One of the first feminist movies, The Smiling Madame Beudet is the story of an intelligent woman trapped in a loveless marriage. Her husband is used to playing a stupid practical joke in ... See full summary »
In documentary style, events in Petrograd are re-enacted from the end of the monarchy in February of 1917 to the end of the provisional government and the decrees of peace and of land in ... See full summary »
Sergei M. Eisenstein
Two rival kings addicted to gambling, Ranjit (Roy) and the evil Sohan (Rai), also vie for the same woman, Sunita (Seeta Devi), Kanwa the hermit's (Gupta) daughter. Ranjit loses his kingdom ... See full summary »
Marie wants to escape from her job and also from her lover, Paul, an unemployed drunk. She dreams of going off with Jean, a dockworker. The two men quarrel and fight over Marie on two ... See full summary »
A pulsing, kaleidoscope of images set to an energetic soundtrack. A young women swings in a garden; a woman's face smiles. The rest is spinning cylinders, pistons, gears and turbines, ... See full summary »
One of the first feminist movies, The Smiling Madame Beudet is the story of an intelligent woman trapped in a loveless marriage. Her husband is used to playing a stupid practical joke in which he puts an empty revolver to his head and threatens to shoot himself. One day, while the husband is away, she puts bullets in the revolver. However, she is stricken with remorse and tries to retrieve the bullets the next morning. Her husband gets to the revolver first only this time he points the revolver at her. Written by
Anurag Garg <firstname.lastname@example.org>
I studied Women and Film with author, Dr. Sandy Flitterman-Lewis at Rutgers University and this is one of the many films that we watched in the viewing. Germaine Dulac provided us a glimpse into the life of women in France during Pre-World War II era and Post World War I world. Paris was a city who loved the arts at the time and was thriving with literary salons and American expatriates as well. Germaine Dulac never captured as much attention but she should have been on league with her male counterparts like Jean Epstein and others. Sadly, the war and the depression may have ended her career like so many others. We can only imagine what might have been if Germaine Dulac had been given the same advantages that her male counterparts received during that time. But she was one of the lucky ones to get the experienced to direct such films like this that are controversial and eye opening as well. Language is not necessary since sound didn't come until the 1930s and Germaine's career went elsewhere.
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