In Hong Kong, the wealthy Ogden Mears is traveling in a transatlantic and is near to be assigned Saudi Arabia Ambassador and is divorcing from his wife Martha. His friend Harvey and he are ... See full summary »
Charlie talks wealthy farmer's daughter Tillie into eloping with him (and taking her father's money). In the city Tillie gets drunk and lands in jail while Charlie runs off with her money ... See full summary »
Walking along with his bulldog, Charlie finds a "good luck" horseshoe just as he passes a training camp advertising for a boxing partner "who can take a beating." After watching others lose... See full summary »
Gilbert M. 'Broncho Billy' Anderson
A shipowner intends to scuttle his ship on its last voyage to get the insurance money. Charlie, a tramp in love with the owner's daughter, is grabbed by the captain and promises to help him... See full summary »
Lawrence A. Bowes
There is no real plot in this little short, who was made only as a wedding present for Lord and Lady Mountbatten. The main plot line is that Lady Mountbatten has a valuable pearl necklace, ... See full summary »
Marie St. Clair believes she has been jilted by her artist fiance Jean when he fails to meet her at the railway station. She goes off to Paris alone. A year later, mistress of wealthy Pierre Revel, she meets Jean again. Misinterpreting events she bounces back and forth between apparent security and true love. Written by
Ed Stephan <email@example.com>
The re-issue of this film, with a musical score and new cut by Charles Chaplin, was the last work of his entire film career. By then the 87-year-old Chaplin was visibly frail, but still walking. His score was aided by arranger Eric James, and he took a small theme from Monsieur Verdoux (1947), but most of the score was Chaplin's. The film was re-issued posthumously in 1977 with the new score to overwhelming critical and public praise. At that time many critics praised it (as in the trailer) as one of the best films ever made. See more »
Time heals, and experience teaches that the secret of happiness is in service to others.
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1923's "A Woman of Paris is probably not what you'd expect in a Chaplin film based on the totality of his body of work, both in features and in shorts. However, that doesn't mean it's not worthwhile viewing. It just means if you are new to Chaplin, you might not want to start here.
"A Woman of Paris" showed Chaplin's talent behind the camera without him appearing in front of it, except for a lone cameo in which he quickly appears and then disappears acting as a luggage boy. He made it for two reasons, to do some pioneering in cinematic technique and to help give his long time costar and companion Edna Purviance a career boost. The film is actually quite good with great performances by Purviance and by Adolphe Menjou as a carefree playboy. The film did make a star out of Menjou. It didn't really help Purviance that much. The film is about a pair of star-crossed lovers that circumstance drives apart and then brings back together and the eventual tragedy that occurs due to the weakness of will of Purviance's character's one time fiancé, played by Carl Miller.
The film was a failure at the box office, not because it was bad, but because audiences expected to see Chaplin when they went to a Chaplin film. After the failure of this film, Chaplin went back to formulas that were tried and true for him and never really went out on a limb experimenting again, which is too bad for all of us.
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