This is called the first Soviet science fiction film because of its "futuristic" sets on Mars, although most of it takes place in Moscow. The movie is set at the beginning of the NEP (New ... See full summary »
Alisa Seleznyova and her father professor Seleznyov are traveling in space. They meet their old friend archaeologist Gromozeka, who's just discovered a planet all inhabitants of which died.... See full summary »
Andrei lives a secluded life with his aunt, studying and thinking about his now-deceased mother. His friend Tsenin is concerned, and tries to get Andrei to accompany him to social events. ... See full summary »
Claire Lescot is a famous prima donna. All men want to be loved by her. Among them is the young scientist Einar Norsen. When she mocks at him, he leaves her house with the declared ... See full summary »
Léonid Walter de Malte,
In the beginning of the industrial revolution, the Paris Commune was established in 1871 against the rich and the powerful, and violently repressed by the army that remained faithful to a ... See full summary »
In documentary style, events in Petrograd are re-enacted from the end of the monarchy in February of 1917 to the end of the provisional government and the decrees of peace and of land in ... See full summary »
Sergei M. Eisenstein
The science fiction film "Kosmicheskii Reis" was first shown in Soviet theaters in January 1936. Soviet cinematographers created a progressively realistic image of a journey to the moon in ... See full summary »
An example of ironic Soviet propagandistic film from the silent era, this film chronicles the adventures of an American, "Mr. West," and his faithful bodyguard and servant Jeddie, as they ... See full summary »
This is called the first Soviet science fiction film because of its "futuristic" sets on Mars, although most of it takes place in Moscow. The movie is set at the beginning of the NEP (New Economic Policy) in December, 1921. A mysterious radio message is beamed around the world, and among the engineers who receive it are Los, the hero, and his colleague Spiridonov. Los is an individualist dreamer. Aelita is the daughter of Tuskub, the ruler of a totalitarian state on Mars in which the working classe are put into cold storage when they are not needed. With a telescope, Aelita is able to watch Los. As if by telepathy, Los obsesses about being watched by her. After some hugger-mugger involving the murder of his wife and a pursuing detective, Los takes the identity of Spiridonov and builds a spaceship. With the revolutionary Gusev, he travels to Mars, but the Earthlings and Aelita are thrown into prison by the dictator. Gusev and Los begin a proletarian uprising, and Aelita offers to lead ... Written by
Fiona Kelleghan <firstname.lastname@example.org>
Bizarre Russian sci-fi, socialist silent about a scientist who builds a rocketship, flies to Mars, and leads the Martian proletariat in a communist revolution. Or at least that's what I've always heard that that was what Aelita was about. In reality, this part of the plot only takes up about fifteen minutes of this 111 minute film. Most of it takes place on Earth, where a scientist, Los, suffers the infidelities and hedonism of his wife. He watches her with scorn as their philandering neighbor feeds her pieces of chocolate. This movie may hold the record for having the most unnecessary subplots. There's a man who is training to be a spy/private detective/undercover policeman (the professions seem kind of mixed up) and then there's a soldier who has had much experience `winning over' neighboring lands to the Soviet Union. Meanwhile, on Mars, curious Queen Aelita is wasting the planet's energy supply by using a newly invented telescope to watch Earthlings. She falls in love with the scientist. The movie is mainly valuable for the early science fiction settings. The filmmakers do a very good job with the art design on Mars. Of course everything looks very silly and impractical, but it's always amusing. Some of the sets and costumes are more imaginative than anything in Metropolis. Of course, Prozanov isn't anywhere near the talent Lang was, and most of the time the images are haphazardly composed. The Earth sequences, which take up the vast majority of the film, are not too bad, to tell you the truth. In fact, the story is pretty good. It certainly needed to be cleaned up a lot, especially so we might understand why the side characters exist in the first place (it makes more sense when they get to Mars, ¾ of the way through the picture). The acting is quite excellent. I thought the Martians were particularly well cast. I was actually quite enjoying Aelita: Queen of Mars, but the cop-out ending is rather bothersome. It's worth seeing, but it might be helpful to know beforehand that it's going to fall apart completely by the end. 7/10.
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