A man returns to his Appalachian homestead. On the trip, he falls for a young woman. The only problem is her family has vowed to kill every member of his family.

Directors:

(as Jack Blystone),

Writers:

(story) (as Jean Havez), (story) | 1 more credit »
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Cast

Complete credited cast:
Joe Roberts ...
Joseph Canfield
...
Canfield's 1st Son
Craig Ward ...
Canfield's 2nd Son
Monte Collins ...
The Parson
Joe Keaton ...
The Engineer
Kitty Bradbury ...
The Aunt
Natalie Talmadge ...
The Girl
Buster Keaton Jr. ...
Willie McKay - 1 Year Old
...
Willie McKay - 21 Years Old
Edit

Storyline

After her husband John McKay is killed in an ongoing feud with the Canfield family, a woman takes her baby boy Willie to her sister's house in New York hoping he will never know of the feud with the Canfields. Twenty years later Willie is a grown man and he receives a letter saying he has inherited his father's estate and must travel to his family home to take possession. On the train there he meets a beautiful young woman and falls in love only to learn that she's a Canfield. He accepts her invitation to dinner and quickly realizes that the Canfield men won't kill him while he's in their home. His plan to stay there as a permanent guest is short-lived and the Canfields are soon after him. Written by garykmcd

Plot Summary | Add Synopsis

Genres:

Comedy | Thriller

Certificate:

Not Rated | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

Release Date:

19 November 1923 (USA)  »

Also Known As:

La ley de la hospitalidad  »

Filming Locations:


Company Credits

Show detailed on  »

Technical Specs

Runtime:

(1995 alternate) | (copy with French titles at Brussels Musée du Cinéma)

Sound Mix:

Aspect Ratio:

1.33 : 1
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Did You Know?

Trivia

Final film of Natalie Talmadge, Buster Keaton's real-life wife. See more »

Goofs

When the donkey refuses to move from the rail tracks, the engineer and others curve the tracks around him. The long shot that shows the train moving past the donkey, however, shows the tracks back in a straight line. See more »

Connections

Featured in Hollywood: Comedy: A Serious Business (1980) See more »

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User Reviews

 
Great End Part, Otherwise Uneven
30 January 2007 | by (From a hilltop in Stockholm, Sweden) – See all my reviews

Although not Keaton's greatest film, this one has sure got some really great moments. The build-up is rather slow while the main plot is being established: 1830s Kentucky. Keaton gets invited by a pretty girl to attend her family dinner. What he doesn't realize until too late is that the family in question is his inherited mortal enemies in a blood feud that has been going on for centuries. The girl's father and brothers all want to kill him but is prevented from doing so until he has left their house (hence the title).

Our Hospitality has got some amazing action sequences but the tempo is very uneven. The early part of the film treats us to some beautiful replicas of old vehicles including trains and bicycles and also some of Keaton's usual train-rail comedy. The middle part, where Keaton guests his blood feud enemies is full of running in and out through doors. Up until now everything has been pretty slow. The last third of the movie though, is truly mind boggling! Keaton and a chasing gunman falls down cliffs, flows down rivers and waterfalls, jumps in and out of moving trains and so on while tied to each other with a rope around their waists. It must have been through watching this James Bond learned his action trade. Our Hospitality however, has also got a lot of comedy in its moments of unbelievable action.

Good fun.


5 of 6 people found this review helpful.  Was this review helpful to you?

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