A man returns to his Appalachian homestead. On the trip, he falls for a young woman. The only problem is her family has vowed to kill every member of his family.
Keep track of everything you watch; tell your friends.
If your account is linked with Facebook and you have turned on sharing, this will show up in your activity feed. If not, you can turn on sharing
here
.
Always the mama's boy, or in this case a grandma's boy, Sonny joins a posse after a tramp accused of robbery and murder. He is unable to conquer his cowardice until Grandma tells him of his... See full summary »
A college student experiences difficulty in getting home for Christmas after being hazed by his friends. While struggling to get home in time for Christmas, he learns quite a bit about ... See full summary »
Director:
Arlene Sanford
Stars:
Jonathan Taylor Thomas,
Jessica Biel,
Adam LaVorgna
The story begins with Spanky, who is the president of the "He-Man Woman Haters Club" with many school-aged boys from around the neighborhood as members. His best friend, Alfalfa, has been ... See full summary »
Director:
Penelope Spheeris
Stars:
Travis Tedford,
Kevin Jamal Woods,
Brittany Ashton Holmes
The richest kid in the world, Richie Rich, has everything he wants, except companionship. While representing his father at a factory opening, he sees some kids playing baseball across the ... See full summary »
Director:
Donald Petrie
Stars:
Macaulay Culkin,
John Larroquette,
Edward Herrmann
Mr. Bean wins a trip to Cannes where he unwittingly separates a young boy from his father and must help the two come back together. On the way he discovers France, bicycling, and true love, among other things.
Director:
Steve Bendelack
Stars:
Rowan Atkinson,
Steve Pemberton,
Lily Atkinson
In this remake of the Spencer Tracy classic, George and Nina Banks are the parents of young soon-to-be-wed Annie. George is a nervous father unready to face the fact that his little girl is... See full summary »
Director:
Charles Shyer
Stars:
Steve Martin,
Diane Keaton,
Kimberly Williams-Paisley
"Speedy" loses his job as a soda-jerk, then spends the day with his girl at Coney Island. He then becomes a cab driver and delivers Babe Ruth to Yankee Stadium, where he stays to see the ... See full summary »
This is a costume-period piece set in 1830s Kentucky. The Canfields and the McKays are feuding clans (essentially the real life Hatfields and McCoys renamed). In New York Willie boards a train (an exact recreation of the original "Stephenson Rocket"); on board he meets Virginia Canfield (the actress is Buster's real life wife). The dramatic waterfall rescue near the end is performed by Buster himself. Written by
Ed Stephan <stephan@cc.wwu.edu>
The climactic waterfall rescue scenes were filmed on a set built over the swimming pool on the Keaton lot. Production stills kept secret until decades after the film was released show the entire set, including the miniature valley constructed below the pool for the long overlooking shots. See more »
Goofs
When the donkey refuses to move from the rail tracks, the engineer and others curve the tracks around him. The long shot that shows the train moving past the donkey, however, shows the tracks back in a straight line. See more »
"Our Hospitality" displays the skill of Buster Keaton very admirably. After a somewhat slow start in the Prologue and beginning of the Story, the pace picks up and continues to become more and more interesting.
One appreciates the great care Keaton takes in setting up his compositions, noted for their clean lines and balanced geometric planes and forms. Images are nicely stuctured, and one gets a feeling of classically executed set designs, with room to breathe. The lines of the Keaton poems are not extended to the end; rather, room is left for the viewer to fill in phrase endings with personal responses.
This 1923 silent classic holds up quite well, and one notes the remarkable physical stunts Keaton pulls off, in the standard silent era custom of not using a double. The actual comedy comes off best with an audience: the phenemena of group laughter can be infectious, and this film can really take off in a full theater.
The post-added music on the sound track is adequate, while not inspired. To compare Chaplin's supervised score to "Modern Times" with this shows how superior is the Chaplin work.
"Our Hospitality" is a worthy tribute to that enormously creative talent who well earned his legendary status-- Keaton.
6 of 10 people found this review helpful.
Was this review helpful to you?
"Our Hospitality" displays the skill of Buster Keaton very admirably. After a somewhat slow start in the Prologue and beginning of the Story, the pace picks up and continues to become more and more interesting.
One appreciates the great care Keaton takes in setting up his compositions, noted for their clean lines and balanced geometric planes and forms. Images are nicely stuctured, and one gets a feeling of classically executed set designs, with room to breathe. The lines of the Keaton poems are not extended to the end; rather, room is left for the viewer to fill in phrase endings with personal responses.
This 1923 silent classic holds up quite well, and one notes the remarkable physical stunts Keaton pulls off, in the standard silent era custom of not using a double. The actual comedy comes off best with an audience: the phenemena of group laughter can be infectious, and this film can really take off in a full theater.
The post-added music on the sound track is adequate, while not inspired. To compare Chaplin's supervised score to "Modern Times" with this shows how superior is the Chaplin work.
"Our Hospitality" is a worthy tribute to that enormously creative talent who well earned his legendary status-- Keaton.