The first part tells the story of Moses leading the Jews from Egypt to the Promised Land, his receipt of the tablets and the worship of the golden calf. The second part shows the efficacy ...
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Two wagon caravans converge at what is now Kansas City, and combine for the westward push to Oregon. On their quest the pilgrims will experience desert heat, mountain snow, hunger, and ... See full summary »
The first part tells the story of Moses leading the Jews from Egypt to the Promised Land, his receipt of the tablets and the worship of the golden calf. The second part shows the efficacy of the commandments in modern life through a story set in San Francisco. Two brothers, rivals for the love of Mary, also come into conflict when John discovers Dan used shoddy materials to construct a cathedral. Written by
Ed Stephan <email@example.com>
The enormous sets of ancient Egypt have become a Hollywood legend in themselves. The "City of the Pharaohs" was constructed of wood and plaster in the Guadalupe Dunes, an 18-mile stretch of coastal sand 170 miles north of L.A. The sets featured four 35-foot-tall statues of the Pharaoh Ramses, 21 five-ton sphinxes, and city walls over 120 feet high. An army of 2,500 actors, extras, carpenters, plasterers, painters, cooks, staff, and film crew members inhabited the set for three months, housed in a virtual army camp that featured nearly 1,000 tents. (3,500 animals, used in recreating the scenes of ancient Egypt, were housed in a huge corral downwind of the camp.) When shooting wrapped, Cecil B. DeMille simply had the massive Egyptian city sets bulldozed, and buried in a huge pit beneath the sand, where they remain to this day. For years, the legendary "Lost City of DeMille" was spoken of by locals in Guadalupe who had worked on the film set. Artifacts from the Egyptian sets were found in the dunes, and can sometimes be found in local houses in the area. (DeMille even said in his autobiography, "If 1,000 years from now, archaeologists happen to dig beneath the sands of Guadalupe, I hope that they will not rush into print with the amazing news that Egyptian civilization extended all the way to the Pacific Coast of North America.") In 1983, documentary filmmaker Peter Brosnan located the remains of the DeMille sets, still buried beneath the dunes. The site is now recognized as an official archaeological site by the state of California, and it is against the law to remove artifacts from the site. Brosnan has been trying for many years to raise money from the Hollywood studios to excavate the site, but so far has been unable to do so. See more »
While lying in the wrecked cathedral, dying, Mother McTavish moves her head, and her hair does not move with it as it should. She is clearly wearing a wig. See more »
John McTavish - Her Son:
How much cement are you really putting into that mix?
[the worker brushes him off so he gets forceful with him and asks again]
One part to twelve. I was told to double the sand and reduce the cement.
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The exciting feature of the 50th Anniversary Editon of DeMille's THE TEN COMMANDMENTS is to be able to see the original 1923 version in a pristine print along with Katherine Orrison's illuminating commentary track. Previously only available on VHS tape with the poorly surviving colorized footage of the Exodus and Parting of the Red Sea (provided as a separate Extra on the DVD)used, it was difficult to realize just how beautifully done the silent epic was. Paramount has cleaned up the print and used only the better surviving black & white elements for this release. The beauty of the photography comes through with great clarity. Orrison's commentary is full of interesting insights as well as being enjoyable due to her enthusiasm about so many details. And Gaylord Carter's Wurlitzer Pipe Organ score is very impressive (as well as being a marvelous record of an organ score done by one who actually performed during the silent era)on this digital stereo recording. The 1956 remake looks and sounds great, as are the all of the special features for it, but this is exactly the same as the previous second edition of this title. I bought the new edition in order to see what they had done with the 1923 version -- and I certainly am impressed. Also, I love the packaging for this edition. Well worth updating as it is available at a very decent price.
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