartoon figure appears, dancing. This is a world in motion, dominated by mechanical and repetitive images, with a few moments of solitude in a garden. Written by
George Antheil wrote the score for this film, but due to various disagreements - including that Antheil's original version of the music ran 30 minutes while the film was only 16 minutes - the film was premiered without the original music. The film and music were first shown together on 25 August 2000 in Antwerp, Belgium, at the Cultuurmarkt van Vlaanderen. The film print with music was created by Paul Lehrman. See more »
I would not recommend this film to anyone not interested in the cubist painter Leger, or in the dada and surrealist films of the 1920s. Fascinating for its primitive use of montage and eye-line match, the film is just an experiment with different rhythms and images. Your experience may differ grandly depending on the soundtrack that accompanies it. Most videotapes produced of the film have dinky little organ melodies that really take away from the ballet-like beauty of movement that Leger was going for. In the end, the film's value lies in its historical and fine art historical importance.
9 of 13 people found this review helpful.
Was this review helpful to you?