A law student becomes an outlaw French revolutionary when he decides to avenge the unjust killing of his friend. To get close to the aristocrat who has killed his friend the student adopts ... See full summary »
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A law student becomes an outlaw French revolutionary when he decides to avenge the unjust killing of his friend. To get close to the aristocrat who has killed his friend the student adopts the identity of Scaramouche the clown. Written by
Steve Crook <steve@brainstorm.co.uk>
An army of workmen built a whole French village that covered 60 acres and was faithfully reproduced down to cobblestone streets and shop windows filled with actual wares. Hundreds of thousands of yards of muslin, satin, brocade and velvet were required in the making of the gorgeous costumes worn by the cast. See more »
The 1923 "Scaramouche" has all the elements of an epic film saga -- intricate and plausible sets and costumes, clearly drawn characters, ever more intense pacing -- but it just failed to catch fire for me. Maybe it's the way it makes no pretense of being anything but a big bundle of melodramatic clichés wrapped in a too-transparent plot. Too bad; it sure had potential. If you can see the Turner Classic Movie version, with the new score by Jeff Silverman, do so. It's how film scores should be created for silent pictures like these, absolutely in sync with the action but not slavishly commenting on every little detail. Usually it's a backhanded compliment to say that one finds one is losing oneself in the movie and not paying any attention to the score, but in this case, believe me, it's the mark of a resounding success.
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The 1923 "Scaramouche" has all the elements of an epic film saga -- intricate and plausible sets and costumes, clearly drawn characters, ever more intense pacing -- but it just failed to catch fire for me. Maybe it's the way it makes no pretense of being anything but a big bundle of melodramatic clichés wrapped in a too-transparent plot. Too bad; it sure had potential. If you can see the Turner Classic Movie version, with the new score by Jeff Silverman, do so. It's how film scores should be created for silent pictures like these, absolutely in sync with the action but not slavishly commenting on every little detail. Usually it's a backhanded compliment to say that one finds one is losing oneself in the movie and not paying any attention to the score, but in this case, believe me, it's the mark of a resounding success.