Starting in 1913 movie director Connors discovers singer Molly Adair. As she becomes a star she marries an actor, so Connors fires them. She asks for him as director of her next film. Many silent stars shown making the transition to sound.
In his first independently produced feature film Buster tells of love and romance through three historical ages: the Stone Age, the Roman Age, and the Modern Age. Written by
Ed Stephan <email@example.com>
There are two references in the Roman section a--one classical and one biblical. The classical reference is to the story of Androcles and the lion (when Buster Keaton is in the dungeon) and the biblical one is to Samson bringing down the temple upon himself and his enemies (when Keaton collapses Wallace Beery's house). See more »
As Buster is driving to Margaret's house, his porkpie hat is battered. But when he arrives, it's fresh and undamaged, and looks brand-new. See more »
This is a pleasant and funny combination of slapstick and satire, period humor and romantic comedy. It does not have quite the number of sustained chase/stunt sequences as in most of Keaton's features, but instead there are a lot of fine subtle gags of all different kinds.
In each of the "Three Ages", Buster and Wallace Beery vie for the affections of the same woman, with amusing and unpredictable results. The simple romantic triangle theme sets up a lot of good material, on the one hand lending itself to a lot of gags about the unchanging nature of romantic courtship, and on the other hand being used for a lot of deliberate anachronisms that are often extremely funny. Beery makes a nice foil for Keaton, and the girl's parents also have some good moments.
This one usually gets lost in the crowd among so many brilliant Keaton masterpieces, but it works very well and is definitely worth seeing for any fan of silent comedy.
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