Always the mama's boy, or in this case a grandma's boy, Sonny joins a posse after a tramp accused of robbery and murder. He is unable to conquer his cowardice until Grandma tells him of his... See full summary »
A college student experiences difficulty in getting home for Christmas after being hazed by his friends. While struggling to get home in time for Christmas, he learns quite a bit about ... See full summary »
Jonathan Taylor Thomas,
The richest kid in the world, Richie Rich, has everything he wants, except companionship. While representing his father at a factory opening, he sees some kids playing baseball across the ... See full summary »
This is a costume-period piece set in 1830s Kentucky. The Canfields and the McKays are feuding clans (essentially the real life Hatfields and McCoys renamed). In New York Willie boards a train (an exact recreation of the original "Stephenson Rocket"); on board he meets Virginia Canfield (the actress is Buster's real life wife). The dramatic waterfall rescue near the end is performed by Buster himself. Written by
Ed Stephan <email@example.com>
Final film of Joe Roberts, Buster Keaton's career "heavy". "Big Joe" suffered a stroke during the filming, and was hospitalized. He insisted on returning to work, however, and died very shortly after the end of filming. See more »
When the donkey refuses to move from the rail tracks, the engineer and others curve the tracks around him. The long shot that shows the train moving past the donkey, however, shows the tracks back in a straight line. See more »
With a good dose of everything that one expects from Keaton - slapstick, stunts, chases, rich visual detail, and much more - "Our Hospitality" is enjoyable to watch, and it has some especially good sequences. The plot idea, with Keaton as an innocent outsider becoming entangled in an old-fashioned family feud, works pretty well, although it relies on comic details to overcome some rather routine characters.
A short prologue explains the feud in which Buster will soon be involved, and then we see New Yorker Willie McKay (Keaton) called south to claim a family inheritance, which will plunge him into the middle of the feud. One of the movie's highlights is the train ride south, a wonderful sequence that almost upstages the rest of the film. It's a long, leisurely series of comic snippets that works beautifully both as a period piece and as terrifically inventive comedy. There aren't any spectacular gags, but an impressive collection of amusing incidents and carefully done detail, and it's well worth watching over again to catch it all.
The main part of the film features Buster romancing the pretty young woman he met on the train, while trying to avoid her brothers and father, who are trying to kill him. It's pretty good, but except for a few clever shots most of it is not up to the standard of the first part of the movie. It picks up near the end with a very good chase sequence that has some memorable moments and that brings everything to a climax.
Overall, this is a fine film, enjoyable and well worth watching.
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