| Lloyd Ingraham | ... | Quintin de Kercadiou | |
| Alice Terry | ... | Aline de Kercadiou - His Neice | |
| Ramon Novarro | ... | André-Louis Moreau - His Godson | |
| Lewis Stone | ... | The Marquis de la Tour d'Azyr | |
| Julia Swayne Gordon | ... | The Countess de Plougastel | |
| William Humphrey | ... | The Chevalier de Chabrillane | |
| Otto Matieson | ... | Philippe de Vilmorin (as Otto Matiesen) | |
| George Siegmann | ... | Danton (as George Siegman) | |
| Bowditch M. Turner | ... | Chapelier (as Bowditch Turner) | |
| James A. Marcus | ... | Binet (as James Marcus) | |
| Edith Allen | ... | Climène Binet | |
| John George | ... | Polichinelle | |
| Willard Lee Hall | ... | The King's Lieutenant | |
| Rose Dione | ... | La Révolte | |
| rest of cast listed alphabetically: | |||
| Edwin Argus | ... | King Louis XVI (uncredited) | |
| J. Edwin Brown | ... | Monsieur Benoît (uncredited) | |
| Louise Carver | ... | Member of Theatre Audience (uncredited) | |
| Edward Connelly | ... | Minister to the King (uncredited) | |
| Roy Coulson | ... | Jean Paul Murat (uncredited) | |
| Edward Coxen | ... | Jacques (uncredited) | |
| Carrie Daumery | ... | Court Gossip (uncredited) | |
| Fuerburg De Garcia | ... | Maximilien Robespierre (uncredited) | |
| Clotilde Delano | ... | Marie Antoinette (uncredited) | |
| William Dyer | ... | The Gamekeeper (uncredited) | |
| Snitz Edwards | ... | Bit (uncredited) | |
| Howard Gaye | ... | Viscount d'Albert (uncredited) | |
| Bynunsky Hyman | ... | Extra (uncredited) | |
| Arthur Jasmine | ... | A Student of Rennes (uncredited) | |
| Lorimer Johnston | ... | Count Dupuye (uncredited) | |
| Tom Kennedy | ... | A Dragoon (uncredited) | |
| Nelson McDowell | ... | Rhodomont (uncredited) | |
| Kalla Pasha | ... | Keeper of the Paris Gate (uncredited) | |
| Marjorie Reynolds | ... | Bit Part (uncredited) | |
| Mariano Samaniegos | ... | Bit Part (uncredited) | |
| David Sharpe | ... | Bit (uncredited) | |
| Lydia Yeamans Titus | ... | Madame Binet (uncredited) | |
| Jacques Tourneur | ... | Extra (uncredited) | |
| Slavko Vorkapich | ... | Napoléon Bonaparte - a Lieutenant of Artillery (uncredited) | |
| Carrie Clark Ward | ... | Madame Benoît (uncredited) | |
Directed by | |||
| Rex Ingram | |||
Writing credits | ||
| Rafael Sabatini | (by) | |
| Willis Goldbeck | (scenario) | |
| Willis Goldbeck | adaptation (uncredited) | |
Produced by | |||
| Rex Ingram | .... | producer | |
Original Music by | |||
| Jeffrey Silverman | (2000) (as Jeffrey Mark Silverman) | ||
| William Axt | (uncredited) | ||
| Leo Kempinski | (uncredited) | ||
Cinematography by | |||
| John F. Seitz | (photographic) | ||
Film Editing by | |||
| Grant Whytock | (editorial) | ||
Costume Design by | |||
| O'Kane Cornwell | (uncredited) | ||
| Van Horn | (uncredited) | ||
| Eve Roth | (uncredited) | ||
Production Management | |||
| Curt Rehfeld | .... | production manager (uncredited) | |
Second Unit Director or Assistant Director | |||
| Curt Rehfeld | .... | assistant director | |
Art Department | |||
| Harold Grieve | .... | set designer (uncredited) | |
Stunts | |||
| David Sharpe | .... | stunts (uncredited) | |
Other crew | |||
| John Hughes | .... | technical staff (as John J. Hughes) | |
| Rex Ingram | .... | supervision | |
| Amos Myers | .... | technical staff | |
| Curt Rehfeld | .... | executive | |
| Jack W. Robson | .... | technical staff | |
| Arthur Smith | .... | technical staff | |
| H.J. Utterhore | .... | fencing advisor (uncredited) | |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Drama section | IMDb USA section |
This is a well known film to most silent film buffs. Rex Ingram films his scenes like a painter. Ingram uses his camera like a paint brush. Indeed some of the scenes look like paintings come to life. This film is based on the novel by Rafael Sabatini and stars Ramon Novarro, one of Ingram's favorite actors. It costars Ingram's wife Alice Terry. This film boasts a cast of many well-known silent film supporting actors. An historical subject, Ingram gives great care to accuracy of costumes & history. The score for the film is adequate but tends to drone a bit. Surprisingly Ingrams camera can still be quite static which reminds one of DW Griffith's "Orphans of the Storm"(1921). Both 'Orphans' and 'Scaramouche' take place at the same tiime so a similarity is logical. The picture was made at Metro Studios just prior to the famous merger with Goldwyn & Mayer. Luckily this film survives today to be enjoyed. Rex Ingram, Metro Pictures.