The Man Without Desire (1923) Poster

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Irony, Oh, Irony
drednm29 December 2016
Ivor Novello stars in this romantic fantasy set in 18th century Venice where Count Dandolo (Novello) falls for a beautiful woman (Nina Vanna) who is married to a philandering cad. In his desperate attempt to free her from the swine, things go wrong and she dies instead of him. In a fit of anger, Novello kills the man.

He runs to his doctor friend who agrees to put him in a state of suspended animation (he is a student of Indian occult arts) and they quickly work out a plan whereby Novello will be "awakened" in 200 years, freed from his crime. But the doctor also warns that his future life may lack "savour." Flash forward to his "awakening." Culture shock aside, Novello makes his way to the scene of the crime only to discover a lookalike descendant of his beloved. She is abut to marry the lookalike descendant of the man he killed. Novello races to save the woman and marries her.

But something is wrong. As the doctor predicted, his life lacks "savour," and the wife feels cheated. He is impotent. He cannot live a life like this and writes a farewell note.

Handsome production is rather slow by today's standards, with the first half of the film devoted to the old Venice story. Film marks the first feature for director Adrian Brunel (who also plays the newspaper writer) who shot the film in Berlin with location shooting in Venice. The German Expressionism of the era shows up in the set designs.

Certainly an interesting film, and Novello is quite good. The ending uses a medium close-up in bright light with the background blacked out for maximum effect. Vanni was a Russian-born actress in British silent films. She seems very fragile. An important film for matinée idol Novello.
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