Sisif, a railwayman, and his son Elie fall in love with the beautiful Norma (whom Sisif rescued from a train crash when a baby and raised as his daughter), with tragic results. Originally ... See full summary »
In 1918 a simple Mongolian herdsman escapes to the hills after brawling with a western capitalist fur trader who cheats him. In 1920 he helps the partisans fight for the Soviets against the... See full summary »
The idle son of a rich businessman joins the army when the U.S.A. enters World War One. He is sent to France, where he becomes friends with two working-class soldiers. He also falls in love... See full summary »
George W. Hill
In documentary style, events in Petrograd are re-enacted from the end of the monarchy in February of 1917 to the end of the provisional government and the decrees of peace and of land in ... See full summary »
Sergei M. Eisenstein
It's New Year's Eve. Three drunkards evoke a legend. The legend tells that the last person to die in a year, if he is a great sinner, will have to drive during the whole year the Phantom ... See full summary »
Sisif, a railwayman, and his son Elie fall in love with the beautiful Norma (whom Sisif rescued from a train crash when a baby and raised as his daughter), with tragic results. Originally running nine hours, this epic tragedy is notable for the way it foreshadows Gance's later 'Napoleon' in its use of innovative cinematic devices, particularly rapid cutting. Written by
Michael Brooke <email@example.com>
Abel Gance came up with the idea for this film the day his wife, Ida Denis, was diagnosed with tuberculosis. Gance completed editing on the 32 reel film on 9 April 1924, hours after Denis died. See more »
Forget all the pedantic pseudo-psychobable and bargain-basement 'philosophy' you may read here. The bottom line is that while this film is extremely well crafted for it's time period, ultimately it is four and a half hours of heavy-handed nonsense. Pure depression from beginning to end. In fact, I too felt like committing suicide after watching it. So why these characters don't just go out and do it themselves is beyond me. Just when you think things couldn't get worse, they do. And there is no humor to lighten the load. At least 'Hamlet' had it's grave digger scene. There is a great deal of poetry in the images, and the overlapping images and quick cutting were unique trademarks of Gance's style for the time. Gance is obviously a master of his craft, one just wishes the film weren't so long, repetitive and heavy-handed in the end. And why are all these men obsessed with Ivy Close? Aside from the fact that she was Gance's wife, one cannot understand the obsession all these men have for her. I guess one had to be living in that time period.
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