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A Woman of Paris: A Drama of Fate (1923)

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Ratings: 7.1/10 from 2,814 users  
Reviews: 30 user | 24 critic

A kept woman runs into her one-time fiancé and finds herself torn between love and comfort.

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Title: A Woman of Paris: A Drama of Fate (1923)

A Woman of Paris: A Drama of Fate (1923) on IMDb 7.1/10

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Cast

Complete credited cast:
...
Marie St. Clair
...
Her Step-Father (as Clarence Geldert)
Carl Miller ...
Jean Millet
Lydia Knott ...
His Mother
Charles K. French ...
His Father (as Charles French)
...
Pierre Revel
Betty Morrissey ...
Fifi
Malvina Polo ...
Paulette
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Storyline

Marie St. Clair believes she has been jilted by her artist fiance Jean when he fails to meet her at the railway station. She goes off to Paris alone. A year later, mistress of wealthy Pierre Revel, she meets Jean again. Misinterpreting events she bounces back and forth between apparent security and true love. Written by Ed Stephan <stephan@cc.wwu.edu>

Plot Summary | Add Synopsis

Genres:

Drama | Romance

Certificate:

TV-PG | See all certifications »
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Details

Country:

Release Date:

4 November 1923 (USA)  »

Also Known As:

Una mujer de París  »

Box Office

Budget:

$351,000 (estimated)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

(1976 release)

Sound Mix:

(1978 re-release)|

Aspect Ratio:

1.33 : 1
See  »
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Did You Know?

Trivia

On New Year's Day 1924, Edna Purviance was at a party with oil tycoon Courtland Dines and Mabel Normand when Normand's chauffeur, "defending Mabel Normand's honor" shot Dines with a gun owned by Mabel Normand. Dines refused to testify at the trial where the chauffeur (Horrace Greer, who was an escapee from a chain gang living under an assumed name) was found not guilty. As a result of Purviance's arms-length relationship to this scandal, this film was banned in several US cities. See more »

Quotes

[Intertitle]: Time heals, and experience teaches that the secret of happiness is in service to others.
See more »

Connections

Referenced in Souls for Sale (1923) See more »

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User Reviews

Graceful, elegant photography and concise storytelling are made imperfect by missing narrative elements that would have made the film more plausible.
25 January 1999 | by (Chicago IL, United States) – See all my reviews

Finally saw Woman of Paris: this was a legendary film in its day, but mostly because it was virtually never re-released for sixty years after it premiered in 1923, so the legend grew in its absence. The parts of the story that were not told would have made a better movie than the movie, for example why the lovers' fathers at the beginning of the film are against the marriage, and how Marie (Edna Purviance) became a (shudder) "Woman of Paris" during the year following her departure from her fiance. So I didn't buy the story but the camera work and editing do marvelous things with the story that is there. The melodramatic climax is a bit much to be believed, but not comical as a lot of silent mellers appear today. A little D.W. Griffith (sophisticated early use of photography to tell story and set mood), a little Tolstoy ("bad woman" story contrasted with storyteller's emphasis on happy marriages and wholesome family life), a touch of Dreiser ("sinful" characters shown with realistic insight) and I'd guess a soupcon of Terrence Ratigan (sophisticated attitudes) but I doubt he was around then. The ad copy for this film says Chaplin has a cameo as a railway porter but I didn't notice one in the train scene: I suspect instead he was the ticket agent whose hand appears pointing out the ticket window toward the train. Altogether a satisfying and entertaining film, but the story would have been better if Chaplin had worked on it a little longer.


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