This is called the first Soviet science fiction film because of its "futuristic" sets on Mars, although most of it takes place in Moscow. The movie is set at the beginning of the NEP (New ... See full summary »
The science fiction film "Kosmicheskii Reis" was first shown in Soviet theaters in January 1936. Soviet cinematographers created a progressively realistic image of a journey to the moon in ... See full summary »
Ingeborg Holm's husband opens up a grocery store and life is on the sunny side for them and their three children. But her husband becomes sick and dies. Ingeborg tries to keep the store, ... See full summary »
Set in the bleak aftermath and devastation of the World War I, a recently demobbed soldier, Timosh, returns to his hometown Kiev, after having survived a train wreck. His arrival coincides ... See full summary »
Three centuries before Christus. Young Cabiria is kidnapped by some pirates during one eruption of the Etna. She is sold as a slave in Carthage, and as she is just going to be sacrificed to... See full summary »
In documentary style, events in Petrograd are re-enacted from the end of the monarchy in February of 1917 to the end of the provisional government and the decrees of peace and of land in ... See full summary »
Sergei M. Eisenstein
New York, 1980: airplanes have replaced cars, numbers have replaced names, pills have replaced food, government-arranged marriages have replaced love, and test tube babies have replaced ...... See full summary »
Andrei lives a secluded life with his aunt, studying and thinking about his now-deceased mother. His friend Tsenin is concerned, and tries to get Andrei to accompany him to social events. ... See full summary »
This is called the first Soviet science fiction film because of its "futuristic" sets on Mars, although most of it takes place in Moscow. The movie is set at the beginning of the NEP (New Economic Policy) in December, 1921. A mysterious radio message is beamed around the world, and among the engineers who receive it are Los, the hero, and his colleague Spiridonov. Los is an individualist dreamer. Aelita is the daughter of Tuskub, the ruler of a totalitarian state on Mars in which the working classe are put into cold storage when they are not needed. With a telescope, Aelita is able to watch Los. As if by telepathy, Los obsesses about being watched by her. After some hugger-mugger involving the murder of his wife and a pursuing detective, Los takes the identity of Spiridonov and builds a spaceship. With the revolutionary Gusev, he travels to Mars, but the Earthlings and Aelita are thrown into prison by the dictator. Gusev and Los begin a proletarian uprising, and Aelita offers to lead ... Written by
Fiona Kelleghan <firstname.lastname@example.org>
Bizarre Russian sci-fi, socialist silent about a scientist who builds a rocketship, flies to Mars, and leads the Martian proletariat in a communist revolution. Or at least that's what I've always heard that that was what Aelita was about. In reality, this part of the plot only takes up about fifteen minutes of this 111 minute film. Most of it takes place on Earth, where a scientist, Los, suffers the infidelities and hedonism of his wife. He watches her with scorn as their philandering neighbor feeds her pieces of chocolate. This movie may hold the record for having the most unnecessary subplots. There's a man who is training to be a spy/private detective/undercover policeman (the professions seem kind of mixed up) and then there's a soldier who has had much experience `winning over' neighboring lands to the Soviet Union. Meanwhile, on Mars, curious Queen Aelita is wasting the planet's energy supply by using a newly invented telescope to watch Earthlings. She falls in love with the scientist. The movie is mainly valuable for the early science fiction settings. The filmmakers do a very good job with the art design on Mars. Of course everything looks very silly and impractical, but it's always amusing. Some of the sets and costumes are more imaginative than anything in Metropolis. Of course, Prozanov isn't anywhere near the talent Lang was, and most of the time the images are haphazardly composed. The Earth sequences, which take up the vast majority of the film, are not too bad, to tell you the truth. In fact, the story is pretty good. It certainly needed to be cleaned up a lot, especially so we might understand why the side characters exist in the first place (it makes more sense when they get to Mars, ¾ of the way through the picture). The acting is quite excellent. I thought the Martians were particularly well cast. I was actually quite enjoying Aelita: Queen of Mars, but the cop-out ending is rather bothersome. It's worth seeing, but it might be helpful to know beforehand that it's going to fall apart completely by the end. 7/10.
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