The first part tells the story of Moses leading the Jews from Egypt to the Promised Land, his receipt of the tablets and the worship of the golden calf. The second part shows the efficacy ... See full summary »
Society-girl thrill seeker Lydia causes the death of motorcycle policeman and is prosecuted by her fiancé Daniel who describes in lurid detail the downfall of Rome. While she's in prison she reforms and Daniel becomes a wasted alcoholic.
Socialite Anatol Spencer seeks a better relation that he has with his wife. He sets up the friend of his youth Emilie in an apartment only to have her two-time him. He comforts the near ... See full summary »
An old sheik punishes his son Jamil for robbing a caravan by giving his horse to the wronged merchant. The horse is sold to a Turkish general then given to a Christian missionary Mary ... See full summary »
Cecil B. DeMille
Horace B. Carpenter,
Angela and Bob Brooks are an upper class couple. Unfortunately, Bob is an unfaithful husband. But Angela has a plan to win back her husband's affections. An elaborate masquerade ball is to ... See full summary »
The first part tells the story of Moses leading the Jews from Egypt to the Promised Land, his receipt of the tablets and the worship of the golden calf. The second part shows the efficacy of the commandments in modern life through a story set in San Francisco. Two brothers, rivals for the love of Mary, also come into conflict when John discovers Dan used shoddy materials to construct a cathedral. Written by
Ed Stephan <firstname.lastname@example.org>
The enormous sets of ancient Egypt have become a Hollywood legend in themselves. The "City of the Pharaohs" was constructed of wood and plaster in the Guadalupe Dunes, an 18-mile stretch of coastal sand 170 miles north of L.A. The sets featured four 35-foot-tall statues of the Pharaoh Ramses, 21 five-ton sphinxes, and city walls over 120 feet high. An army of 2,500 actors, extras, carpenters, plasterers, painters, cooks, staff, and film crew members inhabited the set for three months, housed in a virtual army camp that featured nearly 1,000 tents. (3,500 animals, used in recreating the scenes of ancient Egypt, were housed in a huge corral downwind of the camp.) When shooting wrapped, Cecil B. DeMille simply had the massive Egyptian city sets bulldozed, and buried in a huge pit beneath the sand, where they remain to this day. For years, the legendary "Lost City of DeMille" was spoken of by locals in Guadalupe who had worked on the film set. Artifacts from the Egyptian sets were found in the dunes, and can sometimes be found in local houses in the area. (DeMille even said in his autobiography, "If 1,000 years from now, archaeologists happen to dig beneath the sands of Guadalupe, I hope that they will not rush into print with the amazing news that Egyptian civilization extended all the way to the Pacific Coast of North America.") In 1983, documentary filmmaker Peter Brosnan located the remains of the DeMille sets, still buried beneath the dunes. The site is now recognized as an official archaeological site by the state of California, and it is against the law to remove artifacts from the site. Brosnan has been trying for many years to raise money from the Hollywood studios to excavate the site, but so far has been unable to do so. See more »
The type of staff used by Moses and his followers has a Star of David on the end. The Star of David didn't become a symbol of Judaism until the Middle Ages. See more »
John McTavish - Her Son:
How much cement are you really putting into that mix?
[the worker brushes him off so he gets forceful with him and asks again]
One part to twelve. I was told to double the sand and reduce the cement.
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Cecil B. DeMille's Paramount EPIC "The Ten Commandments" tells the Old Testament's "Moses" story during its first hour. The "special effects" highlights are: Theodore Roberts (as Moses) parting the Red Sea, and the Biblical patriarch's thunderous receiving of God's commandments. The production is first rate throughout. After about fifty minutes of spectacle, the film switches to a "Modern Story" - wherein Mr. DeMille seeks to tell a morality story involving "The Ten Commandments".
For the main story (the more memorable Moses segments were a mere "prologue"), DeMille introduces the McTavish brothers - saintly carpenter Richard Dix (as John), and partying atheist Rod La Rocque (as Dan). While Mr. Dix stays home to read The Bible, with dear mother Edythe Chapman (as Martha McTavish), Mr. La Rocque breaks Commandments, with lovely Leatrice Joy (as Mary Leigh). Of course, Dix falls in love with Ms. Joy, after she becomes his brother's wife
DeMille's morality tale is extremely heavy-handed, but nevertheless enticing, and expertly directed.
The "Biblical" and "Modern" story format recalls D.W. Griffith's superior "Intolerance" (1916). The all-star cast (it's 1923, remember) performs exceptionally, with La Rocque being seen in one of his finest performances. As any actor will tell you, La Rocque was halfway there, upon receiving the "bad brother" role, over Dix - and, La Rocque runs away with the film. His is a "Best Actor"-worthy performance. Nefarious Nita Naldi (as Sally Lung) leads a strong supporting cast.
All things considered, this one's a lot more fun than the 1956 re-make.
********* The Ten Commandments (11/23/23) Cecil B. DeMille ~ Rod La Rocque, Richard Dix, Leatrice Joy, Theodore Roberts
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