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Scaramouche (1923)

Passed | | Drama, Romance | February 1924 (USA)
When a nobleman murders his best friend, a lawyer becomes a revolutionary with his heart set on vengeance.

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Writers:

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Cast

Complete credited cast:
...
Quintin de Kercadiou
...
...
...
...
The Countess de Plougastel
William Humphrey ...
The Chevalier de Chabrillane
Otto Matieson ...
Philippe de Vilmorin (as Otto Matiesen)
...
Danton (as George Siegman)
Bowditch M. Turner ...
Chapelier (as Bowditch Turner)
James A. Marcus ...
Binet (as James Marcus)
Edith Allen ...
Climène Binet
...
Willard Lee Hall ...
The King's Lieutenant
Rose Dione ...
La Révolte
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Storyline

A law student becomes an outlaw French revolutionary when he decides to avenge the unjust killing of his friend. To get close to the aristocrat who has killed his friend the student adopts the identity of Scaramouche the clown. Written by Steve Crook <steve@brainstorm.co.uk>

Plot Summary | Add Synopsis

Genres:

Drama | Romance

Certificate:

Passed | See all certifications »
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Details

Country:

Release Date:

February 1924 (USA)  »

Also Known As:

Der Liebling der Pariser  »

Box Office

Budget:

$858,723 (estimated)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

Aspect Ratio:

1.33 : 1
See  »
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Did You Know?

Trivia

A a 14" x 36" poster for Rex Ingram's Scaramouche (1923) is prominently displayed outside the theatre featured in Sherlock Jr (1924). See more »

Connections

Featured in Hollywood (1980) See more »

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User Reviews

 
Lots of Effort and Money for a Relatively Pedestrian Meldrama
14 September 2008 | by (Virginia, U.S.) – See all my reviews

The 1923 "Scaramouche" has all the elements of an epic film saga -- intricate and plausible sets and costumes, clearly drawn characters, ever more intense pacing -- but it just failed to catch fire for me. Maybe it's the way it makes no pretense of being anything but a big bundle of melodramatic clichés wrapped in a too-transparent plot. Too bad; it sure had potential. If you can see the Turner Classic Movie version, with the new score by Jeff Silverman, do so. It's how film scores should be created for silent pictures like these, absolutely in sync with the action but not slavishly commenting on every little detail. Usually it's a backhanded compliment to say that one finds one is losing oneself in the movie and not paying any attention to the score, but in this case, believe me, it's the mark of a resounding success.


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