Sisif, a railwayman, and his son Elie fall in love with the beautiful Norma (whom Sisif rescued from a train crash when a baby and raised as his daughter), with tragic results. Originally ...
See full summary »
One of the first feminist movies, The Smiling Madame Beudet is the story of an intelligent woman trapped in a loveless marriage. Her husband is used to playing a stupid practical joke in ... See full summary »
Sisif, a railwayman, and his son Elie fall in love with the beautiful Norma (whom Sisif rescued from a train crash when a baby and raised as his daughter), with tragic results. Originally running nine hours, this epic tragedy is notable for the way it foreshadows Gance's later 'Napoleon' in its use of innovative cinematic devices, particularly rapid cutting. Written by
Michael Brooke <email@example.com>
Gance seems overwhelmed by the theme of humanity crushed by incredible suffering, and some of the symbolism may seem heavy-handed, but this film deserves to be listed among the greats for its wonderful cinematography, the strong contrasts between the first parts portrayal of trains and the second parts moving to the beautiful, impassive scenery of the high Alps.
I have always been an admirer of Gance's Napoleon, but his J'accuse turned me off. La Roue has restored my desire to see the others: La fin de monde, Beethoven, and Austerlitz.
As for the suffering, this was made in 1921 in the aftermath of WW I, which is sufficient to account for Gance's obsession with the theme.
22 of 30 people found this review helpful.
Was this review helpful to you?