A long series of unrelated images, revolving, often distorted: lights, flowers, nails. A lightboard appears from time to time carrying the news of the day. Then, an eye. A woman in a car ... See full summary »
A pulsing, kaleidoscope of images set to an energetic soundtrack. A young women swings in a garden; a woman's face smiles. The rest is spinning cylinders, pistons, gears and turbines, ... See full summary »
Two people stand on a road, out of focus. Seen distorted through a glass, they retire upstairs to a bedroom where she undresses. He says, "Adieu." Images: the beautiful girl, a starfish in ... See full summary »
Kiki of Montparnasse,
André de la Rivière,
A tilted figure, consisting largely of right angles at the beginning, grows by accretion, with the addition of short straight lines and curves which sprout from the existing design. The ... See full summary »
Black and white rectangular images fade in and out of the screen. Their movement make them sometimes look like they're panning from side to side. Their movement also make the black and ... See full summary »
Mannequin hands hold a pair of dice. A castle is perched on a hilltop. Below it, a posh, modern villa. Meanwhile, far from Paris, two men with masked faces play dice in a bar. They decide ... See full summary »
Le Comte de Beaumont,
Le Vicomte de Noailles
A spiral design spins dizzily. It's replaced by a spinning disk. These two continue in perfect alternation until the end: a spiral design, a disk. Each disk is labelled and can be read as ... See full summary »
This short experimental film tells the story of a man who comes to Hollywood to become a star, only to fail and be dehumanized (he is identified by the number 9314 written on his forehead),... See full summary »
Experimental film, white specks and shapes gyrating over a black background, a light-striped torso, a gyrating eggcrate. One of the first Dadaist films. Written by
Bruce Cameron <firstname.lastname@example.org>
The movie started production when Tristan Tzara presented Man Ray with the program of a Dadaist festival he was planning. Man Ray saw there was a certain "exhibition of a Dadaist movie by Man Ray" printed on it, and suddenly realized he had to do something about it. He decided to make it by placing objects over pieces of film inside a darkroom and then turning the lights on to print their shadows on the film. There is no audio track. See more »
It starts in chaos. It's the chaos of the mind. The gargantuan amount of facts threaten to bring all thoughts out of order. So many trees, we can't see the forest. That kind of thing. So we just see static, gibberish dots and lights.
Then we have a date with a woman and go to the carnival with her. Our head is too full to see what really matters. We spin around, with the woman in our arms, and hundreds of light dots spin around us. We manage to sort our thoughts again and to return to reason. It's quite the opposite of going insane. We realize what really matters in life. Tits without a face. We are cured.
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