Father takes his family for a drive in their falling-apart Model T Ford, gets in trouble in traffic, and spends the day on an excursion boat. As the boat is about to leave Charlie rushes ... See full summary »
Charlie works on a farm from 4am to late at night. He gets his food on the run (milking a cow into his coffee, holding an chicken over the frying pan to get fried eggs). He loves the ... See full summary »
Olive Ann Alcorn
As Colonel Nutt is experimenting with explosives, a new janitor is joining his household. The inept janitor proceeds to make life difficult for the rest of staff. Meanwhile, a foreign agent... See full summary »
Charlie talks wealthy farmer's daughter Tillie into eloping with him (and taking her father's money). In the city Tillie gets drunk and lands in jail while Charlie runs off with her money ... See full summary »
Professor Bosco, a poor flea trainer, rents a bed in a flophouse. Before going to bed, he rallies his troops and once he has made sure his beloved fleas are settled for the night, the ... See full summary »
There is no real plot in this little short, who was made only as a wedding present for Lord and Lady Mountbatten. The main plot line is that Lady Mountbatten has a valuable pearl necklace, ... See full summary »
Marie St. Clair believes she has been jilted by her artist fiance Jean when he fails to meet her at the railway station. She goes off to Paris alone. A year later, mistress of wealthy Pierre Revel, she meets Jean again. Misinterpreting events she bounces back and forth between apparent security and true love. Also misinterpreting, Jean commits suicide. Written by
Ed Stephan <firstname.lastname@example.org>
The re-issue of this film, with a musical score and new cut by Charles Chaplin, was the last work of his entire film career. By then the 87-year-old Chaplin was visibly frail, but still walking. His score was aided by arranger Eric James, and he took a small theme from Monsieur Verdoux (1947), but most of the score was Chaplin's. The film was re-issued posthumously in 1977 with the new score to overwhelming critical and public praise. At that time many critics praised it (as in the trailer) as one of the best films ever made. See more »
Time heals, and experience teaches that the secret of happiness is in service to others.
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Charles Chaplin is noted for his comedy performances, and deservedly.
His direction, though, should be more highly regarded, if only for this one motion picture.
Compare the quality of the photography and the smoothness of the editing to, for example, "The Gold Rush," of about the same time.
"A Woman of Paris" is very modern; "The Gold Rush" is downright primitive (but, in spots, brilliant).
"A Woman of Paris" also shows some admirable acting talent in, really, all the players. Some of the lesser characters are still played beautifully, despite being "lesser," especially Marie's maids and her, more or less, friends, and very especially the masseuse.
And the scene where the artist's mother, played by Lydia Knott, bent on revenge, comes upon Marie -- with no words, just body movement and facial expression -- she tells the audience what the proverbial thousand words could not so well.
Credit for part of that good acting must, of course, go to the director, but even the best director can't make much of poor actors.
Chaplin had very good actors. Adolphe Menjou reached stardom, and deservedly. What a tremendous talent; he could do everything.
Edna Purviance should have achieved much more acclaim. She performed admirably, especially in this movie, and she was attractive. Fame is certainly fickle.
In some ways, "A Woman of Paris" might be written off by a few as "soap opera." But it is well worth watching for the performances and, especially, for the directing.
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