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A Woman of Paris: A Drama of Fate (1923)

TV-PG | | Drama, Romance | 4 November 1923 (USA)
A kept woman runs into her one-time fiancé and finds herself torn between love and comfort.

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Cast

Complete credited cast:
...
...
Marie's Step-Father (as Clarence Geldert)
Carl Miller ...
Jean Millet
Lydia Knott ...
Jean's Mother
...
Jean's Father (as Charles French)
...
Pierre Revel
Betty Morrissey ...
Fifi
Malvina Polo ...
Paulette
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Storyline

Marie St. Clair believes she has been jilted by her artist fiance Jean when he fails to meet her at the railway station. She goes off to Paris alone. A year later, mistress of wealthy Pierre Revel, she meets Jean again. Misinterpreting events she bounces back and forth between apparent security and true love. Written by Ed Stephan <stephan@cc.wwu.edu>

Plot Summary | Add Synopsis

Genres:

Drama | Romance

Certificate:

TV-PG | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

Release Date:

4 November 1923 (USA)  »

Also Known As:

Una mujer de París  »

Box Office

Budget:

$351,000 (estimated)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

(1976 release)

Sound Mix:

(1978 re-release)|

Aspect Ratio:

1.33 : 1
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Did You Know?

Trivia

Charles Chaplin: a railroad worker. He is very easy to spot. He is carrying a huge box over his head, and he is alone. See more »

Quotes

Revel's Valet: By the way, whatever became of Marie St. Clair?
See more »

Connections

Featured in Chaplin Today: A Woman of Paris (2003) See more »

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User Reviews

 
Genius' craftsmanship
19 January 2007 | by (Archangel, Russia) – See all my reviews

Previously my picture of Mr Charlie Chaplin in my mind's eye had been the following: a tiny clownish fellow who kicks other actors in the ass and gets thrashed and kicked in reply. In the course of time my perception changed. His music was playing as the background for the movies he participated in. Surprise. It was not Mozart but the clown himself. Now there is this film and it's definitely cinematic art. So many present-day directors cannot reach even 1/100th of the effect that is achieved by this black-and-white film that is even mute. It has no fountains of blood, no slo-mo, no bullets hitting foreheads, no explosions, no sex scenes, no *beep* words, no crude toilet humour, no trash-talk, no flat melodramatic elements, no crocodile tears, no stupid laughs. What more should a viewer want? The bitter irony and drama are scattered here and there. Its quality can be compared to the quality of the famous "Jeeves and Wooster" before it hit the appalling cast changes (hope, you know what is meant here).

Here goes mine 10.

Thank you for attention.


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