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A Woman of Paris: A Drama of Fate (1923)

TV-PG | | Drama, Romance | 4 November 1923 (USA)
A kept woman runs into her former fiancé and finds herself torn between love and comfort.

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Cast

Complete credited cast:
...
...
Marie's Step-Father (as Clarence Geldert)
Carl Miller ...
Jean Millet
...
Jean's Mother
...
Jean's Father (as Charles French)
...
Pierre Revel
Betty Morrissey ...
Fifi
Malvina Polo ...
Paulette
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Storyline

Marie St. Clair believes she has been jilted by her artist fiance Jean when he fails to meet her at the railway station. She goes off to Paris alone. A year later, mistress of wealthy Pierre Revel, she meets Jean again. Misinterpreting events she bounces back and forth between apparent security and true love. Written by Ed Stephan <stephan@cc.wwu.edu>

Plot Summary | Add Synopsis

Genres:

Drama | Romance

Certificate:

TV-PG | See all certifications »

Parents Guide:

 »
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Details

Country:

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Release Date:

4 November 1923 (USA)  »

Also Known As:

Una mujer de París  »

Box Office

Budget:

$351,000 (estimated)
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Company Credits

Show detailed on  »

Technical Specs

Runtime:

(1976 release)

Sound Mix:

(1978 re-release)|

Aspect Ratio:

1.33 : 1
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Did You Know?

Trivia

First of only two films Charles Chaplin directed in which he did not take a starring role. The second was A Countess from Hong Kong (1967). See more »

Quotes

Fifi: Who do you think was with Pierre last night? That cat Paulette. And she calls herself a friend, the deceitful...
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Connections

Referenced in The Cat's Meow (2001) See more »

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User Reviews

 
A Chaplin film without Chaplin as a performer
4 April 2010 | by (United States) – See all my reviews

1923's "A Woman of Paris is probably not what you'd expect in a Chaplin film based on the totality of his body of work, both in features and in shorts. However, that doesn't mean it's not worthwhile viewing. It just means if you are new to Chaplin, you might not want to start here.

"A Woman of Paris" showed Chaplin's talent behind the camera without him appearing in front of it, except for a lone cameo in which he quickly appears and then disappears acting as a luggage boy. He made it for two reasons, to do some pioneering in cinematic technique and to help give his long time costar and companion Edna Purviance a career boost. The film is actually quite good with great performances by Purviance and by Adolphe Menjou as a carefree playboy. The film did make a star out of Menjou. It didn't really help Purviance that much. The film is about a pair of star-crossed lovers that circumstance drives apart and then brings back together and the eventual tragedy that occurs due to the weakness of will of Purviance's character's one time fiancé, played by Carl Miller.

The film was a failure at the box office, not because it was bad, but because audiences expected to see Chaplin when they went to a Chaplin film. After the failure of this film, Chaplin went back to formulas that were tried and true for him and never really went out on a limb experimenting again, which is too bad for all of us.


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