A hypochondriac vacations in the tropics for the fresh air-- and finds himself in the middle of a revolution instead.

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(as Fred Newmeyer),

Writers:

(story), (story assistant) | 2 more credits »
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Cast

Complete credited cast:
...
Harold Van Pelham
...
The Nurse
John Aasen ...
Colosso (as Johan Aasen)
Wallace Howe ...
Mr. Pipps
Jim Mason ...
James H. Blake (as James Mason)
Leo White ...
The Mighty Herculeo
Gaylord Lloyd ...
Man
Mark Jones ...
Mounted Captain
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Storyline

Harold Van Pelham (Lloyd) is a hypochondriac, rich businessman who sails to the tropics for his 'health.' Instead of the peace and seclusion he is seeking, he finds himself in the middle of a revolution. He is imprisoned where he befriends the friendly giant, Colosso (Aasen), and they engineer an escape. Together, they quell the revolution. Written by Herman Seifer <alagain@aol.com>

Plot Summary | Add Synopsis


Certificate:

TV-G
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Details

Country:

Language:

Release Date:

9 September 1923 (USA)  »

Also Known As:

1000:1 = Harold Lloyd  »

Box Office

Budget:

$220,626 (estimated)
 »

Company Credits

Production Co:

 »
Show detailed on  »

Technical Specs

Runtime:

(Turner library print)

Sound Mix:

Color:

(tinted and toned)|

Aspect Ratio:

1.33 : 1
See  »
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Did You Know?

Trivia

Ringling Brothers circus giant Cardiff Giant (aka George Auger) was contracted to play the role of Colosso, but died shortly after filming began. A nationwide publicity campaign was instituted to find a replacement. Norwegian John Aasen, living in Minnesota, was discovered as a result of a newspaper article about his shoe size. See more »

Goofs

The chalk marking Harold makes for the spare in bowling changes. See more »

Quotes

Harold Van Pelham: Why didn't you tell me I love you?
See more »

Connections

Referenced in Dogs of War! (1923) See more »

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User Reviews

 
a change of pace for Harold
15 January 2011 | by (United States) – See all my reviews

The most lively of Harold Lloyd's classic comedies is arguably his most accessible when seen today, and can now be enjoyed without the indiscriminate editing and idiot soundtrack added by Time-Life Films in the early 1960s. Of all his silent features it's the least rooted in the ideals of its age, employing an element of fantasy quite out of character from his usually plausible boy-next-door scenarios. Adopting one of his popular idle, young millionaire roles, Lloyd stars as a wealthy hypochondriac on vacation in South America, thwarting a military coup with the help of his loyal nurse and a gentle (but formidable) giant. It's a measure of Lloyd's appeal that he could be so inventive without seeming at all out of the ordinary in the manner of Keaton or Chaplin. His innocence and vigor allowed him to milk an amazing amount of humor from any one gag (curing the giant's toothache, for example), building each laugh with an escalating but practical absurdity rarely possible outside of silent film comedy.


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