Charlie is an expert bricklayer. He has lots of fun and work and enjoys himself greatly while at the saloon. As he leaves work his wife takes the pay he has hidden in his hat. But he steals... See full summary »
Three Chaplin silent comedies "A Dog's Life", "Shoulder Arms", and "The Pilgrim" are strung together to form a single feature length film. Chaplin provides new music, narration, and a small... See full summary »
Father takes his family for a drive in their falling-apart Model T Ford, gets in trouble in traffic, and spends the day on an excursion boat. As the boat is about to leave Charlie rushes ... See full summary »
Charlie works on a farm from 4am to late at night. He gets his food on the run (milking a cow into his coffee, holding an chicken over the frying pan to get fried eggs). He loves the ... See full summary »
Olive Ann Alcorn
Marie St. Clair believes she has been jilted by her artist fiance Jean when he fails to meet her at the railway station. She goes off to Paris alone. A year later, mistress of wealthy Pierre Revel, she meets Jean again. Misinterpreting events she bounces back and forth between apparent security and true love. Written by
Ed Stephan <email@example.com>
On New Year's Day 1924, Edna Purviance was at a party with oil tycoon Courtland Dines and Mabel Normand when Normand's chauffeur, "defending Mabel Normand's honor" shot Dines with a gun owned by Normand. Dines refused to testify at the trial, and the chauffeur (Horace Greer, who was an escapee from a chain gang living under an assumed name) was found not guilty. As a result of Purviance's arms-length relationship to this scandal, this film was banned in several US cities. See more »
Marie St. Clair (Edna Purviance) is running away to Paris with boyfriend Jean Millet (Carl Miller). Unfortunately his father dies and he can't go. She goes alone. A year later she is a "kept" woman of rich Pierre revel (Adolphe Menjou). Then, by accident, she runs into Jean who has moved to Paris with his mother. She still loves him...but will he want her now? There are some huge problems with this film. For one thing--the overbearing music score that director/writer Charlie Chaplin added in 1977. It's loud, annoying and obtrusive. Often it doesn't even match what's on the screen! Cheerful music playing during dramatic sequences totally destroy any effect those scenes might have held. Also the plot is just ridiculous and very corny and VERY melodramatic at the end.
I'm giving this a high rating for a few reasons: it's beautifully directed by Chaplin--just stunning to look at. And, despite the plot, all the actors are just fantastic. Miller is handsome, strong and very affecting as the hero. Purviance is just perfect as Marie--you feel all her pain and indecision. Best of all is Menjou--this made him an instant star. He's just great as the heartless Revel.
So, I recommend it. Just turn the sound off and the acting will carry you over the rough spots.
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