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Der Schatz (1923)

6.8
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Ratings: 6.8/10 from 126 users  
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In and around a bell maker near Marburg (today Slovenia) people tell the story of a treasure that was hidden during the Turki invasion of 1683, the year the Turkish Army was besieging ... See full summary »

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Title: Der Schatz (1923)

Der Schatz (1923) on IMDb 6.8/10

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Cast

Cast overview:
Albert Steinrück ...
Svetocar Badalic, Master Foundryman
Lucie Mannheim ...
Beate
Ilka Grüning ...
Anna
...
Svetelenz
...
Arno
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Storyline

In and around a bell maker near Marburg (today Slovenia) people tell the story of a treasure that was hidden during the Turki invasion of 1683, the year the Turkish Army was besieging Vienna. Everybody think it's nonsense except for an old worker there, who feels that the treasure must be in the bell maker's house. A young traveling worker who has fallen in love with the bell maker's daughter Beate makes fun of this, but she convinces him that the old worker is not that nuts. So he starts searching for himself, and soon he finds it, as well as the old worker. He tells his master, who decides, that the young one has to disappear. He and Beate are leaving, while the old worker offers his part of the treasure to the master if he allows him to marry Beate. Beate, after coming home, hears of that and leaves together with the young worker. Written by Stephan Eichenberg <eichenbe@fak-cbg.tu-muenchen.de>

Plot Summary | Add Synopsis

Plot Keywords:

treasure | bell | slovenia | marburg | love | See All (12) »

Genres:

Drama | Romance

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Details

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Release Date:

23 November 1929 (USA)  »

Also Known As:

The Treasure  »

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Aspect Ratio:

1.33 : 1
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User Reviews

 
Like a 17th century Germanic 'Kiss Me Deadly'
5 August 2004 | by (United States) – See all my reviews

This is very different from Pabst's later and more famous films, Pandora's Box and Diary of a Lost Girl. It's more in line with the other German Expressionist stuff of the period: gothic, shadowy, sort of ponderous, and with a simple moral message. But there's also some humor, so it's not as totally downbeat as some of the other German silents. The acting's stylized, mildly hysterical, but in a good sort of way--plenty of maniacal laughter and such. I saw it without English intertitles (and with very limited, maybe 20-30%, comprehension of German), and it was still quite understandable and quite watchable.

8/10.


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